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Live at The Concertgebouw 1961

Ella Fitzgerald

Live at The Concertgebouw 1961

Price: € 19.95
Format: CD
Label: Fondamenta
UPC: 0889854691622
Catnr: FON 1704027
Release date: 03 November 2017
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Label
Fondamenta
UPC
0889854691622
Catalogue number
FON 1704027
Release date
03 November 2017

"Beautiful sounding album."

Jazzism, 16-2-2018
Album
Artist(s)
Composer(s)
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About the album

10 February 1961, the Concertgebouw, Amsterdam. After a memorable performance in Berlin a year earlier, Fitzgerald was once again singing to a packed concert hall. Norman Granz, introduced the musicians. In her fresh, almost girlish voice and that hint of characteristic impertinence, she launched into “Too Close For Comfort”. By now the singer had the audience firmly in the palm of her hand. Fitzgerald settled in as if she were in her living room, welcoming each spectator like a privileged guest and each song she sang, a gracefully proffered glass of champagne. Ranging from the melancholy of “Heart And Soul” to her teasing in the midst of “Lorelei”, when she announced that she was about to strip, overall she was witty, dynamic and rousing. You could count on Ella, always resourceful, always entertaining. As Bing Crosby so aptly said, “Man, woman, or child, Ella is the greatest of them all.”
10. Februar 1961, Concertgebouw, Amsterdam. Nach einem denkwürdigen Auftritt in Berlin ein Jahr zuvor, sang Fitzgerald wieder einmal in einem vollbesetzten Konzertsaal. Norman Granz stellt die Musiker vor. Mit ihrer frischen, fast mädchenhaften Stimme und dem Hauch charakteristischer Spontanität begann sie mit "Too Close For Comfort". Mittlerweile hatte die Sängerin das Publikum fest in der Hand. Fitzgerald ließ sich in ihrem Wohnzimmer nieder und begrüßte jeden Zuschauer wie ein privilegierter Gast und jedes Lied, das sie sang, war wie ein dargebotenes zierliches Glas Champagner. Von der Melancholie von "Heart And Soul" bis hin zu ihrem Spott inmitten von "Lorelei", als sie ankündigte, dass sie sich ausziehen wolle, war sie insgesamt witzig, dynamisch und mitreißend. "Du konntest auf Ella zählen, immer einfallsreich, immer unterhaltsam", wie Bing Crosby so treffend sagte: "Mann, Frau oder Kind, Ella ist die Größte von allen."

Artist(s)

Ella Fitzgerald (vocals)

Ella Fitzgerald was born on April, 25, 1917, to a single mother – her father's identity is unknown. She grew up in a poor, cosmopolitan neighborhood in the New York suburbs and, at 15, she moved to her aunt's in Harlem after her mother passed away. A dance and music buff, she won an amateur performance competition in 1934 at the Apollo Theater in Harlem, which is how drummer and conductor Chick Webb noticed her, and hired her as a singer in his big band – whose mascot and star she became presently, as they recorded numerous hits such as “Mr Paganini” in 1936 and, in 1938,  “A-Tisket A-Tasket” - which remained her signature theme for years. After Webb died...
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Ella Fitzgerald was born on April, 25, 1917, to a single mother – her father's identity is unknown. She grew up in a poor, cosmopolitan neighborhood in the New York suburbs and, at 15, she moved to her aunt's in Harlem after her mother passed away. A dance and music buff, she won an amateur performance competition in 1934 at the Apollo Theater in Harlem, which is how drummer and conductor Chick Webb noticed her, and hired her as a singer in his big band – whose mascot and star she became presently, as they recorded numerous hits such as “Mr Paganini” in 1936 and, in 1938, “A-Tisket A-Tasket” - which remained her signature theme for years. After Webb died in 1939, the young 22 year-old singer took on the band's lead, and renamed it “Ella and her Famous Orchestra” - however, big bands gradually went out of style and the formation broke up in 1942.
She then started numerous collaborations with vocal ensembles and fashionable personalities such as singer and saxophone player Louis Jordan: her brilliant solo career allowed her to dash back to the top of the charts. At the same time, she started singing in Dizzy Gillespie's great be-bop orchestra, and in this modernist context she displayed exceptional improvisational gifts, further transcended by immense technical virtuosity. In 1946 she started taking part in the Jazz At The Philarmonic Tours; the organizer Norman Granz became her manager.
In 1955, largely to promote the universal genius of the singer, Granz founded his label Verve, and Ella started her mythical recordings, soon becoming a genuinely international star. After three records with Louis Armstrong (including a breathtaking version of “Porgy and Bess”), Ella became the legend she is by revisiting in her own style the great American repertoire (Cole Porter, Richard Rodgers and Lorenz Hart, Duke Ellington, Irving Berlin, George and Ira Gershwin, Harold Arlen, Jerome Kern, and Jonny Mercer). These eight records were brilliantly “staged” by the greatest arrangers of the time and released from 1956 and 1964; the series is called “Songbooks” – undeniably one of the jewels of her discography. She reached a much wider audience than mere jazz lovers, partly thanks to the prestigious prizes and awards she won over time (four Grammys as “Best Female Pop Vocal Performance” between 1959 and 1963!). In the mid-1960s, the “First Lady of Song” was at the height of her success, in the United States where she regularly appeared on TV shows, thus becoming a household name, and worldwide where her concerts were systematically sold-out. In 1967 the Grammy Academy crowned her with a “Lifetime Achievement Award”, recognizing her lifelong dedication to music.
Even when jazz started losing parts of its audience to rock and pop music, Ella Fitzgerald, who went for a while without a record label, remained enduringly focused on giving quality performances; in the early 1970s she met guitar player Joe Pass – the perfect accomplice for the last – and most soulful – part of her career. She remained very active on stage despite crippling diabetes-related health issues, and in 1987 she received from President Reagan the National Medal of Arts, and officially became a “National Treasure”. In 1991, she performed for the 26th time at the prestigious New York Carnegie Hall. This was to be her last public appearance. Her diabetes took a turn for the worst, nearly blinding her. In 1993, both her legs had to be amputated. She died in Beverly Hills on June 15, 1996, surrounded by her family.
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Gus Johnson (drums)

Lou Levy (piano)

Herb Ellis (guitar)

Composer(s)

Press

Beautiful sounding album.
Jazzism, 16-2-2018

The superior sound makes you feel you are there (the old mono of the VARA recordings is maintained!) And gives the listener goose bumps. Even though the cupboard is full of work by Ella, this is and remains a must and for the white raven who has nothing of her, grab your chance and enjoy!
Rootstime, 08-12-2017

Ella is at the top of her energy, full of warmth and beauty.
Mad Jazz, 06-12-2017

The albums have been exceptionally well-edited, with pleasantly felt cardboard covers and luxuriously executed booklets. The fitting name for this special series is 'The Lost Recordings'.
Jazzenzo, 02-12-2017

Besides 'Mack the knife' is 'Live At The Concertgebouw 1961' a completely new set.
JazzFlits, 15-11-2017

Play album Play album
01.
Introduction Norman Granz
01:14
(Norman Granz) Ella Fitzgerald, Gus Johnson, Lou Levy, Herb Ellis, Wilfred Middlebrooks
02.
Won't You Please Let Me In
09:07
(Lou Levy) Ella Fitzgerald, Gus Johnson, Lou Levy, Herb Ellis, Wilfred Middlebrooks
03.
Too Close for Comfort
02:46
(Jerry Bock, George David Weiss, Larry Holofcener) Ella Fitzgerald, Gus Johnson, Lou Levy, Herb Ellis, Wilfred Middlebrooks
04.
A Showboat to China
02:22
(Frank Loesser) Ella Fitzgerald, Gus Johnson, Lou Levy, Herb Ellis, Wilfred Middlebrooks
05.
How Long Has This Been Going On
02:49
(George Gershwin) Ella Fitzgerald, Gus Johnson, Lou Levy, Herb Ellis, Wilfred Middlebrooks
06.
Heart and Soul
04:05
(Hoagy Carmichael) Ella Fitzgerald, Gus Johnson, Lou Levy, Herb Ellis, Wilfred Middlebrooks
07.
You?re Driving Me Crazy
04:05
(Walter Donaldson) Ella Fitzgerald, Gus Johnson, Lou Levy, Herb Ellis, Wilfred Middlebrooks
08.
Old Black Magic
03:40
(Harold Arlen) Ella Fitzgerald, Gus Johnson, Lou Levy, Herb Ellis, Wilfred Middlebrooks
09.
Lover Come Back to Me
02:08
(Sigmund Romberg) Ella Fitzgerald, Gus Johnson, Lou Levy, Herb Ellis, Wilfred Middlebrooks
10.
My Funny Valentine
03:36
(Richard Rodgers) Ella Fitzgerald, Gus Johnson, Lou Levy, Herb Ellis, Wilfred Middlebrooks
11.
I?ve Got a Crush on You
02:37
(George Gershwin) Ella Fitzgerald, Gus Johnson, Lou Levy, Herb Ellis, Wilfred Middlebrooks
12.
Lorelei
03:19
(George Gershwin) Ella Fitzgerald, Gus Johnson, Lou Levy, Herb Ellis, Wilfred Middlebrooks
13.
Mister Paganini
04:45
(Sam Coslow) Ella Fitzgerald, Gus Johnson, Lou Levy, Herb Ellis, Wilfred Middlebrooks
14.
Mack The Knife
04:04
(Kurt Weill) Ella Fitzgerald, Gus Johnson, Lou Levy, Herb Ellis, Wilfred Middlebrooks
15.
Saint Louis Blues
07:00
(William Christopher Handy) Ella Fitzgerald, Gus Johnson, Lou Levy, Herb Ellis, Wilfred Middlebrooks
show all tracks

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