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Armida Plays Beethoven & Shostakovich
Ludwig van Beethoven, Dmitri Shostakovich

Armida Quartett

Armida Plays Beethoven & Shostakovich

Price: € 19.95
Format: CD
Label: CAvi
UPC: 4260085533688
Catnr: AVI 8553368
Release date: 16 September 2016
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Label
CAvi
UPC
4260085533688
Catalogue number
AVI 8553368
Release date
16 September 2016
Album
Artist(s)
Composer(s)
EN

About the album

Martin Funda, leader of the Arminda Quartet, states, “Opus 59 is extremely challenging. One needs time to grasp these pieces. As performers, we are surprised again and again to note how quickly Beethoven starts leading us into unfamiliar waters. The F Major Quartet is an ‘extrovert’ piece; at the same time; it contains a series of incredibly profound moments and a variety of different moods which we have to learn to interpret.” In comparison, Shostakovich’s Opus 118, also featured on this recording, is surprisingly carefree at first glance. He wrote this work at his retreat center in the Armenian spa town of Dilijan, and the relaxed atmosphere can be heard in the writing. Armida Quartet was founded in Berlin in 2006, and took their name from an opera by Haydn who was the “father of the string quartet.” Since their inception, the group has won numerous awards, most notably First Prize, Audience Prize, and six other awards at the ARD International Competition in 2012.

Artist(s)

Armida Quartet

ARMIDA QUARTETT Martin Funda Violin Johanna Staemmler Violin Teresa Schwamm Viola Peter-Philipp Staemmler Cello A triumph, both technically and musically. BBC Music Magazine, March 2021 Winning the ARD International Competition in 2012 (also sweeping all other prizes including the audience prize) propelled the Armida Quartet on to the international concert platform. After concerts and radio recordings as BBC New Generation Artists (2014-16) and subsequently as ECHO Rising Stars (2016/17), the musicians have established themselves as regular guests in the best-known chamber music halls in Europe, Asia, and the USA. In addition to regular appearances at European festivals such as the Festspiele Mecklenburg-Vorpommern and the Rheingau Musik Festival, the quartet has enjoyed great success at the Concertgebouw Amsterdam, the Berlin Philharmonie, and London‘s Wigmore Hall, among others. Acclaimed for their musical unity, which is evident in...
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ARMIDA QUARTETT Martin Funda Violin Johanna Staemmler Violin Teresa Schwamm Viola Peter-Philipp Staemmler Cello A triumph, both technically and musically. BBC Music Magazine, March 2021 Winning the ARD International Competition in 2012 (also sweeping all other prizes including the audience prize) propelled the Armida Quartet on to the international concert platform. After concerts and radio recordings as BBC New Generation Artists (2014-16) and subsequently as ECHO Rising Stars (2016/17), the musicians have established themselves as regular guests in the best-known chamber music halls in Europe, Asia, and the USA.
In addition to regular appearances at European festivals such as the Festspiele Mecklenburg-Vorpommern and the Rheingau Musik Festival, the quartet has enjoyed great success at the Concertgebouw Amsterdam, the Berlin Philharmonie, and London‘s Wigmore Hall, among others.
Acclaimed for their musical unity, which is evident in their fine-tuned sound and timing as well as their shared breaths, the musicians also emphasise their commitment to quartet playing with their choice of ensemble name: Armida refers to an opera by the composer Joseph Haydn, who is considered the „father of the string quartet“. They studied with former members of the Artemis Quartet and with Rainer Schmidt (Hagen Quartet); they owe further important impulses to Reinhard Goebel, Alfred Brendel, Marek Janowski, and Tabea Zimmermann.
The Armida Quartet places a special focus on the works of Wolfgang Amadeus Mozart. The recently released third album of the on-going complete recordings of his string quartets for CAvi Records was praised as „musically ravishing and sonically (...) exemplary“, and described as ground-breaking for Mozart interpretation in the 21st century (Klassik Heute 1/2021).
The ensemble pursues its passion for Mozart, among other things, in its own concert series Mozart Exploded, in which each of the composer‘s string quartets are combined with masterpieces of contemporary music and occasionally presented in experimental concert formats in Berlin.
The series has already been enthusiastically received in New York as well. In addition, the young musicians have cooperated with G. Henle Verlag, for whom they act as musical advisors for the new Urtext edition of the Mozart quartets, including their own fingerings and bowings made available for the associated Henle Library App. In doing so, the quartet is not only at the forefront of the latest technological developments, but also advocates for closer collaboration between performing artists and musicologists.
Whether in its curatorial functions or on stage, collaboration with other artists is a priority for the Armida Quartet. They have a special relationship with the Serbian composer Marko Nikodijevi´c, whose first and second String Quartets they premiered. In the meantime, however, musicians such as Thomas Hampson, Martin Fröst, Tabea Zimmermann, Jörg Widmann, Julian Steckel, Sabine Meyer, and Daniel Müller-Schott have also become regular partners. In addition, the ensemble gives master classes in Germany as well as abroad and is committed to social and educational institutions, including initiatives such as Rhapsody in School and Yehudi Menuhin Live Music Now.
Along with the three albums of Mozart string quartets already released, the quartet‘s discography also includes their debut CD with works by Béla Bartók, György Ligeti, and György Kurtág (CAvi), released in 2013, which was included in the German Record Prize‘s Best List. A recording with works by Beethoven and Shostakovich was also released by CAvi in 2016, followed in 2017 by Fuga Magna with works by Scarlatti, Bach, Goldberg, Mozart, and Beethoven.
The quartet has also participated in various compilations of contemporary works by Samy Moussa, Ursula Mamlok, Birke J. Bertelsmeier, and Milica Djordjevi´c, among others.

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Composer(s)

Ludwig van Beethoven

Ludwig van Beethoven was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers. His best-known compositions include nine symphonies, five piano concertos, one violin concerto, 32 piano sonatas, 16 string quartets, his great Mass the Missa solemnis, and one opera, Fidelio. Together with Mozart and Haydn, he was part of the First Viennese School.    Born in Bonn, then the capital of the Electorate of Cologne and part of the Holy Roman Empire, Beethoven displayed his musical talents at an early age and was taught by his father Johann van Beethoven and by composer and conductor Christian Gottlob...
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Ludwig van Beethoven was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers. His best-known compositions include nine symphonies, five piano concertos, one violin concerto, 32 piano sonatas, 16 string quartets, his great Mass the Missa solemnis, and one opera, Fidelio. Together with Mozart and Haydn, he was part of the First Viennese School. Born in Bonn, then the capital of the Electorate of Cologne and part of the Holy Roman Empire, Beethoven displayed his musical talents at an early age and was taught by his father Johann van Beethoven and by composer and conductor Christian Gottlob Neefe. At the age of 21 he moved to Vienna, where he began studying composition with Joseph Haydn, and gained a reputation as a virtuoso pianist. He lived in Vienna until his death. By his late 20s his hearing began to deteriorate, and by the last decade of his life he was almost totally deaf. In 1811 he gave up conducting and performing in public but continued to compose; many of his most admired works come from these last 15 years of his life.

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Dmitri Shostakovich

Dmitri Shostakovich was a Russian pianist and composer of the Soviet period. He is regarded as one of the major composers of the 20th century. Shostakovich achieved fame in the Soviet Union under the patronage of Soviet chief of staff Mikhail Tukhachevsky, but later had a complex and difficult relationship with the government. Nevertheless, he received accolades and state awards and served in the Supreme Soviet of the RSFSR (1947–1962) and the Supreme Soviet of the Soviet Union (from 1962 until his death). A polystylist, Shostakovich developed a hybrid voice, combining a variety of different musical techniques into his works. His music is characterized by sharp contrasts, elements of the grotesque, and ambivalent tonality; the composer was also heavily influenced by the...
more
Dmitri Shostakovich was a Russian pianist and composer of the Soviet period. He is regarded as one of the major composers of the 20th century.
Shostakovich achieved fame in the Soviet Union under the patronage of Soviet chief of staff Mikhail Tukhachevsky, but later had a complex and difficult relationship with the government. Nevertheless, he received accolades and state awards and served in the Supreme Soviet of the RSFSR (1947–1962) and the Supreme Soviet of the Soviet Union (from 1962 until his death).
A polystylist, Shostakovich developed a hybrid voice, combining a variety of different musical techniques into his works. His music is characterized by sharp contrasts, elements of the grotesque, and ambivalent tonality; the composer was also heavily influenced by the neo-classical style pioneered by Igor Stravinsky, and (especially in his symphonies) by the late Romanticism associated with Gustav Mahler.
Shostakovich's orchestral works include 15 symphonies and six concerti. His chamber output includes 15 string quartets, a piano quintet, two piano trios, and two pieces for string octet. His solo piano works include two sonatas, an early set of preludes, and a later set of 24 preludes and fugues. Other works include three operas, several song cycles, ballets, and a substantial quantity of film music; especially well known is The Second Waltz, Op. 99, music to the film The First Echelon (1955–1956), as well as the suites of music composed for The Gadfly.

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