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"After silence that which comes nearest to expressing the inexpressible is music." - Aldous Huxley

Miklós Spányi

Miklós Spányi was born in Budapest where he studied the organ and harpsi chord at the Liszt Academy of Music under Ferenc Gergely and János Sebestyén. He con - tinued his studies at the Royal Flemish Conservatory under Jos van Immer seel and at the Hochschule für Musik in Munich under Hedwig Bilgram. A prizewinner at international harpsichord competitions (Nantes, 1984, and Paris, 1987) Miklós Spányi has performed in most European countries and the USA as a soloist on five keyboard instruments (organ, harpsichord, fortepiano, clavi chord and tangent piano) as well as playing continuo in various orchestras and baroque ensembles. He is also appre - ciated as improviser and composer. For some years Miklós Spányi’s work as a performer and researcher has con cen - trated on the œuvre of Carl Philipp Emanuel Bach. In January 2014 – the tercentenary of the composer’s birth – Spányi released the twentieth, and final, volume in his great undertaking to record all Bach’s concertos for keyboard, described in Gramophone as ‘a unique monument to one of the 18th century’s most underrated composers’. He has also worked intensively to revive C. P. E. Bach’s favourite instrument, the clavi - chord, and has edited several volumes of C. P. E. Bach’s solo keyboard music for Könemann Music, Budapest. Between 1990 and 2012 Miklós Spányi taught at the Oulu Conservatory of Music and Dance and at the Sibelius Academy in Finland, while also giving masterclasses in many countries. He currently teaches at the Mann - 8 heim University of Music and Performing Arts in Germany, at the Liszt Academy of Music in Budapest and at the Amsterdam Conservatory