About the album
Sounds, tones, noises, voices and texts converge in one of Heiner Goebbels’ most extraordinary acoustic creations. Is it a composition, environment, installation or sound sculpture on the grand scale? Its creator once described it as a composition for five pianos with no pianists, a play with no actors, a performance without performers, “one might say a no-man show.” Yet it is teeming with sound sources – ranging from Bach to chants of natives of New Guinea to Greek folk song, and overlapping voices of, amongst many others, Claude Lévi-Strauss, William Burroughs and Malcolm X. The work was inspired by the work of 19th century Austrian Romantic writer Adalbert Stifter, who meticulously documented the signs and sounds of nature.
And the Edison nominees are...
On Tuesday 21st of October Stichting Edison announced the Classical Edison nominations. We are delighted with the nominations for Challenge Classics. In the catagory chamber music and the opera: - Goeyvaerts String Trio (Pärt, Moody – Stabat Matar, Simeron)- CC 72616 - De Nationale Opera o.l.v. Marc Albrecht (Trojahn – Orest) - CC ...Read more
Buxtehude Box: A milestone in the Baroque discography
Dieterich Buxtehude is renowned as the most important figure of the German Baroque after J.S. Bach. A welcome tribute to such an important figure, is Ton Koopman’s Opera Omnia, featuring soloists and the Amsterdam Baroque Orchestra & Choir. Also released as separate CDs, this superb collection is now available as a deluxe ...Read more