Pauline Sachse is in high demand on the chamber music scene: she performs in recitals with artists such as Isabelle Faust, Tabea Zimmermann, Lars Vogt, Lauma Skride, Christian Tetzlaff, Anna Prohaska, Martin Helmchen, Marie-Elisabeth Hecker, Harriet Krijgh, Martin Fröst, Antje Weithaas, Benjamin Schmid, and Janine Jansen. She is regularly invited to appear at important festivals including Salzburg, Heidelberg, Spannungen (Heimbach), Moritzburg, Schwetzingen and Mecklenburg-Vorpommern.

Pauline Sachse’s multi-faceted repertoire is reflected in her discography. As well as compositions by Schumann, Brahms, Shostakovich and Hindemith, her recordings also include a number of premieres and first recordings, such as Christian Jost’s Hamlet Echoes and the first recordings of various sonatas by Franz Benda and Giorgio Antoniotto from the early classical period.

Both her artistic and pedagogic approaches combine a wide variety of art forms, reflecting the fact that her initial contact with music was through classical dance. Nowadays, she expresses her ideas in her main language: music. But in her pursuit of artistic expression she also develops integral concepts, artworks and essays.