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Complete Bach Cantatas Vol. 16
Johann Sebastian Bach

Ton Koopman / The Amsterdam Baroque Orchestra & Choir

Complete Bach Cantatas Vol. 16

Price: € 14.95
Format: CD
Label: Challenge Classics
UPC: 0608917221626
Catnr: CC 72216
Release date: 15 July 2004
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Label
Challenge Classics
UPC
0608917221626
Catalogue number
CC 72216
Release date
15 July 2004
Album
Artist(s)
Composer(s)
EN
NL

About the album

The cantatas in this sixteenth volume are all from the third cycle of Bach's Leipzig cantatas. This yearly cycle began on the First Sunday after Trinity (3 June) 1725 and extended over a period of about three years - unlike the two preceding cycles of 1723-24 and 1724-25. Bach's rhythm of composition had slowed down markedly in the middle of 1725. It is also significant that from February to September 1726 he performed a long series of cantatas by his cousin Johann Ludwig Bach (1677-1731), Kapellmeister at the ducal court of Meiningen. But even if the proportion of original compositions declined markedly, these include a series of particularly accomplished and extended works, such as Cantatas BWV 43, 39, 170 and 102. Musically, Bach's third yearly cycle of cantatas is distinguishable by the fact that they do not begin with large-scale instrumental symphonies, nor do they have unusually extended or richly scored opening movements.
De derde cantate-jaarcyclus van Bach
Tussen 1994 en 2004 nam dirigent Ton Koopman de enorme taak op zich om alle cantates gecomponeerd door Johann Sebastian Bach op te nemen met zijn Amsterdam Baroque Orchestra & Choir. Tijdens zijn leven schreef Bach vermoedelijk 295 cantates, waarvan er 202 bewaard zijn gebleven. Het overgrote deel van deze cantates kwam volgens biograaf Christoph Wolff, met wie Ton Koopman samenwerkte aan dit project, tot stand in de jaren 1723-25 toen Bach in Leipzig verbleef.

Bachs enorme cantateproductie delen de musicologen op in 5 cantatejaargangen. Een cantatejaargang of cantate-jaarcyclus bestaat uit een groep van bij elkaar horende cantates geschreven voor de kerkdiensten van één kerkelijk jaar.

Het merendeel van cantates werd door Bach geschreven als muzikale omlijsting van de zondagse kerkdienst. De cantates sloten inhoudelijk aan bij de lezingen en de preek van die zondag of kerkelijke feestdag. Het was dus functionele gebruiksmuziek, maar van een hoog muzikaal niveau. De meeste van Bachs cantates beginnen met een uitgebreid openingskoor. Deze opening werd gevolgd door enkele aria's en recitatieven(vertellende stukken, zonder tekstherhalingen).

De volledige set bevat alle 202 cantates onderverdeeld in 22 volumes. De cantates op dit 16e volume zijn allen van de derde cantate-jaarcyclus die Bach in Leipzig gecomponeerd heeft. Deze cyclus begint op de eerste zondag na Pinksteren in 1725 (3 juni) en, in tegenstelling tot de eerdere twee cycli, strekte zich uit over drie jaar. Dit betekent echter niet dat deze cyclus drie keer zo lang is, Bach nam enkel meer tijd voor het componeren van deze reeks cantates. In deze tijd speelde Bach veel cantates die door zijn neef Johann Ludwig Bach gecomponeerd waren, die Kapellmeister was aan het hof van de hertog van Meiningen. Ondanks dat Bach minder snel componeerde, behoren een aantal van deze cantates tot de meest gewaardeerde werken van Bach, zoals cantates BWV 43, 39, 170 en 102. Op muzikaal vlak zijn deze cantates te onderscheiden van eerdere cantates doordat zij niet beginnen met grootschalige instrumentele passages of lange en uitgebreide openingsdelen.

Artist(s)

Ton Koopman (conductor)

Ton Koopman is a leading figure in Early Music and historically informed performance practice. As organist and harpsichordist Ton Koopman has performed all over the world and played the most beautiful historical instruments of Europe. His Amsterdam Baroque Orchestra & Choir has gained worldwide fame as one of the best ensembles on period instruments. Between 1994 and 2004 Ton Koopman and ABO&C have recorded all sacred and secular cantatas by Johann Sebastian Bach, an extraordinary project that earned international acclaim. After that Koopman recorded the complete works by Bach’s predecessor, Dieterich Buxtehude. Besides performing as a soloist and with his ABO&C, Ton Koopman is very active as a guest conductor for modern orchestras and also devotes part of his time...
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Ton Koopman is a leading figure in Early Music and historically informed performance practice. As organist and harpsichordist Ton Koopman has performed all over the world and played the most beautiful historical instruments of Europe. His Amsterdam Baroque Orchestra & Choir has gained worldwide fame as one of the best ensembles on period instruments. Between 1994 and 2004 Ton Koopman and ABO&C have recorded all sacred and secular cantatas by Johann Sebastian Bach, an extraordinary project that earned international acclaim. After that Koopman recorded the complete works by Bach’s predecessor, Dieterich Buxtehude. Besides performing as a soloist and with his ABO&C, Ton Koopman is very active as a guest conductor for modern orchestras and also devotes part of his time to teaching. Ton Koopman is president of the International Dieterich Buxtehude Society and, since 2019, president of the Leipzig Bach Archiv.

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Amsterdam Baroque Orchestra & Choir

Ton Koopman founded the Amsterdam Baroque Orchestra in 1979. The group consists of internationally renowned baroque specialists who meet up several times a year and work together to prepare and perform new exciting programmes. For the musicians each concert is a new experience and Koopman's boundless energy and enthusiasm are a sure guarantee of the highest quality. The Amsterdam Baroque Choir was founded in 1992 and it made its debut during the Holland Festival of Early Music in Utrecht performing the world première of the Requiem (for 15 voices) and Vespers (for 32 voices) by H.I.F. Biber. The recording of both of these works won the Cannes Classical Award for the best performance of 17th/18th century choral music. For its rare...
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Ton Koopman founded the Amsterdam Baroque Orchestra in 1979. The group consists of internationally renowned baroque specialists who meet up several times a year and work together to prepare and perform new exciting programmes. For the musicians each concert is a new experience and Koopman's boundless energy and enthusiasm are a sure guarantee of the highest quality.
The Amsterdam Baroque Choir was founded in 1992 and it made its debut during the Holland Festival of Early Music in Utrecht performing the world première of the Requiem (for 15 voices) and Vespers (for 32 voices) by H.I.F. Biber. The recording of both of these works won the Cannes Classical Award for the best performance of 17th/18th century choral music. For its rare combination of textural clarity and interpretative flexibility, the Amsterdam Baroque Choir is considered among today’s most outstanding choirs. In 1994 Ton Koopman and the Amsterdam Baroque Orchestra & Choir embarked upon the most ambitious recording project of the last decades: the integral recording of Bach’s secular and sacred cantatas. For this extraordinary project Koopman and his ensemble received the Deutsche Schallplatten-Preis Echo Klassik. Next to the CD recordings three books have been edited and published by Ton Koopman and the musicologist Christoph Wolff and a series of six documentaries was produced and broadcasted by various TV stations.
Alongside Bach’s music the Amsterdam Baroque Orchestra & Choir has recorded all major baroque and classical works. Major recognitions include the Gramophone Award, Diapason d'Or, 10-Repertoire, Stern des Monats-Fono Forum, the Prix Hector Berlioz and two Edison Awards. In 2008 the ensemble and Ton Koopman have been honoured with the prestigious BBC Award. Since March 2003 “Antoine Marchand”, a new sub-label of Challenge Classics, took over the release of Koopman’s new recordings and among many others has published 22 CD boxes of the Bach Cantatas, a new recording of the St. Matthew Passion (on CD and DVD) and St. Markus Passion of J.S. Bach (DVD), live recorded in Milan, as well as the first seven volumes of the Buxtehude Opera-Omnia Edition. Ton Koopman and the ABO & ABC are regular guests at the major concert halls of Europe, the USA and Japan. In the 2008/09 season they will tour extensively in Europe (Amsterdam, Paris, Madrid, Vienna, Milan, Cologne, Dresden, Düsseldorf etc) and in Far East with concerts in Hong Kong, Seoul and Tokyo.
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Paul Agnew

The Scottish tenor, Paul Agnew, read music as a Choral Scholar at Magdalen College, Oxford. After earning his degree, he became associated with the Consort of Musicke, and remained a member of this wonderful early music ensemble for many productive years. At these early stages of his career, he has also made numerous appearances with The Tallis Scholars (Director: Peter Phillips), The Sixteen (Director: Harry Christophers) and the Gothic Voices, before finally striking out on his own as a soloist in the early 1990's.
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The Scottish tenor, Paul Agnew, read music as a Choral Scholar at Magdalen College, Oxford. After earning his degree, he became associated with the Consort of Musicke, and remained a member of this wonderful early music ensemble for many productive years. At these early stages of his career, he has also made numerous appearances with The Tallis Scholars (Director: Peter Phillips), The Sixteen (Director: Harry Christophers) and the Gothic Voices, before finally striking out on his own as a soloist in the early 1990's.

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Bogna Bartosz

The Polish mezzo-soprano and contralto, Bogna Bartosz, after leaving school, first studied singing at the Academy of Music in Gdansk (and/or Danzig Music Academy). After graduating with distinction, she continued her studies at the Hochschule der Künste Berlin (Berlin Academy of Arts) under Professor Ingrid Figur, and took part in master-classes with Aribert Reimann, Adele Stolte and Anna Reynolds. At the 9th International J.S. Bach Competition in Leipzig in 1992, Bogna Bartosz won first prize, as well as the special prize awarded by the MDR broadcasting organization in Leipzig. Since then Bogna Bartosz has sung with well-known orchestras (including Berliner Barock Orchester, Akademie für Alte Musik Berlin, Musica Antiqua Köln, Kammersolisten der Deutschen Oper Berlin, Radio-Symphonie-Orchester-Berlin, Gewandhaus- orchester Leipzig, MDR Sinfonieorchester Leipzig, Dresdner Philharmoniker and Württembergisches Kammerorchester, Amsterdam Baroque Orchestra, Israel Chamber Orchestra Tel Aviv, Japan Philharmonic Symphony Orchestra, Minnesota Orchestra)...
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The Polish mezzo-soprano and contralto, Bogna Bartosz, after leaving school, first studied singing at the Academy of Music in Gdansk (and/or Danzig Music Academy). After graduating with distinction, she continued her studies at the Hochschule der Künste Berlin (Berlin Academy of Arts) under Professor Ingrid Figur, and took part in master-classes with Aribert Reimann, Adele Stolte and Anna Reynolds. At the 9th International J.S. Bach Competition in Leipzig in 1992, Bogna Bartosz won first prize, as well as the special prize awarded by the MDR broadcasting organization in Leipzig.
Since then Bogna Bartosz has sung with well-known orchestras (including Berliner Barock Orchester, Akademie für Alte Musik Berlin, Musica Antiqua Köln, Kammersolisten der Deutschen Oper Berlin, Radio-Symphonie-Orchester-Berlin, Gewandhaus- orchester Leipzig, MDR Sinfonieorchester Leipzig, Dresdner Philharmoniker and Württembergisches Kammerorchester, Amsterdam Baroque Orchestra, Israel Chamber Orchestra Tel Aviv, Japan Philharmonic Symphony Orchestra, Minnesota Orchestra) and leading conductors (including Horia Andrescu, Moche Atzmon, Marcus Creed, Philippe Entremont, Jörg Faerber, Enoch zu Guttenberg, Philippe Herreweghe, Marek Janowski, Ton Koopman, Krzysztof Penderecki, Helmuth Rilling, Jeffrey Tate, Marcello Viotti, Lothar Zagrosek, Udo Zimmermann), in all the major concert halls in Germany (such as Berliner Philharmonie, Berliner Konzerthaus, Leipziger Gewandhaus, Alte Oper Frankfurt, Kölner Philharmonie, Tonhalle Düsseldorf, Glocke Bremen, Hamburger Musikhalle, Liederhalle Stuttgart), as well as in Europe, the USA and Israel, and at numerous major festivals.

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Composer(s)

Johann Sebastian Bach

Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.  Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.  
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Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.

Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.


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Disc #1
01.
Ich habe genung BWV 82: Aria: Ich habe genug, ich habe den Heiland (Bass)
08:06
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
02.
Ich habe genung BWV 82: Recitative: Ich habe genug! Mein Trost ist nur allein (Bass)
03:12
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
03.
Ich habe genung BWV 82: Aria: Schlummert ein, ihr matten Augen (Bass)
01:17
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
04.
Ich habe genung BWV 82: Recitative: Mein Gott! wann kommt das schöne Nun! (Bass)
01:34
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
05.
Ich habe genung BWV 82: Aria: Ich freue mich auf meinen Tod (Bass)
01:15
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
06.
'Wer weiß, wie nahe mir mein Ende BWV 27': Chor mit Recitativo: Wer weiss, wie nahe mir mein Ende!
03:25
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
07.
'Wer weiß, wie nahe mir mein Ende BWV 27': Recitative: Mein Leben hat kein ander Ziel (Tenor)
01:20
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
08.
'Wer weiß, wie nahe mir mein Ende BWV 27': Aria: Willkommen! will ich sagen
07:57
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
09.
'Wer weiß, wie nahe mir mein Ende BWV 27': Recitative: Ach, wer doch schon im Himmel wär! (Soprano)
00:53
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
10.
'Wer weiß, wie nahe mir mein Ende BWV 27': Aria: Gute Nacht, du Weltgetümmel (Bass)
08:56
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
11.
'Wer weiß, wie nahe mir mein Ende BWV 27': Choral: Welt, ade! ich bin dein müde
08:40
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
12.
'Herr Gott, dich loben wir BWV 16': Herr Gott, dich loben wir (Chorus)
01:06
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
13.
'Herr Gott, dich loben wir BWV 16': Recitative: So stimmen wir bei dieser frohen Zeit (Bass)
08:40
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
14.
'Herr Gott, dich loben wir BWV 16': Aria: Lasst uns jauchzen, lasst uns freuen (Bass, Chorus)
00:47
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
15.
'Herr Gott, dich loben wir BWV 16': Recitative: Ach treuer Hort (Alto)
03:28
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
16.
'Herr Gott, dich loben wir BWV 16': Aria: Geliebter Jesu, du allein (Tenor)
04:46
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
17.
'Herr Gott, dich loben wir BWV 16': Chorale: All solch dein Gut wir preisen (Chorus)
00:46
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
18.
'Herr Gott, Dich loben wir BWV 16': Aria: Geliebter Jesu, du allein (Tenor)
04:41
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
19.
Ich habe genung BWV82: Aria: Schlummert ein, ihr matten Augen (Bass)
00:54
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra

Disc #2
01.
'Vergnügte Ruh, beliebte Seelenlust BWV 170': Aria: Vergnugte Ruh, beliebte Seelenlust (Alto)
06:34
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
02.
'Vergnügte Ruh, beliebte Seelenlust BWV 170': Recitative: Die Welt, das Sundenhaus (Alto)
03:21
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
03.
'Vergnügte Ruh, beliebte Seelenlust BWV 170': Aria: Wie jammern mich doch die verkehrten Herzen (Alto)
01:07
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
04.
'Vergnügte Ruh, beliebte Seelenlust BWV 170': Recitative: Wer sollte sich demnach wohl hier (Alto)
01:38
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
05.
'Vergnügte Ruh, beliebte Seelenlust BWV 170': Aria: Mir ekelt mehr zu leben (Alto)
04:52
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
06.
'Herr, deine Augen sehen nach dem Glauben BWV 102': Chor: Herr, deine Augen sehen nach dem Glauben
03:09
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
07.
'Herr, deine Augen sehen nach dem Glauben BWV 102': Recitative: Wo ist das Ebenbild
02:05
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
08.
'Herr, deine Augen sehen nach dem Glauben BWV 102': Aria: Weh, der Seele
00:57
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
09.
'Herr, deine Augen sehen nach dem Glauben BWV 102': Arioso: Verachtest du den Reichtum seiner Gnade
02:49
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
10.
'Herr, deine Augen sehen nach dem Glauben BWV 102': Aria: Erschrekke doch
00:43
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
11.
'Herr, deine Augen sehen nach dem Glauben BWV 102': Recitative: Beim Warten ist Gefahr
01:11
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
12.
'Herr, deine Augen sehen nach dem Glauben BWV 102': Choral: Heut' lebst du, heut' bekehre dich
07:13
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
13.
Gott der Herr ist Sonn und Schild BWV 79: Gott der Herr ist Sonn und Schild (Chorus)
01:02
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
14.
Gott der Herr ist Sonn und Schild BWV 79: Aria: Gott ist unsre Sonn und Schild! (Alto)
05:41
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
15.
Gott der Herr ist Sonn und Schild BWV 79: Chorale: Nun danket alle Gott (Chorus)
05:56
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
16.
Gott der Herr ist Sonn und Schild BWV 79: Recitative: Gottlob, wir wissen Den rechten Weg (Bass)
00:59
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
17.
Gott der Herr ist Sonn und Schild BWV 79: Aria: Gott, ach Gott, verlass die Deinen (Soprano, Bass)
04:38
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
18.
Gott der Herr ist Sonn und Schild BWV 79: Chorale: Erhalt uns in der Wahrheit (Chorus)
03:04
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra

Disc #3
01.
Ich geh und suche mit Verlangen - Dialogus - BWV 49: Sinfonia
06:25
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
02.
Ich geh und suche mit Verlangen - Dialogus - BWV 49: Aria: Ich geh und suche mit Verlangen (Bass)
00:20
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
03.
Ich geh und suche mit Verlangen - Dialogus - BWV 49: Recitative: Mein Mahl ist zubereit (Soprano, Bass)
02:21
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
04.
Ich geh und suche mit Verlangen - Dialogus - BWV 49: Aria: Ich bin herrlich, ich bin schön (Soprano)
00:39
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
05.
Ich geh und suche mit Verlangen - Dialogus - BWV 49: Recitative: Mein Glaube hat mich selbst so angezogen (Soprano, Bass)
02:44
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
06.
Ich geh und suche mit Verlangen - Dialogus - BWV 49: Duett: Dich hab ich je und je geliebet (Soprano, Bass)
00:32
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
07.
Gott fähret auf mit Jauchzen BWV 43: Chorus: Gott fähret auf mit Jauchzen
02:52
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
08.
Gott fähret auf mit Jauchzen BWV 43: Recitative: Es will der Höchste sich ein Siegsgepräng bereiten (Tenor)
00:40
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
09.
Gott fähret auf mit Jauchzen BWV 43: Aria: Ja tausend mal tausend begleiten den Wagen (Tenor)
01:41
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
10.
Gott fähret auf mit Jauchzen BWV 43: Recitative: Und der Herr, nachdem er mit ihnen geredet hatte (Soprano)
07:11
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
11.
Gott fähret auf mit Jauchzen BWV 43: Aria: Mein Jesus hat nunmehr das Heilandwerk vollendet (Soprano)
01:28
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
12.
Gott fähret auf mit Jauchzen BWV 43: Recitative: Es kommt der Helden Held (Bass)
05:02
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
13.
Gott fähret auf mit Jauchzen BWV 43: Aria: Er ists, der ganz allein (Bass)
03:30
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
14.
Gott fähret auf mit Jauchzen BWV 43: Recitative: Der Vater hat ihm ja ein ewig Reich bestimmet (Alto)
02:28
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
15.
Gott fähret auf mit Jauchzen BWV 43: Aria: Ich sehe schon im Geist (Alto)
02:59
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
16.
Gott fähret auf mit Jauchzen BWV 43: Recitative: Er will mir neben sich die Wohnung zubereiten (Soprano)
01:36
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
17.
Gott fähret auf mit Jauchzen BWV 43: Chorale: Du Lebensfürst, Herr Jesu Christ
01:13
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
18.
Brich dem hungrigen dein Brot BWV 39: Chor: Brich dem Hungrigen dein Brot
02:34
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
19.
Brich dem hungrigen dein Brot BWV 39: Recitative: Der reiche Gott wirft seinen Überfluss auf uns (Bass)
01:50
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
20.
Brich dem hungrigen dein Brot BWV 39: Aria: Seinem Schöpfer noch auf Erden (Alto)
04:23
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
21.
Brich dem hungrigen dein Brot BWV 39: Aria: Wohlzutun und mitzuteilen Gottes Sohn (Bass)
01:20
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
22.
Brich dem hungrigen dein Brot BWV 39: Aria: Höchster, was ich habe (Soprano)
04:49
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
23.
Brich dem hungrigen dein Brot BWV 39: Recitative: Wie soll ich dir, o Herr (Alto)
03:09
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
24.
Brich dem hungrigen dein Brot BWV 39: Choral: Selig sind, die aus Erbarmen
00:42
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
25.
Gott fähret auf mit Jauchzen BWV 43: Aria: Er ists, der ganz allein (Bass)
02:04
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
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