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Works for Cello and Piano
Johannes Brahms

Bartholomew LaFollette

Works for Cello and Piano

Price: € 19.95
Format: CD
Label: Champs Hill
UPC: 5060212591395
Catnr: CHRCD 134
Release date: 06 October 2017
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Label
Champs Hill
UPC
5060212591395
Catalogue number
CHRCD 134
Release date
06 October 2017
Album
Artist(s)
Composer(s)
EN

About the album

As a young boy, Brahms was given rudimentary lessons on both the violin and cello by his father, although it was the piano that primarily activated his executant and creative imagination. Accordingly, his first published works included three virtuoso piano sonatas that rejoice in the instrument’s potential for rich and powerful middle-register (cello) sonorities.

Brahms’s understanding of string instruments and their expressive potential was considerably enhanced by early contact with two of the most renowned violinists of the age. He spent much of his early teens trying to help support his poor family by playing the piano in back-street taverns (thinly disguised brothels), the anguished memory of which was to haunt him for the rest of his life. He was finally released from this sordid existence when in 1850 the celebrated gypsy violinist Eduard Reményi, asked him to become his official accompanist, and such was Brahms’s immense skill that at one concert he compensated for an out-of-tune piano by transposing all of the accompaniments at sight. The impact of playing popular East European folk music with Reményi is felt particularly in his 21 Hungarian Dances as exemplified by the moody swagger and irresistible chutzpah of No.20, heard here in an expert arrangement by celebrated Italian virtuoso and teacher Carlo Alfredo Piatti (1822–1901).

Artist(s)

Bartholomew LaFollette (cello)

British/American cellist Bartholomew LaFollette has a rich and varied career as an international soloist and chamber musician. After being launched by YCAT (Young Classical Artists Trust) with numerous performances at the Wigmore Hall, Barbican Centre, Bridgewater Hall and the Royal Festival Hall, Bartholomew went on to win first prize at The Arts Club’s and Decca Records’ inaugural Classical Music Award. He was also the first recipient of the Irish Chamber Orchestra’s Ardán Award. Bartholomew is artistic director of the Marryat Players International Chamber Music Festival, which takes place annually in Wimbledon Village. Hailed by the Irish Times for being “as free in touching the heartstrings as he was in dashing off dazzling runs”, Bartholomew’s highlights with orchestra include performances of Dvořák’s...
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British/American cellist Bartholomew LaFollette has a rich and varied career as an international soloist and chamber musician. After being launched by YCAT (Young Classical Artists Trust) with numerous performances at the Wigmore Hall, Barbican Centre, Bridgewater Hall and the Royal Festival Hall, Bartholomew went on to win first prize at The Arts Club’s and Decca Records’ inaugural Classical Music Award. He was also the first recipient of the Irish Chamber Orchestra’s Ardán Award. Bartholomew is artistic director of the Marryat Players International Chamber Music Festival, which takes place annually in Wimbledon Village.

Hailed by the Irish Times for being “as free in touching the heartstrings as he was in dashing off dazzling runs”, Bartholomew’s highlights with orchestra include performances of Dvořák’s Cello Concerto with the Royal Philharmonic Orchestra, Walton and Elgar Cello concertos in the Barbican Hall as well as appearing as soloist with the City of London Sinfonia. He has also performed the Brahms Double Concerto with Daniel Stabrawa and the Poznań Philharmonic in Poland and Elgar’s Cello Concerto at the Sibelius International Music Festival in Helsinki.

Bartholomew is also a sought-after chamber musician and his recent musical collaborators have included Anthony Marwood, Christian Tetzlaff, Alina Ibragimova and András Keller. He frequently appears with the award winning Doric String Quartet with whom he recorded Eric Wolfgang Korngold’s string sextet for the Chandos label.

In 2011 at the age of twenty-six, Bartholomew LaFollette was appointed Principal Cello Teacher at the distinguished Yehudi Menuhin School.

Bartholomew plays on an especially fine example of a Giovanni Dollenz cello from 1841 and a bow by François Xavier Tourte from 1790. He is deeply grateful to the Stradivari Trust for making this possible.


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Composer(s)

Johannes Brahms

Johannes Brahms was a German composer and pianist. Born in Hamburg into a Lutheran family, Brahms spent much of his professional life in Vienna, Austria. His reputation and status as a composer is such that he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the 'Three Bs' of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.   Brahms composed for symphony orchestra, chamber ensembles, piano, organ, and voice and chorus. A virtuoso pianist, he premiered many of his own works. He worked with some of the leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become...
more
Johannes Brahms was a German composer and pianist. Born in Hamburg into a Lutheran family, Brahms spent much of his professional life in Vienna, Austria. His reputation and status as a composer is such that he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.
Brahms composed for symphony orchestra, chamber ensembles, piano, organ, and voice and chorus. A virtuoso pianist, he premiered many of his own works. He worked with some of the leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms, an uncompromising perfectionist, destroyed some of his works and left others unpublished.
Brahms has been considered, by his contemporaries and by later writers, as both a traditionalist and an innovator. His music is firmly rooted in the structures and compositional techniques of the Classical masters. While many contemporaries found his music too academic, his contribution and craftsmanship have been admired by subsequent figures as diverse as Arnold Schoenberg and Edward Elgar. The diligent, highly constructed nature of Brahms's works was a starting point and an inspiration for a generation of composers. Within his meticulous structures is embedded, however, a highly romantic nature.

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