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Insisting

Peter Eigenmann Trio

Insisting

Price: € 19.95
Format: CD
Label: TCB The Montreux Jazz Label
UPC: 0725095356022
Catnr: TCB 35602
Release date: 09 March 2018
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Label
TCB The Montreux Jazz Label
UPC
0725095356022
Catalogue number
TCB 35602
Release date
09 March 2018
Album
Artist(s)
Composer(s)
EN
DE

About the album

Insisting
– One could interpret this title as a motto from the career of Peter Eigenmann – which is now nearly four decades long. It requires perseverance, over such a pronounced timespan, to continually development one’s craft - especially in the winds of our fast-moving times. A guitarist with passion and careful sensibility presents us with a new Trio that includes Patrick Sommer on bass and Dominic Egli on drums.
This collaboration began with the founding of the Peter Eigenmann/Ken Cervenka Nonet and was, as Eigenmann describes it, “A stroke of luck”. As the well-known story goes... “You can be really happy if you find a good bass player and a good drummer – but even more so, when they make a good rhythm section. And, without a doubt, these two are great together”. In addition, they also get enough room to show off their skills as outstanding soloists.
While playing the many favourites from Peter Eigenmann’s repertoire, a silent consensus emerged within the group – the desire to interpret each tune with the utmost freedom and expression. The spectrum of music is varied, ranging from open improvisation to through-composed material. The common denominator of this project: An open ear for one another and the blending of each individual’s personal sound. Together, the three achieve a beautifully balanced musical statement.

Insisting - Man könnte diesen Titel als ein Motto der fast vier Jahrzehnte andauernden Karriere von Peter Eigenmann interpretieren. Es erfordert Beharrlichkeit, sich über eine so lange Zeitspanne hinweg kontinuierlich weiterzuentwickeln - gerade in den Turbulenzen unserer schnelllebigen Zeit. Ein Gitarrist mit Leidenschaft und Sensibilität präsentiert uns ein neues Trio mit Patrick Sommer am Bass und Dominic Egli am Schlagzeug.
Diese Zusammenarbeit begann mit der Gründung des Peter Eigenmann/Ken Cervenka Nonet und war, wie Eigenmann es beschreibt, "ein Glücksfall". Man kann sich wirklich glücklich schätzen, wenn man einen guten Bassisten und einen guten Schlagzeuger findet - aber erst Recht, wenn sie eine gute Rhythmusgruppe bilden. Und zweifelsohne sind diese beiden großartig zusammen". Darüber hinaus haben sie auch genügend Freiraum, um ihr Können als herausragende Solisten unter Beweis zu stellen.
Während sie die vielen Favoriten aus dem Repertoire von Peter Eigenmann spielte, entstand innerhalb der Gruppe ein stiller Konsens - der Wunsch, jede Melodie mit größtmöglicher Freiheit und Ausdruckskraft zu interpretieren. Das Spektrum der Musik ist vielfältig und reicht von offener Improvisation bis hin zu durchkomponiertem Material. Der gemeinsame Nenner dieses Projekts: ein offenes Ohr füreinander und die Verschmelzung des persönlichen Klangs jedes Einzelnen. Gemeinsam erreichen die drei ein wunderbar ausgewogenes musikalisches Statement.

Artist(s)

Peter Eigenmann (guitar)

A native of St. Gallen (Switzerland), Peter Eigenmann was born in December of 1952. He began playing guitar at the age of 14.  Predominantly self taught, he played in local Pop an Rock groups and gradually got increasingly more fascinated with Jazz. He performed with many different swiss musicians and a variety of different ensembles, toured Norway in 1979 and then had the opportunity to work with trumpet player Ken Cervenka from Boston, USA.  In 1980 he continued his studies in the US with the likes of Mick Goodrick, Mark Soskin, Bela Lakatos. In addition, while there he had the opportunity to play in New York with musicians like Don Friedman (piano) and Sam Jones (bass). Also actively involved with Jazz Education,...
more
A native of St. Gallen (Switzerland), Peter Eigenmann was born in December of 1952. He began playing guitar at the age of 14. Predominantly self taught, he played in local Pop an Rock groups and gradually got increasingly more fascinated with Jazz. He performed with many different swiss musicians and a variety of different ensembles, toured Norway in 1979 and then had the opportunity to work with trumpet player Ken Cervenka from Boston, USA. In 1980 he continued his studies in the US with the likes of Mick Goodrick, Mark Soskin, Bela Lakatos. In addition, while there he had the opportunity to play in New York with musicians like Don Friedman (piano) and Sam Jones (bass). Also actively involved with Jazz Education, he has taught guitar and performance at the St. Gallen Jazz-School in Switzerland since 1982. In 1985 he formed the Peter Eigenmann Bigband and began to concentrate on this arranging talents as well. The Big Band has recorded twoCD's (1989 and 1996). For 9 years he was involved with a quintet featuring american trumpetist Benny Bailey, with Peter Frei or Jesper Lundgaard (bass), Peter Schmidlin (drums) and Carlo Schöb (sax). This work was documented on two CD's: "Benny Bailey Quintet - Peruvian nights" (1989) and "Benny Bailey Quintet - No Refill" (1994). In addition he has worked with the following musicians: Klaus Weiss, Tony Lakatos, Woody Shaw, Reggie Johnson, Thomas Ovesen, Alan Praskin, Andy Scherrer, Billy Brooks, Isla Eckinger, Fritz Pauer and others. Since 1992 he's been leading his own quintet with US trumpet player Tom Kirkpatrick, and played, together with swiss bass player Hämi Hämmerli, in a trio led by the american trombonist Ed Neumeister. The trio recorded their first CD in 1996 for TBC-Records, entitled ED NEUMEISTER feat. Peter Eigenmann and Hämi Hämmerli: "The Mohican And the Great Spirit". A new recording entitled "Something Special" with his own trio was released in spring 2000, featuring Isla Eckinger on bass and Peter Schmidlin on drums. A new recording with his nonet, feat. Ken Cervenka (tp/flh), plays the music of Trudi Strebi and Carlo Schöb will be released in June 2013.

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Peter Schmidlin (drums)

Born in Basel, Switzerland, in 1947. Started playing drums at age 14 (1961), basically autodidact. Won first price as best drummer at the International Jazz Festival, Zürich, in 1963 at age 16. Started as professional drummer in 1965, playing with various internationally known musicians, such as : Buck Clayton, Sir Charles Thompson Jr, Don Bayas, Helen Humes, Bob Carter and others. As of 1969, free-lancing as a jazz-drummer. He did concerts, recordings, tv-productions and festivals in various European countries with American and European musicians.  1971 joining the JAZZ LIVE TRIO of radio Zürich as permanent ‘house-drummer’. Live radio recordings till 1983 with many well known jazz artists, such as : Johnny Griffin, Dexter Gordon, Gianni Basso, Franco Ambrosetti, George Gruntz, Benny Bailey, Gunter Schuller,...
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Born in Basel, Switzerland, in 1947. Started playing drums at age 14 (1961), basically autodidact. Won first price as best drummer at the International Jazz Festival, Zürich, in 1963 at age 16. Started as professional drummer in 1965, playing with various internationally known musicians, such as : Buck Clayton, Sir Charles Thompson Jr, Don Bayas, Helen Humes, Bob Carter and others.
As of 1969, free-lancing as a jazz-drummer. He did concerts, recordings, tv-productions and festivals in various European countries with American and European musicians. 1971 joining the JAZZ LIVE TRIO of radio Zürich as permanent ‘house-drummer’. Live radio recordings till 1983 with many well known jazz artists, such as : Johnny Griffin, Dexter Gordon, Gianni Basso, Franco Ambrosetti, George Gruntz, Benny Bailey, Gunter Schuller, Art Farmer, Shahib Shihab, Slide Hampton, Jiggs Wigham, Lee Konitz, Kai Winding, Albert Mangelsdorff, Vicho Vicencio, Ferdinand Povel, Volker Kriegel, Karl-Hans Berger, Enrico Rava, Horace Parlan, Tony Scott, Idrees Sulieman, Hugo Heredia, Clifford Jordan, Eje Thelin and many others.
Between 1972 - 77 member of MAGOG, internationally respected Swiss Jazz Group, playing at many international festivals : Montreux 1972 & 74, Châteauvallon, Alassio, Bologna, Bergamo, Ljubljana, Prerov, Brno, Zürich, Willisau, Lerici and others.
1978 - 90 playing tours in Switzerland, Germany, Italy, Austria, France etc with different soloists and/or groups : Tete Montoliu trio, Horace Parlan trio, Benny Bailey quintet, Dusko Goykovich quintet, George Robert quartet, Jimmy Woode trio, Clark Terry, Deedee Bridgewater, Curtis Fuller, Sal Nistico/Rachel Gould quintet and others. 1988 programming first ‘TCB-night’ for Claude Nobs at the Montreux Jazz Festival at the ‘Q’s’ Jazzclub. 1989 participating in SwissTV-production ‘JAZZ IN’ with Cedar Walton, Gary Burton, Andy Scherrer and Marc Johnson. 1991 Founder of TCB Music, Montreux (TCB - The Montreux Jazz Label), a Swiss Jazz label, where he produced more than 350 titles (situation 2010) distributed in Europe, USA, Canada, Japan, South Africa etc.
Also in 1991 world tour with the George Robert quartet (during 6 weeks in USA together with Clark Terry), touring through 13 countries (USA, Canada, the Philippines, Indonesia, Bali, Singapore, Malaysia, India and the Middle East). A total of 65 concerts during 100 days for the celebration of the 700th anniversary of the Swiss Confederation (CH-91).
1992 - 93 various tours with Benny Bailey, Tom Kirkpatrick, William Evans, Clark Terry and the George Robert quartet. 1994 -2002 tours and recordings with Cojazz and Cojazz plus, Hans Kennel Group feat. Mark Soskin, Franco Ambrosetti quartet and many more. Participation again at various festivals (Montreux, Munster, Sicily, Aviliano, Fribourg etc) and concerts with Benny Golson, Alice Day, Buddy De Franco, Steve Grossman, Dusko Goykovich, Gianni Basso, Theri Thornton, Bobby Shew, Jon Davis and others. Ongoing work for TCB - The Montreux Jazz Label, releasing 10-15 new cds per year, especially supporting new talents. In 1998 receives SUISA prize for his work as a musician and jazzproducer. July 1999 programming another ‘TCB-Night’ at the Miles Davis Hall, for the Montreux Jazz Festival /Claude Nobs.
Peter Schmidlin was introduced in the 2000 edition of ‘The Biographical Enzyclopedia of Jazz’ by Leonard Feather and Ira Gitler (Oxford University Press).
2000 Preparing concept/program of ‘Swiss Jazz Club’ at Midem, worlds largest musicbusiness-gathering. He is programming and presenting the ‘Swiss Jazz Club’ at the famous Carlton Hotel (Croisette) during 5 years.
In 2001 creating (with Thierry Lang/Yvan Ischer) ‘Ollon du Jazz’, a 3 day jazz event near Montreux. Becomes member of committee of ‘SMS’ Swiss Jazz/Improvising Musicians Syndicate. 2002 becomes member of committee of SUISA Foundation of Music succeeding former member Claude Nobs.
2003 mentioned in latest edition of ‘Jazz-Lexikon’ (RoRoRo), most important Enzyclopedia of Jazz in Germany, written by Martin Kunzler. Ongoing playing with Thierry Lang Tio featuring harmonica player Olivier Ker Ourio. Concert with Franco Ambrosetti at Bergamo Jazz Festival together with Claudio Angeleri Group. Also in 2003, recording 3 CDs with Thierry Lang for the Blue Note Label including Paolo Fresu, Andy Scherrer, Didier Lockwood, George Robert and Olivier Ker Ourio (released spring 2004). 2005 tours/concerts with the Thierry Lang Trio, sometimes including George Robert or Olivier Ker Ourio or Didier Lockwood or Paolo Fresu and Andy Scherrer as guests. Invited in May 05 by the president of Czekia, Mr. Vaklav Klaus, to play in the castle of Prague and in the famous Reduta Jazz Club (which Bill Clinton made famous in 94) with the Thierry Lang Trio and George Robert. 2006 release of another Blue Note CD with George Robert, Thierry Lang and Heiri Känzig ‘Wing Span’ and various concerts in Switzerland/ Austria and Germany with same group. July 06 concert with this quartet plus saxophonist Bob Mintzer in Geneva.
2007 release of the latest CD with Thierry Lang on Blue Note ‘Dedicated to You’. Concerts and club-dates with same Trio. Concerts with Cojazz and singer Alice Day. Tour with ‘Twobones’ feat. Dado Moroni to celebrate 20 years of existence of the group ‘Twobones’. Concerts with various soloists, such as John Marshall, Ferdinand Povel, Rob Barga, Caroline & Herman Breuer and the Chuck Manning quartet plus David Lynx and Glenn Ferris and others.
In 2008 - 14 playing regularly with Cojazz Trio and Thierry Lang Trio. Performing at various Festivals and clubs with Thierry Lang and Glenn Ferris, George Robert, Paolo Frésu, Claudio Roditi, Dado Moroni, Jon Davis, Andy Scherrer and Isla Eckinger, mainly in Switzerland, Italy, Germany and Austria. After playing a series of concerts with Thierry Lang, Olivier Ker-Ourio, Stephan Kurmann and Thomas Dobler in July 2014, due to some health issues he decided to stop his musical activities.

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Patrick Sommer (bass)

PATRICK SOMMER, b, composition, born in 1976. Patrick studied contrabass and electric bass at the Swiss Jazz School in Bern and in Los Angeles. He lives in Zurich and works as a freelance musician. A solid feeling for timings, a broad stylistic and instrumental range, an unswerving taste and his ability to adapt make him one of the most in-demand bassists on the Swiss music scene. He holds regular concerts both in Switzerland and abroad and is involved in theatre and dance projects as a musician and composer. Selected discography: Tony Renold Quartet: Places (Unit Records 2011); Pius Baschnagel's Latin World: Son Song (Altrisuoni 2011); Martin Lechner: Gentlemen Are Hard To Find (BHM 2011); Bucher Sommer Friedli & Aeby: Expanding (Dryrecords...
more
PATRICK SOMMER, b, composition, born in 1976. Patrick studied contrabass and electric bass at the Swiss Jazz School in Bern and in Los Angeles. He lives in Zurich and works as a freelance musician. A solid feeling for timings, a broad stylistic and instrumental range, an unswerving taste and his ability to adapt make him one of the most in-demand bassists on the Swiss music scene. He holds regular concerts both in Switzerland and abroad and is involved in theatre and dance projects as a musician and composer.
Selected discography: Tony Renold Quartet: Places (Unit Records 2011); Pius Baschnagel's Latin World: Son Song (Altrisuoni 2011); Martin Lechner: Gentlemen Are Hard To Find (BHM 2011); Bucher Sommer Friedli & Aeby: Expanding (Dryrecords 2011); Bucher 5: Here And There (Unit Records 2010); Limber Lumber - Rösli Sommer Sartorius: Diapassion (Unit Records 2010); Tim Kleinert Trio: Free Passage To Now (Covariance 2010); Peter Zihlmann & TOW Orchestra: Tales Of The Old World (Unit Records 2010); Roli Frei & The Soulful Desert: Strong (Sound Service 2010); Adrian Frey Trio: No Flags (Unit Records 2010); Julian Amacker Universe: A Tea And Me (FF Records 2009); Marianne Racine Quartet: Jazz (2009); Patrick Sommer: Speechless (Rock Archive 2009); Bucher Sommer Friedli: Farb (Dryrerecords 2008); The Moondog Show: Marfa (Fazerecords 2007); Tony Renold Quartet: Timeless Flow (Universal Records 2005); Lisette Spinnler Quartet: in Between (TCB Records 2004). He has been playing for the Jazz Live Trio since 2012.
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Dominic Egli (drums)

Composer(s)

Duke Ellington

Duke Ellington influenced millions of people both around the world and at home. He gave American music its own sound for the first time. In his fifty year career, he played over 20,000 performances in Europe, Latin America, the Middle East as well as Asia. Simply put, Ellington transcends boundaries and fills the world with a treasure trove of music that renews itself through every generation of fans and music-lovers. His legacy continues to live onand will endure for generations to come. Winton Marsalis said it best when he said 'His music sounds like America.' Because of the unmatched artistic heights to which he soared, no one deserved the phrase “beyond category” more than Ellington, for it aptly describes his life as well. He was...
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Duke Ellington influenced millions of people both around the world and at home. He gave American music its own sound for the first time. In his fifty year career, he played over 20,000 performances in Europe, Latin America, the Middle East as well as Asia.

Simply put, Ellington transcends boundaries and fills the world with a treasure trove of music that renews itself through every generation of fans and music-lovers. His legacy continues to live onand will endure for generations to come. Winton Marsalis said it best when he said "His music sounds like America." Because of the unmatched artistic heights to which he soared, no one deserved the phrase “beyond category” more than Ellington, for it aptly describes his life as well. He was most certainly one of a kind that maintained a llifestyle with universal appeal which transcended countless boundaries.

Duke Ellington is best remembered for the over 3000 songs that he composed during his lifetime. His best known titles include; "It Don't Mean a Thing if It Ain't Got That Swing", "Sophisticated Lady", "Mood Indigo", “Solitude", "In a Mellotone",and "Satin Doll". The most amazing part about Ellington was the most creative while he was on the road. It was during this time when he wrote his most famous piece, "Mood Indigo"which brought him world wide fame.

When asked what inspired him to write, Ellington replied, "My men and my race are the inspiration of my work. I try to catch the character and mood and feeling of my people".

Duke Ellington's popular compositions set the bar for generations of brilliant jazz, pop, theatre and soundtrack composers to come. While these compositions guarantee his greatness, whatmakes Duke an iconoclastic genius, and an unparalleled visionary, what has granted him immortality are his extended suites. From 1943's Black, Brown and Beige to 1972's The Uwis Suite, Duke used the suite format to give his jazz songs a far more empowering meaning, resonance and purpose: to exalt, mythologize and re-contextualize the African-American experience on a grand scale.

Duke Ellington was partial to giving brief verbal accounts of the moods his songs captured. Reading those accounts is like looking deep into the background of an old photo of New York and noticing the lost and almost unaccountable details that gave the city its character during Ellington's heyday, which began in 1927 when his band made the Cotton Club its home.''The memory of things gone,'' Ellington once said, ''is important to a jazz musician,'' and the stories he sometimes told about his songs are the record of those things gone. But what is gone returns, its pulse kicking, when Ellington's music plays, and never mind what past it is, for the music itself still carries us forward today.

Duke Ellington was awarded the Grammy Lifetime Achievement Award in 1966. He was later awarded several other prizes, the Presidential Medal of Freedom in 1969, and the Legion of Honor by France in 1973, the highest civilian honors in each country. He died of lung cancer and pneumonia on May 24, 1974, a month after his 75th birthday, and is buried in theBronx, in New York City. At his funeral attendedby over 12,000 people at the Cathedral of St. John the Divine, Ella Fitzgerald summed up the occasion, "It's a very sad day...A genius has passed."


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Peter Eigenmann (guitar)

A native of St. Gallen (Switzerland), Peter Eigenmann was born in December of 1952. He began playing guitar at the age of 14.  Predominantly self taught, he played in local Pop an Rock groups and gradually got increasingly more fascinated with Jazz. He performed with many different swiss musicians and a variety of different ensembles, toured Norway in 1979 and then had the opportunity to work with trumpet player Ken Cervenka from Boston, USA.  In 1980 he continued his studies in the US with the likes of Mick Goodrick, Mark Soskin, Bela Lakatos. In addition, while there he had the opportunity to play in New York with musicians like Don Friedman (piano) and Sam Jones (bass). Also actively involved with Jazz Education,...
more
A native of St. Gallen (Switzerland), Peter Eigenmann was born in December of 1952. He began playing guitar at the age of 14. Predominantly self taught, he played in local Pop an Rock groups and gradually got increasingly more fascinated with Jazz. He performed with many different swiss musicians and a variety of different ensembles, toured Norway in 1979 and then had the opportunity to work with trumpet player Ken Cervenka from Boston, USA. In 1980 he continued his studies in the US with the likes of Mick Goodrick, Mark Soskin, Bela Lakatos. In addition, while there he had the opportunity to play in New York with musicians like Don Friedman (piano) and Sam Jones (bass). Also actively involved with Jazz Education, he has taught guitar and performance at the St. Gallen Jazz-School in Switzerland since 1982. In 1985 he formed the Peter Eigenmann Bigband and began to concentrate on this arranging talents as well. The Big Band has recorded twoCD's (1989 and 1996). For 9 years he was involved with a quintet featuring american trumpetist Benny Bailey, with Peter Frei or Jesper Lundgaard (bass), Peter Schmidlin (drums) and Carlo Schöb (sax). This work was documented on two CD's: "Benny Bailey Quintet - Peruvian nights" (1989) and "Benny Bailey Quintet - No Refill" (1994). In addition he has worked with the following musicians: Klaus Weiss, Tony Lakatos, Woody Shaw, Reggie Johnson, Thomas Ovesen, Alan Praskin, Andy Scherrer, Billy Brooks, Isla Eckinger, Fritz Pauer and others. Since 1992 he's been leading his own quintet with US trumpet player Tom Kirkpatrick, and played, together with swiss bass player Hämi Hämmerli, in a trio led by the american trombonist Ed Neumeister. The trio recorded their first CD in 1996 for TBC-Records, entitled ED NEUMEISTER feat. Peter Eigenmann and Hämi Hämmerli: "The Mohican And the Great Spirit". A new recording entitled "Something Special" with his own trio was released in spring 2000, featuring Isla Eckinger on bass and Peter Schmidlin on drums. A new recording with his nonet, feat. Ken Cervenka (tp/flh), plays the music of Trudi Strebi and Carlo Schöb will be released in June 2013.

less

Patrick Sommer (bass)

PATRICK SOMMER, b, composition, born in 1976. Patrick studied contrabass and electric bass at the Swiss Jazz School in Bern and in Los Angeles. He lives in Zurich and works as a freelance musician. A solid feeling for timings, a broad stylistic and instrumental range, an unswerving taste and his ability to adapt make him one of the most in-demand bassists on the Swiss music scene. He holds regular concerts both in Switzerland and abroad and is involved in theatre and dance projects as a musician and composer. Selected discography: Tony Renold Quartet: Places (Unit Records 2011); Pius Baschnagel's Latin World: Son Song (Altrisuoni 2011); Martin Lechner: Gentlemen Are Hard To Find (BHM 2011); Bucher Sommer Friedli & Aeby: Expanding (Dryrecords...
more
PATRICK SOMMER, b, composition, born in 1976. Patrick studied contrabass and electric bass at the Swiss Jazz School in Bern and in Los Angeles. He lives in Zurich and works as a freelance musician. A solid feeling for timings, a broad stylistic and instrumental range, an unswerving taste and his ability to adapt make him one of the most in-demand bassists on the Swiss music scene. He holds regular concerts both in Switzerland and abroad and is involved in theatre and dance projects as a musician and composer.
Selected discography: Tony Renold Quartet: Places (Unit Records 2011); Pius Baschnagel's Latin World: Son Song (Altrisuoni 2011); Martin Lechner: Gentlemen Are Hard To Find (BHM 2011); Bucher Sommer Friedli & Aeby: Expanding (Dryrecords 2011); Bucher 5: Here And There (Unit Records 2010); Limber Lumber - Rösli Sommer Sartorius: Diapassion (Unit Records 2010); Tim Kleinert Trio: Free Passage To Now (Covariance 2010); Peter Zihlmann & TOW Orchestra: Tales Of The Old World (Unit Records 2010); Roli Frei & The Soulful Desert: Strong (Sound Service 2010); Adrian Frey Trio: No Flags (Unit Records 2010); Julian Amacker Universe: A Tea And Me (FF Records 2009); Marianne Racine Quartet: Jazz (2009); Patrick Sommer: Speechless (Rock Archive 2009); Bucher Sommer Friedli: Farb (Dryrerecords 2008); The Moondog Show: Marfa (Fazerecords 2007); Tony Renold Quartet: Timeless Flow (Universal Records 2005); Lisette Spinnler Quartet: in Between (TCB Records 2004). He has been playing for the Jazz Live Trio since 2012.
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Press

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Jon Davis Trio
Magog
Magog
Live At The Dolder Grand Hotel, Zurich
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