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Vespers of the Blessed Virgin, 1610
Claudio Monteverdi

Orchestra of the Age of the Enlightenment / Choir of the Age of the Enlightenment

Vespers of the Blessed Virgin, 1610

Price: € 25.95
Format: CD
Label: Signum Classics
UPC: 0635212023723
Catnr: SIGCD 237
Release date: 01 February 2011
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Label
Signum Classics
UPC
0635212023723
Catalogue number
SIGCD 237
Release date
01 February 2011
Album
Artist(s)
Composer(s)
EN

About the album

This album represents a new orchestra partnership for Signum Records with The Orchestra of the Age of the Englightenment, one of London and the world’s leading period-instrument ensembles. Led by Robert Howarth, the recording was made at Kings Place following the orchestras successful 2010 tour of the work.

On the Vespers, Robert Howarth writes: "For me, Monteverdi’s music enhances the text beautifully. It doesn’t matter whether one is religious or not, this music touches the human soul and reflects, sincerely and passionately the true meaning of the texts in the psalms and motets … You don’t need to know what’s being sung to hear that this is a masterpiece. However, it was Monteverdi’s intention to show you his thoughts on the texts and I think it is that intention that drives this music."

Composer(s)

Claudio Monteverdi

Claudio Monteverdi was an Italian composer and conductor, whose work marked the transition from the Renaissance to the Baroque. Moreover, he composed the earliest operas that are still regularly performed today. Monteverdi worked as maestro di capella at the court of the duke of Mantua and at the San Marco in Venice. He was a famous musician during his lifetime, but his compositions also provoked opposition. The conservative theorist Giovanni Maria Artusi criticized the technical flaws in some of Monteverdis madrigals. The composer defended himself by making a distinction between two styles of composition, the prima prattica, in which the harmony is dominant, and the seconda prattica , in which the music is subordinate to the text. Monteverdi championed the seconda prattica, and eventually broke with traditional...
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Claudio Monteverdi was an Italian composer and conductor, whose work marked the transition from the Renaissance to the Baroque. Moreover, he composed the earliest operas that are still regularly performed today.
Monteverdi worked as maestro di capella at the court of the duke of Mantua and at the San Marco in Venice. He was a famous musician during his lifetime, but his compositions also provoked opposition. The conservative theorist Giovanni Maria Artusi criticized the technical flaws in some of Monteverdis madrigals. The composer defended himself by making a distinction between two styles of composition, the prima prattica, in which the harmony is dominant, and the seconda prattica , in which the music is subordinate to the text. Monteverdi championed the seconda prattica, and eventually broke with traditional Renaissance polyphony and began to employ the basso continuo and recitative to do better justice to the text.
Monteverdi wrote amongst others eight books of madrigals, two collections of liturgical music and various operas. The opera L'incoronazione di Poppea is considered a culminating point of Monteverdi's work. It contains tragic, romantic, and comic scenes and warmer melodies than previously heard.

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