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Totentanz, Choral-Passion

Netherlands Chamber Choir

Totentanz, Choral-Passion

Format: CD
Label: Globe
UPC: 8711525517509
Catnr: GLO 5175
Release date: 19 August 2002
1 CD
 
Label
Globe
UPC
8711525517509
Catalogue number
GLO 5175
Release date
19 August 2002
Album
Artist(s)
Composer(s)
EN
NL

About the album

Two 20th century master works by one of Germany's greatest composers, who suffered terribly from the Nazi regime which made him take his own life in 1942. His Choral Passion is a contemporary equivalent of the great oratorio by Schertz (Distler's foremost example) and the Totentanz (Dance of the Death) goes back to medieval sources, as it is based on the now lost paintings from 1463 of the Marienkirche in the German city of Lubeck, where the composer spent the greater part of his life.

The Netherlands Chamber Choir once again sing at top level. The soloists in the Choral Passion are absolutely unequalled, especially tenor Nico van der Meel, one of the most celebrated Evangelist in Bach's Passions of the 20th century. A group of well-known German actors, headed by the great Rolf Boysen, recite the verses in Totentanz.
Ongeëvenaarde opnames van meesterwerken van Distler
Dit album bevat twee 20e-eeuwse meesterwerken, geschreven door een van de beste Duitse componisten, Hugo Distler, die zo vreselijk leed onder het Naziregime dat hij zich het leven benam in 1942. De Choral-Passion is een hedendaags equivalent van het grootse oratorium van Schertz, Distlers grote voorbeeld. De Totentanz (Dodendans) kijkt terug op middeleeuwse bronnen, en is gebaseerd op de nu verloren schilderijen uit 1463 van de Marienkirche in Lubeck, waar de componist het grootste deel van zijn leven doorbracht.

Het Nederlands Kamerkoor, een professioneel vocaal ensemble, zingt opnieuw op topniveau. De solisten in de Choral-Passion zijn absoluut ongeëvenaard, in het bijzonder tenor Nico van der Meel. Een groep bekende Duitse acteurs, geleid door de grote Rolf Boysen, dragen de coupletten in Totentanz voor.

Artist(s)

Netherlands Chamber Choir

The Netherlands Chamber Choir exists since 1937, and has been one of the world’s top choirs for decades. The Netherlands Chamber Choir has been internationally praised by critics for its homogeneous sound and for the soloist quality of the singers. One of the choir’s missions is to keep choral music very much alive as an art form, by looking for new formats, by innovative commissions and exciting collaborations. It results in concerts that are not only perceived as beautiful, but that appeal to all senses.  Education and participation are a vital part of the choir’s mission. The Netherlands Chamber Choir provides coaching, workshops, and ‘adopts’ choirs as supporting act for their own concerts.  Besides their own concert series, the choir often collaborates with renowned ensembles such as the Royal Concertgebouw Orchestra, ASKO|Schönberg, La...
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The Netherlands Chamber Choir exists since 1937, and has been one of the world’s top choirs for decades. The Netherlands Chamber Choir has been internationally praised by critics for its homogeneous sound and for the soloist quality of the singers. One of the choir’s missions is to keep choral music very much alive as an art form, by looking for new formats, by innovative commissions and exciting collaborations. It results in concerts that are not only perceived as beautiful, but that appeal to all senses.

Education and participation are a vital part of the choir’s mission. The Netherlands Chamber Choir provides coaching, workshops, and ‘adopts’ choirs as supporting act for their own concerts.

Besides their own concert series, the choir often collaborates with renowned ensembles such as the Royal Concertgebouw Orchestra, ASKO|Schönberg, La Fenice and Concert Lorrain.

From August 1, 2015 Peter Dijkstra watches over the unique sound of the Netherlands Chamber Choir The Netherlands Chamber Choir had Felix de Nobel as its first chief conductor. Uwe Gronostay, Tõnu Kaljuste, Stephen Layton and Risto Joost were his respective successors. Each of them gave the Netherlands Chamber Choir, and choral music in general, new, major impulses.


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Nico van der Meel (tenor)

After having been a student in mathematics at the Leiden University, Nico van der Meel decided to become a professional musician. He initially studied choral conducting at the Rotterdam Conservatory, but from 1982 he studied singing with professor Margreet Honig. He concluded his studies cum laude in 1987, after which he took part in masterclasses with Evelyn Lear, Ruud van der Meer, Robert Holl, Elly Ameling and Elisabeth Schwarzkopf amongst others. In the past few years he has been invited as a teacher to several summercourses, like the 'La Caixa' Curso Internacional de Música. Nico van der Meel made an early debut with the Concertgebouw Orchestra during the 1987/1988 season and that same season also sang the tenor arias in a...
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After having been a student in mathematics at the Leiden University, Nico van der Meel decided to become a professional musician. He initially studied choral conducting at the Rotterdam Conservatory, but from 1982 he studied singing with professor Margreet Honig. He concluded his studies cum laude in 1987, after which he took part in masterclasses with Evelyn Lear, Ruud van der Meer, Robert Holl, Elly Ameling and Elisabeth Schwarzkopf amongst others. In the past few years he has been invited as a teacher to several summercourses, like the "La Caixa" Curso Internacional de Música.

Nico van der Meel made an early debut with the Concertgebouw Orchestra during the 1987/1988 season and that same season also sang the tenor arias in a recording of Bach's St. John Passion conducted by Sigiswald Kuijken. He performed with conducters such as Nikolaus Harnoncourt, John Eliot Gardiner, Gustav Leonhardt, Peter Schreier, Jan Willem de Vriend, Jos van Veldhoven, Helmuth Rilling, Michel Corboz and Sir Colin Davis. Although he became internationally known for his performances of the role of Evangelist in J.S.Bach's Passions, he has a broad concert repertoire, including music from the 16th to the 20th century. In the years 1989 to 1996 he took part in concert tours and recordings of Bach's Mass in B minor and – as Evangelist – in Bach's St.John Passion and St.Matthew Passion by the Orchestra of the 18th Century conducted by Frans Brüggen for Philips Classics. Nico van der Meel can be heard on large number of other albums with early music, as the discograhpy on this website reveals.

In the Netherlands Nico van der Meel was a guest at all major stages for chamber music, but also in Germany, Spain and France he performed in song recitals. For these recitals he works in close connection with pianists Dido Keuning and Leo van Doeselaer amongst others. Albums were published with early songs by Hugo Wolf and with songs by the Dutch composers Johannes Verhulst, Leander Schlegel and Constantijn Huygens.

He has performed a number of operatic roles, including Alfred in Fledermaus by Johann Strauss, Sellem in Stravinsky's The Rake's Progress, Pedrillo in Mozart's Entführung aus dem Serail conducted by Christopher Hogwood, Don Ottavio in Mozart's Don Giovanni directed by Arnold Östman (recorded by Decca L'Oiseau Lyre) and Camacho in Mendelssohn's Die Hochzeit des Camacho with Anima Eterna led by Jos van Immerseel (recorded by Channel Classics).

Nico van der Meel is a member of the ensemble Camerata Trajectina which is recognized as a major advocate for Dutch music of the 16th and 17th century. With this ensemble he made more than fifteen albums. Nico van der Meel is also the leader of the William Byrd Vocal Emsemble, a choir that is mainly occupied with a capella music from the middle ages until the 21th century. Furthermore he coaches ensembles and led projects with various groups.


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Rolf Boysen (vocals)

Composer(s)

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