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Solo Cello Suites
Benjamin Britten

Jamie Walton

Solo Cello Suites

Price: € 19.95
Format: CD
Label: Signum Classics
UPC: 0635212033623
Catnr: SIGCD 336
Release date: 01 September 2013
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Label
Signum Classics
UPC
0635212033623
Catalogue number
SIGCD 336
Release date
01 September 2013
Album
Artist(s)
Composer(s)
EN
NL

About the album

Celebrating 2013's Britten Centenary Year comes a new collection of the three Suites for Solo Cello, performed by star UK cellist Jamie Walton. Recorded in the Britten Studio at Snape Maltings, Aldeburgh, the three suites were dedicated to Mstislav Rostropovich, with the passionate third in particular inspired by Rostropovich’s rich and romantic performances of Bach’s unaccompanied suites.

Jamie Walton has established a reputation as a performer who deeply engages with the works he performs and records. Earlier this year he released a new recording of cello concertos by Schumann and Dvorak with the Philharmonia Orchestra under Vladimir Ashkenazy (SIGCD322):

"What has impressed me so much with regard to this account of the Dvorak is the oneness of conception between soloist and conductor. I am sure much preparation went into this performance: they are fully integrated, so we hear the work as a totality, not as a piece for virtuoso solo cello with orchestral accompaniment. This is, of its kind, a masterly performance” International Record Review

Fascinerende uitvoeringen van Brittens Solo Suites
Ter ere van Benjamin Brittens honderdjarig jubileum in 2013 werd er een collectie uitgebracht van de drie Suites voor Solo Cello, uitgevoerd door de Britse stercellist James Walton. De werken zijn opgenomen in de Britten Studio in Snape Maltings, Aldeburgh en opgedragen aan Mstislav Rostropovich. De passionele derde suite in het bijzonder is geïnspireerd door Rostropovich’ rijke en romantische uitvoeringen van Bachs onbegeleide suites.

Jamie Walton is een interpreet die zich veel bezighoudt met de werken die hij uitvoert en opneemt. Eerder in 2013 bracht hij een nieuwe opname van cello concerto’s van Schumann en Dvorak uit samen met het Filharmonisch Orkest onder leiding van Vladimir Ashkenazy.

Artist(s)

Jamie Walton

Jamie Walton was born in Germany before moving back to the UK at an early age. Noted for his rich, powerful sound with purity of tone and emotionally engaging performances he was one of the great William Pleeth’s last students who said of him: “He is a cellist of outstanding performance ability. Combining warmth of tone with a technical command that reaches dazzling proportions, he leaves little doubt as to the success that lies ahead of him - he is a musician of great integrity whose performance give great pleasure” and has already been compared by some reviewers to great cellists of past times with his distinctive sound and clean interpretations marking him out as a true individualist. Jamie plays...
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Jamie Walton was born in Germany before moving back to the UK at an early age. Noted for his rich, powerful sound with purity of tone and emotionally engaging performances he was one of the great William Pleeth’s last students who said of him: “He is a cellist of outstanding performance ability. Combining warmth of tone with a technical command that reaches dazzling proportions, he leaves little doubt as to the success that lies ahead of him - he is a musician of great integrity whose performance give great pleasure” and has already been compared by some reviewers to great cellists of past times with his distinctive sound and clean interpretations marking him out as a true individualist. Jamie plays on a Guarneri instrument dated 1712.
In the UK Jamie Walton has performed concertos with London Philharmonic, Royal Philharmonic and Philharmonia Orchestras. He gave his BBC National Orchestra of Wales debut with a Radio 3 broadcast of the Elgar concerto and has appeared throughout much of Europe, the USA, New Zealand, Australia and the UK performing concertos, recitals and giving broadcasts in some of the world’s most eminent © Wolf Marloh venues and festivals. He recently performed the Lutosławski concerto in Poland and made his Finnish debut with Bloch’s Schelomo alongside Bach and Britten Suites at the Riihimäki Summer Concerts Festival before returning for a series of Walton concertos with the Lahti Symphony Orchestra/Damian Iorio at the Sibelius Hall. As a recording artist for Signum Records he has recorded ten concertos with the Philharmonia Orchestra in London, including those of Dvořák and Schumann with Vladimir Ashkenazy. He has also recorded much of the sonata repertoire for Signum to significant critical acclaim, as well as the solo suites by Benjamin Britten which he also made into a film with Paul Joyce, released on DVD through Signum Vision and premiered on Sky Arts.
Jamie Walton is as passionate about chamber music as he is with concerto work and has performed in many of the world’s great concert halls in both capacities, including Lorin Maazel’s Chateuaville Foundation in Virginia through personal invitation. The Washington Post review by Robert Battey after his debut with Finghin Collins at The Phillips Collection said: “Walton is a major cello talent. He sports a particularly strong left hand – dead-center intonation and a wonderful, lithe vibrato that’s alive in every register. Though relatively young, he plays with the dignity and reserve of a wellseasoned artist.” His activities as a player are accompanied by his role as Founder and Artistic Director of the North York Moors Chamber Music Festival which he started in 2009. The festival has exceeded all expectations in selling out every year and is now established as an annual event during the last two weeks of August with its artistic excellence reflected when, in summer 2011, being shortlisted by the Royal Philharmonic Society in the festival category of its ‘Concert Series and Festivals’ award. Sir Peter Maxwell Davies, its patron, wrote a work specifically for the festival (for cello, baritone and string quartet), given its world premiere at the 2015 festival. Jamie is also setting up a record label affiliated with the festival, launched late in 2015.
Jamie Walton won a scholarship to Wells Cathedral School in a period which he says remains at the soul of his music making and where his first inspirational cello teacher was Margaret Moncrieff before continuing his studies with William Pleeth. He is a member of the Worshipful Company of Musicians and has been elected to the Freedom of the City of London. Jamie was awarded a Foundation Fellowship by Wells Cathedral School for his outstanding contribution to music.

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Composer(s)

Benjamin Britten

Benjamin Britten is one most important British composers from the second half of the twentieth century. Remarkably, he focused on opera, a dying genre, at least in its current form. Britten's contributions however, among which Peter Grimes, The Rape of Lucretia, Gloriana, The Turn of the Screw, and Death in Venice, managed to remain core repertoire for opera companies to this day. Many of these productions included a role for his artistic partner and life companion Peter Pears. Britten also wrote a number of lieder for this tenor, among which his Serenade for tenor, horn and string orchestra. Yet, Britten excelled in many more genres. He wasn't even 20 years old when he composed his brilliant Phantasy for hobo quartet and his friendship with...
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Benjamin Britten is one most important British composers from the second half of the twentieth century. Remarkably, he focused on opera, a dying genre, at least in its current form. Britten's contributions however, among which Peter Grimes, The Rape of Lucretia, Gloriana, The Turn of the Screw, and Death in Venice, managed to remain core repertoire for opera companies to this day. Many of these productions included a role for his artistic partner and life companion Peter Pears. Britten also wrote a number of lieder for this tenor, among which his Serenade for tenor, horn and string orchestra. Yet, Britten excelled in many more genres. He wasn't even 20 years old when he composed his brilliant Phantasy for hobo quartet and his friendship with the legendary cellist Rostropovich led to a Cello sonata, three Suites for cello solo and a Symphony for Cello and orchestra in the 1960s.

Britten never became Master of the Queen's Music, yet he surely had feeling for public sentiments. For example, as a pacifist, he taught his people about world peace through his War Requiem from 1962. Britten was an excellent interpreter of his own work, just like Bartók and Stravinsky. Many of his recordings have been matched, but never exceeded.


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Press

Play album Play album
01.
Suite No. 1, Op. 72: Canto primo: Sostenuto e largamente
02:08
(Benjamin Britten)
02.
Suite No. 1, Op. 72: I. Fuga: Andante moderato
03:54
(Benjamin Britten)
03.
Suite No. 1, Op. 72: II. Lamento: Lento rubato
02:15
(Benjamin Britten)
04.
Suite No. 1, Op. 72: Canto secundo: Sostenuto
01:07
(Benjamin Britten)
05.
Suite No. 1, Op. 72: III. Serenata: Allegretto (pizzicato)
02:10
(Benjamin Britten)
06.
Suite No. 1, Op. 72: IV. Marcia: Alla marcia moderato
03:24
(Benjamin Britten)
07.
Suite No. 1, Op. 72: Canto terzo: Sostenuto
01:46
(Benjamin Britten)
08.
Suite No. 1, Op. 72: V. Bordone: Moderato quasi recitativo
02:29
(Benjamin Britten)
09.
Suite No. 1, Op. 72: VI. Moto perpetuo e Canto quarto: Presto
02:55
(Benjamin Britten)
10.
Suite No. 2, Op. 80: I. Declamato: Largo
03:07
(Benjamin Britten)
11.
Suite No. 2, Op. 80: II. Fuga: Andante
03:48
(Benjamin Britten)
12.
Suite No. 2, Op. 80: III. Scherzo: Allegro molto
01:47
(Benjamin Britten)
13.
Suite No. 2, Op. 80: IV. Andante lento
04:18
(Benjamin Britten)
14.
Suite No. 2, Op. 80: V. Ciaccona: Allegro
06:25
(Benjamin Britten)
15.
Suite No. 3, Op. 87: I. Introduzione: Lento
01:50
(Benjamin Britten)
16.
Suite No. 3, Op. 87: II. Marcia: Allegro
01:28
(Benjamin Britten)
17.
Suite No. 3, Op. 87: III. Canto: Con moto
01:01
(Benjamin Britten)
18.
Suite No. 3, Op. 87: IV. Barcarola: Lento
01:15
(Benjamin Britten)
19.
Suite No. 3, Op. 87: V. Dialogo: Allegretto
01:40
(Benjamin Britten)
20.
Suite No. 3, Op. 87: VI. Fuga: Andante espressivo
02:09
(Benjamin Britten)
21.
Suite No. 3, Op. 87: VII. Recitativo: Fantastico
01:02
(Benjamin Britten)
22.
Suite No. 3, Op. 87: VIII. Moto perpetuo: Presto
00:50
(Benjamin Britten)
23.
Suite No. 3, Op. 87: IX. Passacaglia: Lento solenne
03:37
(Benjamin Britten)
24.
Suite No. 3, Op. 87: X. (molto simplice)
03:26
(Benjamin Britten)
25.
Tema 'Sacher'
01:22
(Benjamin Britten)
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