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Easter Cantatas

Ton Koopman / The Amsterdam Baroque Orchestra & Choir

Easter Cantatas

Format: CD
Label: Challenge Classics
UPC: 0608917223125
Catnr: CC 72231
Release date: 01 March 2005
2 CD
 
Label
Challenge Classics
UPC
0608917223125
Catalogue number
CC 72231
Release date
01 March 2005
Album
Artist(s)
Composer(s)
EN
NL

About the album

This CD-box gives a full reproduction -with exception of the Passion - of the musical program Bach offered in 1724, starting from March 24 (Annunciation) until April 11 (Third Easterday). This was Bach's first year as Thomaskantor in Leipzig.

The two cd's show us the master's very differentiated Cantata-style from his early years until after 1725. Examples of later works are his Cantata BWV 6, a genuine work from his Leipzig-period and composed in 1725. Cantatas BWV 145 and 158 were written in the years after that. Ton Koopman and his choir are as differentiated in their performances as Bach in his composing: clear and bright in the chorales and in contrapuntal choirs really articulate and outstanding. But that are just a few superlatives which can be used for an album such as this! This Easter you can enjoy this wonderful album with Koopman, hist choir and orchestra and of course the best of solists!
Genieten van prachtige Paascantates van Bach
Met Pasen kunt u genieten van deze opnames van 9 prachtige liederen van Johann Sebastian Bach. Zoals altijd voortreffelijk uitgevoerd door Ton Koopman, zijn Amsterdam Baroque Orchestra & Choir, en natuurlijk de allerbeste solisten!

In de tijd (1723-1750) dat Bach in Leipzig woonde, was hij als Thomascantor verantwoordelijk voor de muziek in de Thomas- en Nikolaikerk. Bach stelde zichzelf als taak om zoveel mogelijk eigen en nieuwe composities uit te voeren. Dit album bevat een volledige weergave van het muzikale programma, dat Bach in zijn eerste jaren in Leipzig rond Pasen aanbood aan de kerken. Weliswaar met uitzondering van de Johannes- en Matthäuspassies. De opnames tonen de onderscheidende stijl van de cantates van de meester, vanaf zijn jonge jaren tot na 1725. Voorbeelden van die latere werken zijn de Cantates BWV 6 geschreven in 1725 en de Cantates BWV 145 en 158, die daarna zijn gecomponeerd.

De uitvoeringen van Ton Koopman en zijn koor zijn al net zo onderscheidend als de composities van Bach. Koopman studeerde orgel, klavecimbel en muziekwetenschap in Amsterdam. Vanuit onder andere zijn fascinatie voor historische instrumenten concentreerde Koopman zich tijdens zijn studies op Barokmuziek, met speciale aandacht voor Johann Sebastian Bach. Van 1994 tot 2004 werkte hij met het Amsterdam Baroque Orchestra & Choir aan zijn 'mammoetproject': het uitvoeren en opnemen van alle overgeleverde cantates van Bach. Ton Koopman is een leidende persoonlijkheid binnen de oude-muziek-beweging.

Artist(s)

Ton Koopman

Ton Koopman is a leading figure in Early Music and historically informed performance practice. As organist and harpsichordist Ton Koopman has performed all over the world and played the most beautiful historical instruments of Europe. His Amsterdam Baroque Orchestra & Choir has gained worldwide fame as one of the best ensembles on period instruments. Between 1994 and 2004 Ton Koopman and ABO&C have recorded all sacred and secular cantatas by Johann Sebastian Bach, an extraordinary project that earned international acclaim. After that Koopman recorded the complete works by Bach’s predecessor, Dieterich Buxtehude. Besides performing as a soloist and with his ABO&C, Ton Koopman is very active as a guest conductor for modern orchestras and also devotes part of his time...
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Ton Koopman is a leading figure in Early Music and historically informed performance practice. As organist and harpsichordist Ton Koopman has performed all over the world and played the most beautiful historical instruments of Europe. His Amsterdam Baroque Orchestra & Choir has gained worldwide fame as one of the best ensembles on period instruments. Between 1994 and 2004 Ton Koopman and ABO&C have recorded all sacred and secular cantatas by Johann Sebastian Bach, an extraordinary project that earned international acclaim. After that Koopman recorded the complete works by Bach’s predecessor, Dieterich Buxtehude. Besides performing as a soloist and with his ABO&C, Ton Koopman is very active as a guest conductor for modern orchestras and also devotes part of his time to teaching. Ton Koopman is president of the International Dieterich Buxtehude Society and, since 2019, president of the Leipzig Bach Archiv.

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Amsterdam Baroque Orchestra & Choir

Ton Koopman founded the Amsterdam Baroque Orchestra in 1979. The group consists of internationally renowned baroque specialists who meet up several times a year and work together to prepare and perform new exciting programmes. For the musicians each concert is a new experience and Koopman's boundless energy and enthusiasm are a sure guarantee of the highest quality. The Amsterdam Baroque Choir was founded in 1992 and it made its debut during the Holland Festival of Early Music in Utrecht performing the world première of the Requiem (for 15 voices) and Vespers (for 32 voices) by H.I.F. Biber. The recording of both of these works won the Cannes Classical Award for the best performance of 17th/18th century choral music. For its rare...
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Ton Koopman founded the Amsterdam Baroque Orchestra in 1979. The group consists of internationally renowned baroque specialists who meet up several times a year and work together to prepare and perform new exciting programmes. For the musicians each concert is a new experience and Koopman's boundless energy and enthusiasm are a sure guarantee of the highest quality.
The Amsterdam Baroque Choir was founded in 1992 and it made its debut during the Holland Festival of Early Music in Utrecht performing the world première of the Requiem (for 15 voices) and Vespers (for 32 voices) by H.I.F. Biber. The recording of both of these works won the Cannes Classical Award for the best performance of 17th/18th century choral music. For its rare combination of textural clarity and interpretative flexibility, the Amsterdam Baroque Choir is considered among today’s most outstanding choirs. In 1994 Ton Koopman and the Amsterdam Baroque Orchestra & Choir embarked upon the most ambitious recording project of the last decades: the integral recording of Bach’s secular and sacred cantatas. For this extraordinary project Koopman and his ensemble received the Deutsche Schallplatten-Preis Echo Klassik. Next to the CD recordings three books have been edited and published by Ton Koopman and the musicologist Christoph Wolff and a series of six documentaries was produced and broadcasted by various TV stations.
Alongside Bach’s music the Amsterdam Baroque Orchestra & Choir has recorded all major baroque and classical works. Major recognitions include the Gramophone Award, Diapason d'Or, 10-Repertoire, Stern des Monats-Fono Forum, the Prix Hector Berlioz and two Edison Awards. In 2008 the ensemble and Ton Koopman have been honoured with the prestigious BBC Award. Since March 2003 “Antoine Marchand”, a new sub-label of Challenge Classics, took over the release of Koopman’s new recordings and among many others has published 22 CD boxes of the Bach Cantatas, a new recording of the St. Matthew Passion (on CD and DVD) and St. Markus Passion of J.S. Bach (DVD), live recorded in Milan, as well as the first seven volumes of the Buxtehude Opera-Omnia Edition. Ton Koopman and the ABO & ABC are regular guests at the major concert halls of Europe, the USA and Japan. In the 2008/09 season they will tour extensively in Europe (Amsterdam, Paris, Madrid, Vienna, Milan, Cologne, Dresden, Düsseldorf etc) and in Far East with concerts in Hong Kong, Seoul and Tokyo.
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Composer(s)

Johann Sebastian Bach

Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.  Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.  
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Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.

Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.


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Disc #1
01.
Himmelskönig, sei willkommen (Concerto) BWV 182: Sinfonia
02:01
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
02.
Himmelskönig, sei willkommen (Concerto) BWV 182: Chorus: Himmelskönig, sei willkommen
03:00
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
03.
Himmelskönig, sei willkommen (Concerto) BWV 182: Recitative: Siehe, siehe, ich komme (Bass)
00:31
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
04.
Himmelskönig, sei willkommen (Concerto) BWV 182: Aria: Starkes Lieben (Bass)
02:34
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
05.
Himmelskönig, sei willkommen (Concerto) BWV 182: Aria: Leget euch dem Heiland unter (Alto)
06:36
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
06.
Himmelskönig, sei willkommen (Concerto) BWV 182: Aria: Jesu, lass durch Wohl und Weh (Tenor)
03:39
(Johann Sebastian Bach , Johann Sebastian Bach) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
07.
Himmelskönig, sei willkommen (Concerto) BWV 182: Chorale: Jesu, deine Passion (Chorus)
02:29
(Johann Sebastian Bach , Johann Sebastian Bach) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
08.
Himmelskönig, sei willkommen (Concerto) BWV 182: Chorus: So lasset uns gehen in Salem der Freuden
03:53
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
09.
Christ lag in Todesbanden BWV 4: Sinfonia
01:09
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
10.
Christ lag in Todesbanden BWV 4: Versus I - Chorus: Christ lag in Todesbanden
03:42
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
11.
Christ lag in Todesbanden BWV 4: Versus 2 - Duet: Den Tod niemand zwingen kahn (Soprano, Alto)
04:09
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
12.
Christ lag in Todesbanden BWV 4: Versus 3 - Aria: Jesus Christus, Gottes Sohn (Tenor)
02:03
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
13.
Christ lag in Todesbanden BWV 4: Versus 4 - Chorus: Es war ein wunderlicher Krieg
02:07
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
14.
Christ lag in Todesbanden BWV 4: Versus 5 - Aria: Hier ist das rechte Osterlamm (Bass)
02:54
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
15.
Christ lag in Todesbanden BWV 4: Versus 6 - Duet: So feiern wir das hohe Fest (Soprano, Tenor)
01:57
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
16.
Christ lag in Todesbanden BWV 4: Versus 7 - Chorale: Wir essen und leben wohl (Chorus)
01:19
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
17.
Der Himmel lacht! die Erde jubilieret BWV 31: Sonata
02:30
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
18.
Der Himmel lacht! die Erde jubilieret BWV 31: Der Himmel lacht! (Chorus)
02:30
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
19.
Der Himmel lacht! die Erde jubilieret BWV 31: Recitative: Erwunschter Tag! sei, Seele (Bass)
03:35
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
20.
Der Himmel lacht! die Erde jubilieret BWV 31: Aria: Furst des Lebens, starker Streiter (Bass)
02:04
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
21.
Der Himmel lacht! die Erde jubilieret BWV 31: Recitative: So stehe dann, du gottergebne Seele (Tenor)
03:24
(Johann Sebastian Bach , Johann Sebastian Bach) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
22.
Der Himmel lacht! die Erde jubilieret BWV 31: Aria: Adam muss in uns verwesen (Tenor)
01:06
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
23.
Der Himmel lacht! die Erde jubilieret BWV 31: Recitative: Weil dann das Haupt seiner Glied (Soprano)
02:18
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
24.
Der Himmel lacht! die Erde jubilieret BWV 31: Aria: Letzte Stunde, brich herein (Soprano)
00:50
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
25.
Der Himmel lacht! die Erde jubilieret BWV 31: So fahr ich hin zu Jesu Christ (Chorus)
04:04
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
26.
Bleib bei uns, denn es will Abend werden BWV 6: Chor: Bleib bei uns, denn es will Abend werden
06:09
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
27.
Bleib bei uns, denn es will Abend werden BWV 6: Arie: Hochgelobter Gottessohn
03:09
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
28.
Bleib bei uns, denn es will Abend werden BWV 6: Choral: Ach bleib bei uns, Herr Jesus Christ
03:45
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra

Disc #2
01.
Bleib bei uns, denn es will Abend werden BWV 6: Recitative: Es hat die Dunkelheit (bass)
00:42
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
02.
Bleib bei uns, denn es will Abend werden BWV 6: Aria: Jesu, Laß uns auf dich sehen (tenor)
03:15
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
03.
Bleib bei uns, denn es will Abend werden BWV 6: Chorale: Beweis dein Macht, Herr Jesu Christ
00:37
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
04.
Erfreut euch, ihr Herzen BWV 66: Chorus: Erfreut euch, ihr Herzen
09:19
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
05.
Erfreut euch, ihr Herzen BWV 66: Recitative: Es bricht das Grab (Bass)
00:34
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
06.
Erfreut euch, ihr Herzen BWV 66: Aria: Lasset dem Höchsten ein Danklied erschallen (Bass)
05:41
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
07.
Erfreut euch, ihr Herzen BWV 66: Recitative and Arioso: Bei Jesu Leben freudig sein (Alto, Tenor)
03:49
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
08.
Erfreut euch, ihr Herzen BWV 66: Duet: Ich furchte zwar des Grabes Finsternissen (Alto, Tenor)
06:15
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
09.
Erfreut euch, ihr Herzen BWV 66: Chorale: Alleluja!
00:43
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
10.
Der Friede sei mit dir BWV 158: Recitative: Der Friede sei mit dir (Bass)
01:40
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
11.
Der Friede sei mit dir BWV 158: Aria and Chorale: Welt, ade, ich bin dein Müde (Bass and Sopranos)
05:42
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
12.
Der Friede sei mit dir BWV 158: Recitative: Nun Herr, regiere meinen Sinn (Bass)
01:20
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
13.
Der Friede sei mit dir BWV 158: Chorale: Hier ist das rechte Osterlamm
01:03
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
14.
Ein Herz das seinen Jesum lebend weiß BWV 134: Recitative: Ein Herz, das seinem Jesum lebend Weiß (Tenor, Alto)
00:41
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
15.
Ein Herz das seinen Jesum lebend weiß BWV 134: Aria: Auf, Glaübige, singet die lieblichen Lieder (Tenor)
05:42
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
16.
Ein Herz das seinen Jesum lebend weiß BWV 134: Recitative: Wohl dir, Gott hat an dich gedacht (Tenor, Alto)
02:08
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
17.
Ein Herz das seinen Jesum lebend weiß BWV 134: Aria: Wir danken un preisen dein brünstiges Lieben (Tenor, Alto)
07:22
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
18.
Ein Herz das seinen Jesum lebend weiß BWV 134: Recitative: Doch wirke selbst den Dank in unserm Munde (Tenor, Alto)
01:50
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
19.
Ein Herz das seinen Jesum lebend weiß BWV 134: Chorus: Erschallet, ihr Himmel
07:30
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
20.
Ich lebe, mein Herze, zu deinem Ergötzen BWV 145: Aria: Ich lebe, mein Herze (Soprano, Tenor)
02:58
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
21.
Ich lebe, mein Herze, zu deinem Ergötzen BWV 145: Recitative: Nun fordre, Moses, wie du willt (Tenor)
00:55
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
22.
Ich lebe, mein Herze, zu deinem Ergötzen BWV 145: Aria: Merke, mein Herze, beständig nur dies (Bass)
03:05
(Johann Sebastian Bach , Johann Sebastian Bach) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
23.
Ich lebe, mein Herze, zu deinem Ergötzen BWV 145: Recitative: Mein Jesu lebt! (Soprano)
00:45
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
24.
Ich lebe, mein Herze, zu deinem Ergötzen BWV 145: Chorale: Drum wir auch billig fröhlich sein
00:30
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
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