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Musica Antiqua of London

Wordplay

  • Type CD
  • Label Signum Classics
  • UPC 0635212003121
  • Catalog number SIGCD 031
  • Release date 01 March 2004
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About the album

Words were more important than music in the Italian 16th century and song was therefore a higher art form than instrumental music. Composers such as Cipriano da Rore who observed the natural speech rhythms were afforded the highest accolades.

Wordplay presents a collection of highly decorated vocal music in purely instrumental performance. The disc explores the role of the soloist in a period of music which has come to be defined by consort playing. In the two centuries that this repertoire covers the borrowing and reworking of the music of earlier composers was regarded as creative, original and even as an act of respect or homage.

The album is structured around instrumental divisions on five famous songs of 16th century and one bass-dance tenor. The divisions are for recorder, bass viol or lute. In total 17 different instruments are used including three types of recorder, three types of lute, seven sizes of viol, and a chamber organ. All are precise copies of early Italian instruments including wide-bore recorders and sound-postless viols.

Central to Wordplay are the writings of Slyvestro Ganassi, a recorder and viol player in early 16th century Venice. In La Fontegara (1535) and Regola Rubertina (1545) Ganassi defines the aim of the instrumentalist as being to imitate a good singer, and describes two distinct ways of doing so. 

The first is naturalistic - how to replicate the singer's tonal and dynamic variety exactly (on the recorder with varied breath pressure and alternative fingerings, on the viol with bow and finger vibrato etc).

The second involves study of the text and using trills (from suave quarter-tones to vivace wide major thirds) and elaborate divisions (with notated syncopations and rubato) to express the sense of particular words and emotions. Fifty years later, Dalla Casa, Bassano and Rognoni have developed a more idiomatic instrumental style and have more polished and formulaic passaggi. 

All the pieces - though instrumentalists - use exclusively vocal originals, and all would pay more than lip service to Giovanni Bardi's precept: "Words are the soul, music but the body"

WordPlay is one of the first recordings made in York's newly opened National Centre for Early Music in the church of St Margaret, Walmgate.  

Musica Antiqua is one of England's most celebrated early music ensembles and they have triumphed here with their third disc for Signum Records!

  • 1
    1
    La Spagna: Anonymous
     
    00:29
  • 1
    2
    La Spagna: Ebreu
     
    01:09
  • 1
    3
    La Spagna: Capirola
     
    02:36
  • 1
    4
    La Spagna: Ortiz
     
    02:49
  • 1
    5
    Ancor che col partire: Bassano
     
    03:05
  • 1
    6
    Ancor che col partire: dalla Casa
     
    02:56
  • 1
    7
    Ancor che col partire: Bovicelli
     
    03:50
  • 1
    8
    Ancor che col partire: R. Rogniono
     
    04:28
  • 1
    9
    Cantai or piango: Willaert
     
    06:03
  • 1
    10
    Cantai or piango: Ganassi / Thorby
     
    08:06
  • 1
    11
    Susanne ung jour: Lupi
     
    02:33
  • 1
    12
    Susanne ung jour: Bassano
     
    03:54
  • 1
    13
    Susanne ung jour: F. Rognoni
     
    04:30
  • 1
    14
    Susanne ung jour: dalla Casa
     
    04:38
  • 1
    15
    Petit Jacquet: Terzi
     
    04:19
  • 1
    16
    Vestiva i colli: Dalla Casa
     
    06:10
  • 1
    17
    Vestiva i colli: Bassani
     
    04:03
  • 1
    18
    Vestiva i colli: Selma
     
    03:12

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