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Frauen und Mädchen die lieben
Robert Schumann, Heinz Krause-Graumnitz

Margiono Quintet

Frauen und Mädchen die lieben

Price: € 19.95
Format: CD
Label: Turtle Records
UPC: 8713606250008
Catnr: TRSA 0025
Release date: 01 January 2005
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Label
Turtle Records
UPC
8713606250008
Catalogue number
TRSA 0025
Release date
01 January 2005
Album
Artist(s)
Composer(s)
EN

About the album

Charlotte Margiono
Marijn Mijnders
Susanne Jaspers
Gert Jan Leuverink
Yke Viersen
- Soprano
- First violin
- Second violin
- Viola
- Cello

Artist(s)

Charlotte Margiono

Her Fiordiligi in Jürgen Flimm’s production of Cosi fan tutte with Nikolaus Harnoncourt conducting the Royal Concertgebouw Orchestra, January 1990 in Amsterdam, put Charlotte Margiono without any doubt at the international top of Mozart sopranos. After her first Nozze di Figaro in Bern in January 1988 many Contessas were to follow in numerous new productions (Hamburg 1990/94, Aix-en-Provence 1991, Bordeaux 1995, Amsterdam 1993 and Dresden 1995, Vienna and, with the Wiener Staatsoper, in Japan 1994). Her Mozart roles include Vitellia in La Clemenza di Tito (Aix 1988, Salzburg 1991), Erste Dame in Die Zauberflöte (Amsterdam 1988, Aix 1989), Pamina in Die Zauberflöte (Bordeaux 1992), Aminda in La Finta Giardiniera (Parijs 1991) and, her favourite, Donna Elvira in Don Giovanni (with...
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Her Fiordiligi in Jürgen Flimm’s production of Cosi fan tutte with Nikolaus Harnoncourt conducting the Royal Concertgebouw Orchestra, January 1990 in Amsterdam, put Charlotte Margiono without any doubt at the international top of Mozart sopranos. After her first Nozze di Figaro in Bern in January 1988 many Contessas were to follow in numerous new productions (Hamburg 1990/94, Aix-en-Provence 1991, Bordeaux 1995, Amsterdam 1993 and Dresden 1995, Vienna and, with the Wiener Staatsoper, in Japan 1994). Her Mozart roles include Vitellia in La Clemenza di Tito (Aix 1988, Salzburg 1991), Erste Dame in Die Zauberflöte (Amsterdam 1988, Aix 1989), Pamina in Die Zauberflöte (Bordeaux 1992), Aminda in La Finta Giardiniera (Parijs 1991) and, her favourite, Donna Elvira in Don Giovanni (with John Eliot Gardiner in Parma, Amsterdam, London, Ludwigsburg 1994).
In addition to these Mozart-roles Charlotte Margiono is gradually building a wide lyrical repertoire: Marie in Die Verkaufte Braut, Mimi in La Bohème, Agathe in Der Freischütz (role debut in Hamburg 1999), Desdemona in Otello (role debut in Paris and Amsterdam, 1994), Rusalka (role debut in the Netherlands 1998), Marguerite in a concert performance of La Damnation de Faust to close the Bernard Haitink Festival in the Amsterdam Concertgebouw (1999), and Eva in Meistersinger (role debut in Amsterdam 2000).
Future engagements for new roles include Leonore in Fidelio (Sir Simon Rattle, Glyndebourne 2001), Elsa in Lohengrin (Amsterdam 2002), Chrysothemis in Elektra (Brussel 2002). 3 Conductors with whom Charlotte Margiono is frequently singing are a.o. Claudio Abbado, Gerd Albrecht, Gary Bertini, Frans Brüggen, Sir Colin Davis, John Eliot Gardiner, Valery Gergiev, Carlo Maria Giulini, Hartmut Haenchen, Bernard Haitink, Nikolaus Harnoncourt, Armin Jordan, James Judd, Alain Lombard, Ingo Metzmacher, Antonio Pappano, Wolfgang Sawallisch, Marc Soustrot, Edo de Waart en Franz Welser-Möst.
Almost all leading international orchestras such as the Berliner Philharmoniker, the Wiener Philharmoniker, l’Orchestre National de France, Madrid, Santa Caecilia, Royal Concertgebouw Orchestra, Florence and Orchester der Beethovenhalle Bonn regularly invite the soprano for a.o. Mahler Symphony 2 and 4, Rossini Stabat Mater, Strauss Vier letzte Lieder, Berlioz Les Nuits d’été, Verdi Requiem, Ravel Shéhérazade, Berg Sieben Frühe Lieder, Beethoven IX, Missa Solemnis and, especially, Ah Perfido! Charlotte Margiono’s voice is recorded a.o. as Erste Dame in Die Zauberflöte (Erato), Missa Solemnis, Ah Perfido!, Donna Elvira in Don Giovanni with John Eliot Gardiner (DGG-Archiv), Brahms’ Ein Deutsches Requiem (Philips), Cosi fan tutte (Fiordiligi), La Finta Giardiniera (Arminda), Le Nozze di Figaro (Contessa), various Mozart Masses and Beethovens Fidelio (Harnoncourt/Teldec). Strauss’ Jugendlieder were recorded with the accompaniment of Friedrich Haider.
Recently Charlotte Margiono has founded her own Margiono Quintet, with four leading string-players from the Royal Concertgebouw Orchestra. The official debut of the Margiono Quintet in the Amsterdam Concertgebouw in November 1998 was an enormous success. Several national and international chambermusic festivals already showed their interest in the Quintet.


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Composer(s)

Robert Schumann

Robert Schumann was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. Schumann's published compositions were written exclusively for the piano until 1840; he later composed works for piano and orchestra; many Lieder (songs for voice and piano); four symphonies; an opera; and other orchestral, choral, and chamber works. Works such as Carnaval, Symphonic Studies, Kinderszenen, Kreisleriana, and the Fantasie in...
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Robert Schumann was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.
Schumann's published compositions were written exclusively for the piano until 1840; he later composed works for piano and orchestra; many Lieder (songs for voice and piano); four symphonies; an opera; and other orchestral, choral, and chamber works. Works such as Carnaval, Symphonic Studies, Kinderszenen, Kreisleriana, and the Fantasie in C are among his most famous. His writings about music appeared mostly in the Neue Zeitschrift für Musik (New Journal for Music), a Leipzig-based publication which he jointly founded.
In 1840, Schumann married Friedrich Wieck's daughter Clara, against the wishes of her father, following a long and acrimonious legal battle, which found in favour of Clara and Robert. Clara also composed music and had a considerable concert career as a pianist, the earnings from which, before her marriage, formed a substantial part of her father's fortune.
Schumann suffered from a mental disorder, first manifesting itself in 1833 as a severe melancholic depressive episode, which recurred several times alternating with phases of ‘exaltation’ and increasingly also delusional ideas of being poisoned or threatened with metallic items. After a suicide attempt in 1854, Schumann was admitted to a mental asylum, at his own request, in Endenich near Bonn. Diagnosed with "psychotic melancholia", Schumann died two years later in 1856 without having recovered from his mental illness.

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Press

Play album Play album
01.
R. Schumann: Frauenliebe und Leben op. 42: Seit ich ihn gesehen
02:03
(Robert Schumann) Margiono Quintet
02.
R. Schumann: Frauenliebe und Leben op. 42: Er, der Herrlichsten von allen
02:42
(Robert Schumann) Margiono Quintet
03.
R. Schumann: Frauenliebe und Leben op. 42: Ich kann's nicht fassen, nicht glauben
01:33
(Robert Schumann) Margiono Quintet
04.
R. Schumann: Frauenliebe und Leben op. 42: Du Ring am meiner Finger
02:53
(Robert Schumann) Margiono Quintet
05.
R. Schumann: Frauenliebe und Leben op. 42: Helft mir, ihr Schwestern
01:48
(Robert Schumann) Margiono Quintet
06.
R. Schumann: Frauenliebe und Leben op. 42: S sser freund, du blickest
04:29
(Robert Schumann) Margiono Quintet
07.
R. Schumann: Frauenliebe und Leben op. 42: An meinem Herzen, an meiner Brust
01:13
(Robert Schumann) Margiono Quintet
08.
R. Schumann: Frauenliebe und Leben op. 42: Nun hast du mir den eirersten Schmerz getan
03:57
(Robert Schumann) Margiono Quintet
09.
H. Krause-Graumnitz: Lieder fur Mädchen die lieben: Mädchen, eind Kind betrachtend
02:30
(Heinz Krause-Graumnitz) Margiono Quintet
10.
H. Krause-Graumnitz: Lieder fur Mädchen die lieben: Ein Mädchen findet eine Feder
01:02
(Heinz Krause-Graumnitz) Margiono Quintet
11.
H. Krause-Graumnitz: Lieder fur Mädchen die lieben: Wie sich an Schritten die Liebe zeigt
01:47
(Heinz Krause-Graumnitz) Margiono Quintet
12.
H. Krause-Graumnitz: Lieder fur Mädchen die lieben: Die schlimme Stunde
00:47
(Heinz Krause-Graumnitz) Margiono Quintet
13.
H. Krause-Graumnitz: Lieder fur Mädchen die lieben: Kommt er
05:15
(Heinz Krause-Graumnitz) Margiono Quintet
14.
H. Krause-Graumnitz: Lieder fur Mädchen die lieben: Liebeslied
01:11
(Heinz Krause-Graumnitz) Margiono Quintet
15.
H. Krause-Graumnitz: Lieder fur Mädchen die lieben: Fruher Morgen
02:20
(Heinz Krause-Graumnitz) Margiono Quintet
16.
H. Krause-Graumnitz: Lieder fur Mädchen die lieben: Gleichnis
02:20
(Heinz Krause-Graumnitz) Margiono Quintet
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