Roland Emile Kuit

From his childhood, Roland Kuit has always been fascinated by the phenomenon of sound. Surrounded with instruments like a grand piano, violins, double bass, trombone and guitars, he started to experiment with these sounds and the tape recorder. He was 6 years old at that time. This early playground formed a conceptual brain scheme for the rest of his life: experiment-sound, sound-experiment.
At early age he started to play the flute and was accepted at the Royal Conservatory, The Hague continuing his sound research in extended flute techniques. Here he met the music of Karlheinz Stockhausen, Luigi Nono, Berio, Dick Raaijmakers and other composers in electronic music. Experiencing limitations in acoustic music, Roland bought his first synthesizer. The ARP 2600.
At that moment Roland made a decisive step in his career by subscribing at the prestigious Institute of Sonology, University of Utrecht in the Netherlands. It was at the end of formalism and new ways in sound creation and other frameworks had to be explored. Under the influence of director Gottfried Michael Koenig this formal framework was opened for new experiments. Roland studied analogue and digital sound science. Synthesis- and studio techniques next by Stan Tempelaars and Jaap Vink.
At the IRCAM in Paris, Roland experienced new ways in acoustic composition and research of physical modeling in spectral music. Earlier he had accomplished a virtual PM string quartet with use of analogue synthesis. Analogue synthesized sounds have something apealing due behaviour of the apparatus. Sounds created by digital means seemed to be a kind of static so Roland used his knowledge to apply his techniques in the digital realm. His morphing between different techniques and shaping of algorithms became Roland’s signature. His output spans composition through sound art, sound-architectural installations, collaboration with experimental artists, designers and scientists, acousmatic performance and live electroacoustic improvisation.  Research, imagination and technical association made him write his books about combined synthesis techniques. Lecturing at diverse universities and creating radio programs about electronic music giving him a platform to discuss his conceptual worlds.  Roland Kuit performs on concert stages, art galleries and museums. His books about research in modular synthesis techniques, music and sound art are published by Donemus, Publishing House of Dutch Contemporary Classical Music. Roland Kuit's music is on board on NASA's OSIRIS-REx mission reaching the asteroid 101955 Bennu in 2018.