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Complete Bach Cantatas Vol. 10
Johann Sebastian Bach

Ton Koopman / The Amsterdam Baroque Orchestra

Complete Bach Cantatas Vol. 10

Format: CD
Label: Challenge Classics
UPC: 0608917221022
Catnr: CC 72210
Release date: 04 July 2005
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CD (3 items)
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Label
Challenge Classics
UPC
0608917221022
Catalogue number
CC 72210
Release date
04 July 2005

""We hope that Koopman will tackle other composers with the same vigorous effort as he has Buxtehude, and are very happy that we now are able to enjoy the full scope of Buxtehude’s great oeuvre, which is undoubtedly superb music""

RONDO, 20-11-2014
Album
Artist(s)
Composer(s)
Press
EN
NL

About the album

The tenth volume of the complete recording of Bach's cantatas contains a final group of works (BWV 44, 73, 119 and 134) from the first cycle of 1723-1724. It continues with the first of a substantial series of chorale cantatas that give the second Leipzig cycle of 1724-1725 its particular character. This volume ends with the serenata BWV 134a, which completes the secular cantatas in Volumes 1 to 3; it provided the musical model for the Easter cantata BWV 134, which was composed in 1724. Bach's commitment in composing this second cycle of cantatas went well beyond his undertaking in the previous year. Whereas in the first cycle, existing cantatas from the Weimar period could be found alongside new pieces, the second cycle contains a sequence of newly composed works that continued uninterrupted until the spring of 1725.
Nieuwe composities van Bach in de tweede cyclus
Tussen 1994 en 2004 nam dirigent Ton Koopman de enorme taak op zich om alle cantates, gecomponeerd door Johann Sebastian Bach, op te nemen met zijn Amsterdam Baroque Orchestra & Choir. Tijdens zijn leven schreef Bach vermoedelijk 295 cantates, waarvan er 202 bewaard zijn gebleven. Het overgrote deel van deze cantates kwam waarschijnlijk tot stand in de jaren 1723-1725 in de tijd dat Bach in Leipzig cantor was van de Thomas- en Nikolaikerk.

Bach schreef de meeste cantates als muzikale omlijsting van de zondagse kerkdienst. De cantates sloten inhoudelijk aan bij de lezingen en de preek van die zondag of kerkelijke feestdag. Het was dus functionele gebruiksmuziek, maar van een hoog muzikaal niveau. Vaak beginnen de cantates met een uitgebreid openingskoor, gevolgd door enkele aria's en recitatieven (vertellende stukken, zonder tekstherhalingen).

Koopman heeft, zoals gezegd, alle bewaarde 202 cantates opgenomen. Zijn verzameling is onderverdeeld in 22 delen. Musicologen verdelen Bach's enorme cantateproductie over 5 cantatejaargangen. Een cantatejaargang of cantate-jaarcyclus bestaat uit een groep van bij elkaar horende cantates, geschreven voor de kerkdiensten van één kerkelijk jaar.

Het 10e album van de complete opname van Bachs cantates bevat werk uit twee cantatejaargangen uit Leipzig. De laatste stukken van de eerste cyclus van 1723-1724 en het eerste deel van de serie kenmerkende koorcantates uit de tweede cyclus van 1724-1725. Dit album eindigt met de serenata BWV 134a een wereldlijke cantate, die diende als een muzikaal model voor de paas-cantate BWV 134, die werd gecomponeerd in 1724. Waar de eerste cyclus, zowel bestaande cantates uit Bachs Weimar periode, als nieuwe werken bevat, bestaat de tweede cyclus uit een hele reeks nieuwe composities, die ononderbroken doorging tot de lente van 1725.

Artist(s)

Ton Koopman (conductor)

Ton Koopman is a leading figure in Early Music and historically informed performance practice. As organist and harpsichordist Ton Koopman has performed all over the world and played the most beautiful historical instruments of Europe. His Amsterdam Baroque Orchestra & Choir has gained worldwide fame as one of the best ensembles on period instruments. Between 1994 and 2004 Ton Koopman and ABO&C have recorded all sacred and secular cantatas by Johann Sebastian Bach, an extraordinary project that earned international acclaim. After that Koopman recorded the complete works by Bach’s predecessor, Dieterich Buxtehude. Besides performing as a soloist and with his ABO&C, Ton Koopman is very active as a guest conductor for modern orchestras and also devotes part of his time...
more
Ton Koopman is a leading figure in Early Music and historically informed performance practice. As organist and harpsichordist Ton Koopman has performed all over the world and played the most beautiful historical instruments of Europe. His Amsterdam Baroque Orchestra & Choir has gained worldwide fame as one of the best ensembles on period instruments. Between 1994 and 2004 Ton Koopman and ABO&C have recorded all sacred and secular cantatas by Johann Sebastian Bach, an extraordinary project that earned international acclaim. After that Koopman recorded the complete works by Bach’s predecessor, Dieterich Buxtehude. Besides performing as a soloist and with his ABO&C, Ton Koopman is very active as a guest conductor for modern orchestras and also devotes part of his time to teaching. Ton Koopman is president of the International Dieterich Buxtehude Society and, since 2019, president of the Leipzig Bach Archiv.

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Amsterdam Baroque Orchestra & Choir

Ton Koopman founded the Amsterdam Baroque Orchestra in 1979. The group consists of internationally renowned baroque specialists who meet up several times a year and work together to prepare and perform new exciting programmes. For the musicians each concert is a new experience and Koopman's boundless energy and enthusiasm are a sure guarantee of the highest quality. The Amsterdam Baroque Choir was founded in 1992 and it made its debut during the Holland Festival of Early Music in Utrecht performing the world première of the Requiem (for 15 voices) and Vespers (for 32 voices) by H.I.F. Biber. The recording of both of these works won the Cannes Classical Award for the best performance of 17th/18th century choral music. For its rare...
more
Ton Koopman founded the Amsterdam Baroque Orchestra in 1979. The group consists of internationally renowned baroque specialists who meet up several times a year and work together to prepare and perform new exciting programmes. For the musicians each concert is a new experience and Koopman's boundless energy and enthusiasm are a sure guarantee of the highest quality.
The Amsterdam Baroque Choir was founded in 1992 and it made its debut during the Holland Festival of Early Music in Utrecht performing the world première of the Requiem (for 15 voices) and Vespers (for 32 voices) by H.I.F. Biber. The recording of both of these works won the Cannes Classical Award for the best performance of 17th/18th century choral music. For its rare combination of textural clarity and interpretative flexibility, the Amsterdam Baroque Choir is considered among today’s most outstanding choirs. In 1994 Ton Koopman and the Amsterdam Baroque Orchestra & Choir embarked upon the most ambitious recording project of the last decades: the integral recording of Bach’s secular and sacred cantatas. For this extraordinary project Koopman and his ensemble received the Deutsche Schallplatten-Preis Echo Klassik. Next to the CD recordings three books have been edited and published by Ton Koopman and the musicologist Christoph Wolff and a series of six documentaries was produced and broadcasted by various TV stations.
Alongside Bach’s music the Amsterdam Baroque Orchestra & Choir has recorded all major baroque and classical works. Major recognitions include the Gramophone Award, Diapason d'Or, 10-Repertoire, Stern des Monats-Fono Forum, the Prix Hector Berlioz and two Edison Awards. In 2008 the ensemble and Ton Koopman have been honoured with the prestigious BBC Award. Since March 2003 “Antoine Marchand”, a new sub-label of Challenge Classics, took over the release of Koopman’s new recordings and among many others has published 22 CD boxes of the Bach Cantatas, a new recording of the St. Matthew Passion (on CD and DVD) and St. Markus Passion of J.S. Bach (DVD), live recorded in Milan, as well as the first seven volumes of the Buxtehude Opera-Omnia Edition. Ton Koopman and the ABO & ABC are regular guests at the major concert halls of Europe, the USA and Japan. In the 2008/09 season they will tour extensively in Europe (Amsterdam, Paris, Madrid, Vienna, Milan, Cologne, Dresden, Düsseldorf etc) and in Far East with concerts in Hong Kong, Seoul and Tokyo.
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Paul Agnew

The Scottish tenor, Paul Agnew, read music as a Choral Scholar at Magdalen College, Oxford. After earning his degree, he became associated with the Consort of Musicke, and remained a member of this wonderful early music ensemble for many productive years. At these early stages of his career, he has also made numerous appearances with The Tallis Scholars (Director: Peter Phillips), The Sixteen (Director: Harry Christophers) and the Gothic Voices, before finally striking out on his own as a soloist in the early 1990's.
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The Scottish tenor, Paul Agnew, read music as a Choral Scholar at Magdalen College, Oxford. After earning his degree, he became associated with the Consort of Musicke, and remained a member of this wonderful early music ensemble for many productive years. At these early stages of his career, he has also made numerous appearances with The Tallis Scholars (Director: Peter Phillips), The Sixteen (Director: Harry Christophers) and the Gothic Voices, before finally striking out on his own as a soloist in the early 1990's.

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Composer(s)

Johann Sebastian Bach

Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.  Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.  
more

Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.

Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.


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Press

"We hope that Koopman will tackle other composers with the same vigorous effort as he has Buxtehude, and are very happy that we now are able to enjoy the full scope of Buxtehude’s great oeuvre, which is undoubtedly superb music"
RONDO, 20-11-2014

Play album Play album
Disc #1
01.
''Preise, Jerusalem, den Herrn'' BWV 119': Chorus: Preise, Jerusalem, den Herrn
05:04
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
02.
''Preise, Jerusalem, den Herrn'' BWV 119': Recitative (Tenor): Gesegnet Land!
01:16
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
03.
''Preise, Jerusalem, den Herrn'' BWV 119': Aria (Tenor):Wohl dir, du Volk der Linden
04:14
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
04.
''Preise, Jerusalem, den Herrn'' BWV 119': Recitative (Bass): So herrlich stehst du, liebe Stadt!
01:38
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
05.
''Preise, Jerusalem, den Herrn'' BWV 119': Aria (Alto): Die Obrigkeit ist Gottes Gabe
02:38
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
06.
''Preise, Jerusalem, den Herrn'' BWV 119': Recitative (Soprano): Nun! wir erkennen es und bringen dir
00:45
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
07.
''Preise, Jerusalem, den Herrn'' BWV 119': Chorus: Der Herr hat Guts an uns getan
05:33
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
08.
''Preise, Jerusalem, den Herrn'' BWV 119': Recitative (Alto): Zuletzt!
00:32
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
09.
''Preise, Jerusalem, den Herrn'' BWV 119': Chorale: Hilf deinem Volk, Herr Jesu Christ
00:58
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
10.
''Ein Herz, das seinen Jesum leben weiss'' BWV 134': Recitative (Tenor, Alto): Ein Herz, das seinen Jesum lebend weiss
00:41
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
11.
''Ein Herz, das seinen Jesum leben weiss'' BWV 134': Aria (Tenor): Auf, Glaubige, singet die lieblichen Lieder
05:42
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
12.
''Ein Herz, das seinen Jesum leben weiss'' BWV 134': Recitative (dialogue: Tenor, Alto): Wohl dir, Gott hat an dich gedacht
02:08
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
13.
''Ein Herz, das seinen Jesum leben weiss'' BWV 134': Aria (duet: Alto, Tenor): Wir danken und preisen dein briinstiges Lieben
07:22
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
14.
''Ein Herz, das seinen Jesum leben weiss'' BWV 134': Recitative (Tenor, Alto): Doch wirke selbst den Dank in unserm Munde
01:50
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
15.
''Ein Herz, das seinen Jesum leben weiss'' BWV 134': Chorus: Erschallet, ihr Himmel
07:31
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
16.
''Sie werden euch in den Bann tun'' BWV 44': Duet (Tenor, Bass): Sie werden euch in den Bann tun
02:10
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
17.
''Sie werden euch in den Bann tun'' BWV 44': Chorus: Es kömmt aber die Zeit
01:49
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
18.
''Sie werden euch in den Bann tun'' BWV 44': Aria (Alto): Christen müssen auf der Erden
04:02
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
19.
''Sie werden euch in den Bann tun'' BWV 44': Choral: Ach Gott, wie manches Herzeleid
01:09
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
20.
''Sie werden euch in den Bann tun'' BWV 44': Recitative (Bass): Es sucht der Antichrist
00:50
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
21.
''Sie werden euch in den Bann tun'' BWV 44': Aria (Soprano): Es ist und bleibt der Christen Trost
05:18
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
22.
''Sie werden euch in den Bann tun'' BWV 44': Chorale: So sei nun, Seele
01:00
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
23.
''Herr, wie du Willt, so schicks mit mir'' BWV 73': Chorus and recitative (Tenor, Bass, Soprano): Herr, wie du wi lit, so schicks mit mir
03:42
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
24.
''Herr, wie du Willt, so schicks mit mir'' BWV 73': Aria (Tenor): Ach, senke doch den Geist der Freuden
03:15
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
25.
''Herr, wie du Willt, so schicks mit mir'' BWV 73': Recitative (Bass): ch, unser Wille bleibt verkehrt
00:30
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
26.
''Herr, wie du Willt, so schicks mit mir'' BWV 73': Aria (Bass): Herr, so du willt
04:04
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
27.
''Herr, wie du Willt, so schicks mit mir'' BWV 73': Choral: Das ist des Vaters Wille
00:58
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra

Disc #2
01.
''O Ewigkeit, du Donnnerwort'' BWV 20': Chorale: 0 Ewigkeit, du Donnerwort
04:34
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
02.
''O Ewigkeit, du Donnnerwort'' BWV 20': Recitative (Tenor): Kein Ungluck ist in aller Welt zu finden
00:54
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
03.
''O Ewigkeit, du Donnnerwort'' BWV 20': Aria (Tenor): Ewigkeit, du machst mir bange
03:41
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
04.
''O Ewigkeit, du Donnnerwort'' BWV 20': Recitative (Bass): Gesetzt, es daurte der Verdammten Qual
01:23
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
05.
''O Ewigkeit, du Donnnerwort'' BWV 20': Aria (Bass): Gott ist gerecht in seinen Werken
04:17
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
06.
''O Ewigkeit, du Donnnerwort'' BWV 20': Aria(Alto): O Mensch, errette deine SeeIe
02:35
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
07.
''O Ewigkeit, du Donnnerwort'' BWV 20': Chorale: Solang ein Gott im Himmellebt
01:04
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
08.
''O Ewigkeit, du Donnnerwort'' BWV 20': Aria(Bass): Wacht auf, wacht auf, verloren Schafe
02:35
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
09.
''O Ewigkeit, du Donnnerwort'' BWV 20': Recitative (Alto): Verlass, 0 Mensch! die Wollust dieser Welt
01:07
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
10.
''O Ewigkeit, du Donnnerwort'' BWV 20': Aria (duet: Alto, Tenor) : O Menschenkind
03:31
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
11.
''O Ewigkeit, du Donnnerwort'' BWV 20': Chorale: O Ewigkeit, du Donnerwort
01:07
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
12.
''Ach Gott, vom Himmel sieh darein'' BWV 2': Chorus: Ach Gott, vom Himmel sieh darein
04:40
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
13.
''Ach Gott, vom Himmel sieh darein'' BWV 2': Recitative (Tenor): Sie lehren eitel falsche list
01:05
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
14.
''Ach Gott, vom Himmel sieh darein'' BWV 2': Aria (Alto): Tilg, o Gott, die lehren
03:21
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
15.
''Ach Gott, vom Himmel sieh darein'' BWV 2': Recitative (Bass): Die Armen sind verstort
01:35
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
16.
''Ach Gott, vom Himmel sieh darein'' BWV 2': Aria (Tenor): Durchs Feuer wird das Silber rein
05:36
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
17.
''Ach Gott, vom Himmel sieh darein'' BWV 2': Chorale: Das wollst du, Gott, bewahren rein
01:09
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
18.
''Nimm von uns, Herr, du treuer Gott'' BWV 101': Chorus: Nimm von uns, Herr, du treuer Gott
08:15
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
19.
''Nimm von uns, Herr, du treuer Gott'' BWV 101': Aria (Tenor): Handle nicht nach deinen Rechten
03:12
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
20.
''Nimm von uns, Herr, du treuer Gott'' BWV 101': Recitative and choral (Soprano):Ach! Herr Gott, durch die Treue dein
02:07
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
21.
''Nimm von uns, Herr, du treuer Gott'' BWV 101': Aria (Bass): Warum willst du so zornig sein?
04:39
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
22.
''Nimm von uns, Herr, du treuer Gott'' BWV 101': Recitative and Choral (Tenor): Die Sund hat uns verderbet sehr
02:36
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
23.
''Nimm von uns, Herr, du treuer Gott'' BWV 101': Aria (duet: Soprano, Alto): Gedenk an Jesu bittern Tod
06:39
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
24.
''Nimm von uns, Herr, du treuer Gott'' BWV 101': Chorale: Leit uns mit deiner rechten Hand
01:00
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra

Disc #3
01.
''Schmucke dich, o liebe Seele'' BWV 180': Chorus: Schmucke dich, o liebe Seele
07:26
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
02.
''Schmucke dich, o liebe Seele'' BWV 180': Aria (Tenor): Ermuntre dich: dein Heiland klopft
05:41
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
03.
''Schmucke dich, o liebe Seele'' BWV 180': Recitative (Soprano) and chorale: Wie teuer sind des heilgen Mahles Gaben!
03:17
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
04.
''Schmucke dich, o liebe Seele'' BWV 180': Recitative (Alto): Mein Herz fiihlt in sich Furcht und Freude
01:19
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
05.
''Schmucke dich, o liebe Seele'' BWV 180': Aria (Soprano): Lebens Sonne, Licht der Sinnen
03:36
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
06.
''Schmucke dich, o liebe Seele'' BWV 180': Recitative (Bass):Herr, lass an mir dein treues Lieben
00:58
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
07.
''Schmucke dich, o liebe Seele'' BWV 180': Chorale: Jesu, wahres Brot des lebens
01:22
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
08.
''Herr Gott, dich loben alle wir'' BWV 130': Chorus: Herr Gott, dich loben alle wir
03:06
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
09.
''Herr Gott, dich loben alle wir'' BWV 130': Recitative (Alto): Ihr heller Glanz und hohe Weisheit zeigt
00:51
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
10.
''Herr Gott, dich loben alle wir'' BWV 130': Aria (Bass): Der alte Drache brennt vor Neid
04:12
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
11.
''Herr Gott, dich loben alle wir'' BWV 130': Recitative (duet: Soprano, Tenor): Wohl aber uns
01:13
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
12.
''Herr Gott, dich loben alle wir'' BWV 130': Aria (Tenor): Lass, o Furst der Cherubinen
04:02
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
13.
''Herr Gott, dich loben alle wir'' BWV 130': Chorale: Darum wir billig loben dich
00:59
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
14.
''Die Zeit, die Tag und Jahre macht'' BWV 134a': Recitative (Tenor, Alto): Die Zeit, die Tag und Jahre macht
00:33
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
15.
''Die Zeit, die Tag und Jahre macht'' BWV 134a': Aria (Tenor): Auf,Sterbliche, lasset ein Jauchzen ertönen
05:44
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
16.
''Die Zeit, die Tag und Jahre macht'' BWV 134a': Recitative (Tenor, Alto): So bald, als dir die Stemen hold
02:18
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
17.
''Die Zeit, die Tag und Jahre macht'' BWV 134a': Aria (duet: Tenor, Alto): Es streiten, es prangen
08:47
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
18.
''Die Zeit, die Tag und Jahre macht'' BWV 134a': Recitative (Tenor, Alto): Bedenke nur, beglücktes land
03:02
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
19.
''Die Zeit, die Tag und Jahre macht'' BWV 134a': Aria (Alto): Der Zeiten Herr hat vie I vergnügte Stunden
06:46
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
20.
''Die Zeit, die Tag und Jahre macht'' BWV 134a': Recitative (Tenor, Alto): Hilf, Hochster, hilf
01:49
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
21.
''Die Zeit, die Tag und Jahre macht'' BWV 134a': Aria (Tenor, Alto) and chorus: Ergötzet auf Erden
07:02
(Johann Sebastian Bach ) Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
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Johann Sebastian Bach
Complete Bach Cantatas Vol. 1-22 (box set)
Ton Koopman & Amsterdam Baroque Orchestra & Choir