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Rachmaninov & Grieg - Cello Sonatas

Jamie Walton / Daniel Grimwood

Rachmaninov & Grieg - Cello Sonatas

Format: CD
Label: Signum Classics
UPC: 0635212017227
Catnr: SIGCD 172
Release date: 01 October 2009
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1 CD
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Label
Signum Classics
UPC
0635212017227
Catalogue number
SIGCD 172
Release date
01 October 2009
Album
Artist(s)
Composer(s)
EN

About the album

Jamie Walton is a rising international soloist with a distinctive voice of his own. Renowned for his purity of tone and uncompromising nature, Jamie is now being compared by critics to some of the great cellists of the past. He and pianist Daniel Grimwood appear regularly at Wigmore Hall and Symphony Hall, Birmingham. They have also appeared in recital at the Bridgewater Hall, Fairfield Hall, Cadogan Hall and St John’s, Smith Square as well as at the Chateauville Foundation, Virginia - a personal invite from Maestro Lorin Maazel. This is Jamie’s third release with Signum Classics. His previous releases have been received with unanimous international acclaim and there is little doubt that this latest release will be as successful.

Artist(s)

Jamie Walton (cello)

Jamie Walton was born in Germany before moving back to the UK at an early age. Noted for his rich, powerful sound with purity of tone and emotionally engaging performances he was one of the great William Pleeth’s last students who said of him: “He is a cellist of outstanding performance ability. Combining warmth of tone with a technical command that reaches dazzling proportions, he leaves little doubt as to the success that lies ahead of him - he is a musician of great integrity whose performance give great pleasure” and has already been compared by some reviewers to great cellists of past times with his distinctive sound and clean interpretations marking him out as a true individualist. Jamie plays...
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Jamie Walton was born in Germany before moving back to the UK at an early age. Noted for his rich, powerful sound with purity of tone and emotionally engaging performances he was one of the great William Pleeth’s last students who said of him: “He is a cellist of outstanding performance ability. Combining warmth of tone with a technical command that reaches dazzling proportions, he leaves little doubt as to the success that lies ahead of him - he is a musician of great integrity whose performance give great pleasure” and has already been compared by some reviewers to great cellists of past times with his distinctive sound and clean interpretations marking him out as a true individualist. Jamie plays on a Guarneri instrument dated 1712.
In the UK Jamie Walton has performed concertos with London Philharmonic, Royal Philharmonic and Philharmonia Orchestras. He gave his BBC National Orchestra of Wales debut with a Radio 3 broadcast of the Elgar concerto and has appeared throughout much of Europe, the USA, New Zealand, Australia and the UK performing concertos, recitals and giving broadcasts in some of the world’s most eminent © Wolf Marloh venues and festivals. He recently performed the Lutosławski concerto in Poland and made his Finnish debut with Bloch’s Schelomo alongside Bach and Britten Suites at the Riihimäki Summer Concerts Festival before returning for a series of Walton concertos with the Lahti Symphony Orchestra/Damian Iorio at the Sibelius Hall. As a recording artist for Signum Records he has recorded ten concertos with the Philharmonia Orchestra in London, including those of Dvořák and Schumann with Vladimir Ashkenazy. He has also recorded much of the sonata repertoire for Signum to significant critical acclaim, as well as the solo suites by Benjamin Britten which he also made into a film with Paul Joyce, released on DVD through Signum Vision and premiered on Sky Arts.
Jamie Walton is as passionate about chamber music as he is with concerto work and has performed in many of the world’s great concert halls in both capacities, including Lorin Maazel’s Chateuaville Foundation in Virginia through personal invitation. The Washington Post review by Robert Battey after his debut with Finghin Collins at The Phillips Collection said: “Walton is a major cello talent. He sports a particularly strong left hand – dead-center intonation and a wonderful, lithe vibrato that’s alive in every register. Though relatively young, he plays with the dignity and reserve of a wellseasoned artist.” His activities as a player are accompanied by his role as Founder and Artistic Director of the North York Moors Chamber Music Festival which he started in 2009. The festival has exceeded all expectations in selling out every year and is now established as an annual event during the last two weeks of August with its artistic excellence reflected when, in summer 2011, being shortlisted by the Royal Philharmonic Society in the festival category of its ‘Concert Series and Festivals’ award. Sir Peter Maxwell Davies, its patron, wrote a work specifically for the festival (for cello, baritone and string quartet), given its world premiere at the 2015 festival. Jamie is also setting up a record label affiliated with the festival, launched late in 2015.
Jamie Walton won a scholarship to Wells Cathedral School in a period which he says remains at the soul of his music making and where his first inspirational cello teacher was Margaret Moncrieff before continuing his studies with William Pleeth. He is a member of the Worshipful Company of Musicians and has been elected to the Freedom of the City of London. Jamie was awarded a Foundation Fellowship by Wells Cathedral School for his outstanding contribution to music.

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Composer(s)

Edvard Grieg

Edvard Hagerup Grieg was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions put the music of Norway in the international spectrum, as well as helping to develop a national identity, much as Jean Sibelius and Antonín Dvořák did in Finland and Bohemia, respectively. Grieg is regarded as simultaneously nationalistic and cosmopolitan in his orientation, for although born in Bergen and buried there, he travelled widely throughout Europe, and considered his music to express both the beauty of Norwegian rural life and the culture of Europe as a whole. He is...
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Edvard Hagerup Grieg was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions put the music of Norway in the international spectrum, as well as helping to develop a national identity, much as Jean Sibelius and Antonín Dvořák did in Finland and Bohemia, respectively.
Grieg is regarded as simultaneously nationalistic and cosmopolitan in his orientation, for although born in Bergen and buried there, he travelled widely throughout Europe, and considered his music to express both the beauty of Norwegian rural life and the culture of Europe as a whole. He is the most celebrated person from the city of Bergen, with numerous statues depicting his image, and many cultural entities named after him.
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Sergei Rachmaninoff

Sergei Vasilievich Rachmaninov was a Russian pianist, composer, and conductor of the late-Romantic period, some of whose works are among the most popular in the classical repertoire. Born into a musical family, Rachmaninov took up the piano at age four. He graduated from the Moscow Conservatory in 1892 and had composed several piano and orchestral pieces by this time. In 1897, following the critical reaction to his Symphony No. 1, Rachmaninoff entered a four-year depression and composed little until successful therapy allowed him to complete his enthusiastically received Piano Concerto No. 2 in 1901. After the Russian Revolution, Rachmaninov and his family left Russia and resided in the United States, first in New York City. Demanding piano concert tour schedules caused...
more
Sergei Vasilievich Rachmaninov was a Russian pianist, composer, and conductor of the late-Romantic period, some of whose works are among the most popular in the classical repertoire.
Born into a musical family, Rachmaninov took up the piano at age four. He graduated from the Moscow Conservatory in 1892 and had composed several piano and orchestral pieces by this time. In 1897, following the critical reaction to his Symphony No. 1, Rachmaninoff entered a four-year depression and composed little until successful therapy allowed him to complete his enthusiastically received Piano Concerto No. 2 in 1901. After the Russian Revolution, Rachmaninov and his family left Russia and resided in the United States, first in New York City. Demanding piano concert tour schedules caused his output as composer to slow tremendously; between 1918 and 1943, he completed just six compositions, including Rhapsody on a Theme of Paganini, Symphony No. 3, and Symphonic Dances. In 1942, Rachmaninov moved to Beverly Hills, California. One month before his death from advanced melanoma, Rachmaninov acquired American citizenship.
Early influences of Tchaikovsky, Rimsky-Korsakov, Balakirev, Mussorgsky, and other Russian composers gave way to a personal style notable for its song-like melodicism, expressiveness and his use of rich orchestral colors.[3] The piano is featured prominently in Rachmaninov's compositional output, and through his own skills as a performer he explored the expressive possibilities of the instrument.

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