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Songs

Dame Felicity Lott / Graham Johnson

Songs

Format: CD
Label: Champs Hill
UPC: 5060212590381
Catnr: CHRCD 037
Release date: 01 September 2012
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1 CD
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Label
Champs Hill
UPC
5060212590381
Catalogue number
CHRCD 037
Release date
01 September 2012
Album
Artist(s)
Composer(s)
EN

About the album

Many an artist can formulate a recital around the works of a single composer, but few so expertly and effortlessly as Dame Felicity Lott. Together with her longtime collaborator, pianist Graham Johnson, Lott creates an expansive view of Richard Strauss' oeuvre through the lens of one of his richest compositional periods (1885-1901). Among the best-loved of Strauss’ works surface lesser-known gems, rare beauties illumined by Lott’s sensitive singing and Johnson’s deft, assured accompaniment. A disc to be treasured.

Artist(s)

Graham Johnson (piano)

Long before Graham Johnson was created an Officer of the Order of the British Empire in 1994, he had already became a living institution as vocal accompanist. At the age of seventeen he arrived in London to receive training from his legendary predecessors Gerald Moore and Geoffrey Parsons. At the age of 22, he accompanied a masterclass imparted by tenor Peter Pears, which brought him into contact with Benjamin Britten on the same occasion – an encounter that had a formative impact on his artistic career. Soon he was collaborating onstage with illustrious vocal artists such as Peter Pears, Elizabeth Schwarzkopf, Brigitte Fassbaender, and Peter Schreier. In 1976, in collaboration with several outstanding vocalists, he formed The Songmakers' Almanac, the...
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Long before Graham Johnson was created an Officer of the Order of the British Empire in 1994, he had already became a living institution as vocal accompanist. At the age of seventeen he arrived in London to receive training from his legendary predecessors Gerald Moore and Geoffrey Parsons. At the age of 22, he accompanied a masterclass imparted by tenor Peter Pears, which brought him into contact with Benjamin Britten on the same occasion – an encounter that had a formative impact on his artistic career. Soon he was collaborating onstage with illustrious vocal artists such as Peter Pears, Elizabeth Schwarzkopf, Brigitte Fassbaender, and Peter Schreier. In 1976, in collaboration with several outstanding vocalists, he formed The Songmakers' Almanac, the goal of which is to explore neglected areas of piano-accompanied vocal music. Over the next decades, Johnson thus learned and performed more than 250 different artsong programmes. Graham Johnson is Senior Professor of Accompaniment at Guildhall School of Music and Drama, and gives a great number of masterclasses worldwide. In 2014 he received the Hugo Wolf Medal, not only in honor of his achievements as vocal accompanist, but also to salute his unflagging commitment as music researcher. The Ruhr Piano Festival had already awarded him its Annual Prize in 2001 for his life work. In 2018, Graham Johnson gave his 50th recital at the Festival!
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Composer(s)

Richard Strauss

Richard Georg Strauss was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier, Elektra, Die Frau ohne Schatten and Salome; his Lieder, especially his  Four Last Songs; his tone poems, including Don Juan, Death and Transfiguration, and An Alpine Symphony; and other instrumental works such as Metamorphosen and his Oboe Concerto. Strauss was also a prominent conductor in Western Europe and the Americas, enjoying quasi-celebrity status as his compositions became standards of orchestral and operatic repertoire. Strauss, along with Gustav Mahler, represents the late flowering of German Romanticism after Richard Wagner, in which pioneering subtleties of orchestration are combined with an advanced harmonic style.
more
Richard Georg Strauss was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier, Elektra, Die Frau ohne Schatten and Salome; his Lieder, especially his Four Last Songs; his tone poems, including Don Juan, Death and Transfiguration, and An Alpine Symphony; and other instrumental works such as Metamorphosen and his Oboe Concerto. Strauss was also a prominent conductor in Western Europe and the Americas, enjoying quasi-celebrity status as his compositions became standards of orchestral and operatic repertoire.
Strauss, along with Gustav Mahler, represents the late flowering of German Romanticism after Richard Wagner, in which pioneering subtleties of orchestration are combined with an advanced harmonic style.

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Press

Play album Play album
01.
Waldseligkeit, Op. 49 No. 1
02:48
(Richard Strauss )
02.
Die Nacht, Op. 10 No. 3
02:59
(Richard Strauss )
03.
Ständchen, Op. 17 No. 2
02:31
(Richard Strauss )
04.
Leises Lied, Op. 39 No. 1
02:27
(Richard Strauss )
05.
Schlechtes Wetter, Op. 69 No. 5
02:30
(Richard Strauss )
06.
Des Dichters Abendgang, Op. 47 No. 2
05:20
(Richard Strauss )
07.
Der Stem, Op. 69 No. 1
01:53
(Richard Strauss )
08.
Die Verschwiegenen, Op. 10 No. 6
01:20
(Richard Strauss )
09.
Die Zeitlose, Op. 10 No. 7
01:42
(Richard Strauss )
10.
Blauer Sommer, Op. 31 No. 1
02:22
(Richard Strauss )
11.
Ich wollt ein Sträußlein binden, Op. 68 No. 2
02:58
(Richard Strauss )
12.
Ruhe, Meine Seele!, Op. 27 No. 1
03:43
(Richard Strauss )
13.
Allerseelen, Op. 10 No. 8
03:32
(Richard Strauss )
14.
Einerlei, Op. 69 No. 3
02:48
(Richard Strauss )
15.
Meinem Kinde, Op. 37 No. 3
02:27
(Richard Strauss )
16.
Wiegenlied, Op. 41 No. 1
04:34
(Richard Strauss )
17.
Muttertändelei, Op. 43 No. 2
02:20
(Richard Strauss )
18.
Zueignung, Op. 10 No. 1
01:55
(Richard Strauss )
19.
Winterweihe, Op. 48 No. 4
02:52
(Richard Strauss )
20.
Das Rosenband, Op. 36 No. 1
03:21
(Richard Strauss )
21.
Cäcilie, Op. 27 No. 2
02:22
(Richard Strauss )
22.
Ach! was Kummer, Qual und Schmerzen, Op. 49 No. 8
02:05
(Richard Strauss )
23.
Drei Lieder der Ophelia, Op. 67: I. Wie erkenn' ich mein Treulieb vor andern nun
02:27
(Richard Strauss )
24.
Drei Lieder der Ophelia, Op. 67: II. Guten Morgen's ist Sankt Valentinstag
01:25
(Richard Strauss )
25.
Drei Lieder der Ophelia, Op. 67: III. Sie trugen ihn auf der Bahre bloss
03:54
(Richard Strauss )
26.
Morgen!, Op. 27 No. 2
04:05
(Richard Strauss )
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