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Lamentationes Jeremiæ Prophetæ, Requiem
Orlando Di Lasso

Collegium Regale

Lamentationes Jeremiæ Prophetæ, Requiem

Price: € 19.95
Format: CD
Label: Signum Classics
UPC: 0635212007624
Catnr: SIGCD 076
Release date: 01 May 2006
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Label
Signum Classics
UPC
0635212007624
Catalogue number
SIGCD 076
Release date
01 May 2006
Album
Artist(s)
Composer(s)
EN

About the album

During the last twenty years of his life, Orlande de Lassus was the most celebrated composer in Europe. From the time that he took up the duties of maestro di cappella in the Court of the Duke of Bavaria at Munich, he began to be called 'prince of musicians' and 'the divine Olrande'. The pieces selected for this recording represent Lassus' treatment of the theme of dealth during the mature period. The first group considered the death of Christ: second, the death of a christian.

"It is traditional to perform the Lamentations of Jeremiah the Prophet during Holy Week. Here, Collegium Regale, or King's College Cambridge minus the trebles, sings the version by Roland de Lassus in exquisitely indulgent slow moving five-part counterpoint, milking delicious penitence from every line. No sinner could ignore the culminating solemn call to repent : "Jerusalem convertere ad Dominum." It is incredible to think that these mature vocalists are mere students who must be recycled every three years. The mystery of the choir achieves its gorgeous blend with such transitory, albeit overlapping, personnel." - The Times

Artist(s)

Stephen Cleobury (conductor)

Stephen Cleobury has for over thirty years been associated with one of the world’s most famous choirs, that of King’s College, Cambridge. His work at King’s has brought him into fruitful relationships with many leading orchestras and soloists, among them the Academy of Ancient Music, the Orchestra of the Age of Enlightenment, the Philharmonia, Britten Sinfonia, the BBC Concert Orchestra, and the distinguished ensemble, Endymion, and he has worked with many artists - singers and instrumentalists - of international repute. He complements and refreshes his work in Cambridge through the many other musical activities in which he engages.
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Stephen Cleobury has for over thirty years been associated with one of the world’s most famous choirs, that of King’s College, Cambridge. His work at King’s has brought him into fruitful relationships with many leading orchestras and soloists, among them the Academy of Ancient Music, the Orchestra of the Age of Enlightenment, the Philharmonia, Britten Sinfonia, the BBC Concert Orchestra, and the distinguished ensemble, Endymion, and he has worked with many artists - singers and instrumentalists - of international repute. He complements and refreshes his work in Cambridge through the many other musical activities in which he engages.

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Composer(s)

Orlando Di Lasso

Orlando di Lasso was a jack of all trades in the late Renaissance, and a very prolific one. He composed motets, missas, lamentations, hymns, madrigals, chansons, german lieder, and many more. Moreover, he was already talented at a very young age. At the age of 12, he was sent from Belgium to Italy to start his musical career. Almost 15 years later, he traveled around Europe before settling in Munich, where he stayed for almost 40 years until his death. His enormous talent and work ethic ensured he quickly grew to fame, both in and outside of Germany - he even received the nickname 'le divin Orlande' (the divine Orlando). His social status increased fast as well, both with kings...
more
Orlando di Lasso was a jack of all trades in the late Renaissance, and a very prolific one. He composed motets, missas, lamentations, hymns, madrigals, chansons, german lieder, and many more. Moreover, he was already talented at a very young age. At the age of 12, he was sent from Belgium to Italy to start his musical career. Almost 15 years later, he traveled around Europe before settling in Munich, where he stayed for almost 40 years until his death. His enormous talent and work ethic ensured he quickly grew to fame, both in and outside of Germany - he even received the nickname 'le divin Orlande' (the divine Orlando). His social status increased fast as well, both with kings and emperors as with the pope, who had appointed him as knight. In his music, Lassus was exceedingly versatile, both in his genres and in his compositional style. From his early, playful madrigals to his impressive Lagrime di San Pietro (written shortly before his death) and his sacred works: he was always in his element. It's no wonder that today he is considered as the one of the greatest composers of his age.
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