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Hindemith:by the Britten Sinfonia 2

Daniel Hyde / The Britten Synfonia

Hindemith:by the Britten Sinfonia 2

Format: CD
Label: Signum Classics
UPC: 0635212015926
Catnr: SIG 159
Release date: 15 June 2009
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1 CD
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Label
Signum Classics
UPC
0635212015926
Catalogue number
SIG 159
Release date
15 June 2009
Album
Artist(s)
Composer(s)
EN

About the album

A disc is devoted to the music of Paul Hindemith and in particular his compositions for the organ, used so creatively to create new sound-worlds in his ensemble piece Kammermusik 7. Alongside his sublime wind quintet, Hindemith's complete solo organ music is featured (including the first recording of his Zwei Stücke) performed by the celebrated young organist Daniel Hyde on the new organ by Orgelbau Kuhn at Jesus College Chapel, Cambridge.

Composer(s)

Paul Hindemith

Paul Hindemith studied violin at the Dr Hoch's Konservatorium of Frankfurt and played from 1915 to 1923 in the Frankfurt opera. From 1921 to 1929 he played viola in the Amar Quarter, where he was advocate for contemporary music. Throughout the years, he held multiple positions as teachers, but he remained most popular as a violist. During the Second Worldwar he fleed to the USA and was given the American nationality in 1948, Later, he returned to Europe to teach at the university of Zürich. His use rhythm, called 'Motorik' by himself (a combination of Motor and Musik) is piercing, and at times even tormenting. It echoes the arrival of industralisation and the motor, as Hindemith opposes any form of sentimentality, psychology...
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Paul Hindemith studied violin at the Dr Hoch's Konservatorium of Frankfurt and played from 1915 to 1923 in the Frankfurt opera. From 1921 to 1929 he played viola in the Amar Quarter, where he was advocate for contemporary music. Throughout the years, he held multiple positions as teachers, but he remained most popular as a violist. During the Second Worldwar he fleed to the USA and was given the American nationality in 1948, Later, he returned to Europe to teach at the university of Zürich.
His use rhythm, called "Motorik" by himself (a combination of Motor and Musik) is piercing, and at times even tormenting. It echoes the arrival of industralisation and the motor, as Hindemith opposes any form of sentimentality, psychology or personality. This way, Hinemith created shrill, neoclassicistic music (Gebrauchsmusik, music with a social or political aim). His body of works is quite extensive, with more than 100 compositions in all kinds of genres. Even though he was an advocate of contemporary music, he never felt affiliated with dodecaphony. He wrote several theoretic treatises, among which his Unterweisung im Tonsatz from 1937 in which Hindemith offers several systems in which the tension between intervals, harmony and melody is analysed and elevated into a compositional technique.


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