Ton Koopman / Amsterdam Baroque Orchestra
London Symphonies - Symphonies nos. 97 & 98
| Challenge Classics | 0608917236026 | CC 72360 | 04-10
Amsterdam Baroque Orchestra
Catherine Manson: violin 1
Nicolas Mazzoleni: violin 1
Agnes Stradner Dubrovsky: violin 1
Stefano Rossi: violin 1
John Meyer: violin 1
David Rabinovich: violin 2
Marc Cooper: violin 2
Ann Roux Peikert: violin 2
Maite Larburu: violin 2
Sara Hubrich: viola
Heather Birt: viola
Jonathan Manson: violoncello
Lucy Scotchmer: violoncello
Michele Zeoli: double bass
Antoine Torunczyk: oboe
Michel Henry: oboe
Wilbert Hazelzet: traverso
Marion Moonen: traverso
Thomas Müller: horn
Francois Mérand: horn
Stephen Keavy: trumpet
David Hendry: trumpet
Wouter Verschuren: bassoon
Monika Fischaleck: bassoon
Johannes Terpstra: timpani
Ton Koopman: conductor & harpsichord
"What is striking in the Symphonies 97 en 98 are the beautiful slow movements: Haydn again shows us that he is the master of our feelings. The menuets are catchingly dansant, the trios are refreshing. The first movements of these symphonies start with - as often is the case with Haydn- with a short, slow introduction and directly after that they burst into a fast tempo full of joyfulness and inventiveness. He makes simple themes develop into masterworks in an unsurpassed way. The closing movements, fast in character and starting off with only the strings, are astonishing because of their vitality and structure. Haydn is at his best in the 12 London Symphonies." - Ton Koopman in the linernotes
Symphonies 97 en 98 are the last of the first set of Haydn's London Symphonies, but still this cd is called vol.1, because the ABO is planning to record all the twelve symphonies, on authentic instrumentation.
Für Haydn brachte sein Besuch in London (1791-92) auf musikalischer Ebene enorme Veränderungen mit sich. Seine Musik wurde in seiner Anwesenheit von einem für die damalige Zeit sehr großem Orchester ausgeführt. Haydn versuchte, den in London herrschenden Geschmack zu treffen, und war dabei sehr erfolgreich. In den Sinfonien 97 und 98 fallen die prächtigen, langsamen Sätze auf; Haydn zeigt sich wiederum als ein Meister der Gefühle. Ton Koopman startet mit dieser CD die Gesamtaufnahme aller 12 Londoner Sinfonien, die zum Besten gehören, was Haydn geschaffen hat: Orchestermusik voller Fröhlichkeit und Erfindungsreichtum
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1Symphony in C major, Hob.I:97Adagio ? Vivace08:16
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2Symphony in C major, Hob.I:97Adagio ma non troppo06:26
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3Symphony in C major, Hob.I:97Menuetto. Allegretto - Trio04:33
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4Symphony in C major, Hob.I:97Finale. Spirituoso07:54
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5Symphony in B flat major, Hob.I:98Adagio ? Allegro08:31
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6Symphony in B flat major, Hob.I:98Adagio08:42
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7Symphony in B flat major, Hob.I:98Menuetto. Allegro - Trio03:05
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8Symphony in B flat major, Hob.I:98Finale. Presto05:13
Ton Koopman - London Symphonies - BBC Music Magazine - 11-2010
06-12-2010 01-09-2010Baroque Orchestra, Ton Koopman - London Symphonies - Pizzicato 2010
26-07-2010




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