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Complete Bach Cantatas Vol. 8
Johann Sebastian Bach

Ton Koopman / The Amsterdam Baroque Orchestra

Complete Bach Cantatas Vol. 8

Price: € 14.95
Format: CD
Label: Challenge Classics
UPC: 0608917220827
Catnr: CC 72208
Release date: 15 December 2004
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Label
Challenge Classics
UPC
0608917220827
Catalogue number
CC 72208
Release date
15 December 2004
Album
Artist(s)
Composer(s)
EN
NL

About the album

Like its two predecessors, the eighth volume of our complete recording of Bach's cantatas is devoted to the first annual cyle of Leipzig cantatas of 1723/24. In planning and implementing this cycle, Bach took upon himself a burden of work far in excess of anything he had earlier assumed — to say nothing of the creative and artistic challenges involved. Whereas his Weimar cantatas of 1714-16 had been written at regular monthly intervals, he now had four times as much work on his hands. In the circumstances, it is entirely understandable that, whenever possible, he fell back on existing works, especially those written in Weimar, although pieces composed were no less liable to be pillaged. These self-borrowings notwithstanding, the main emphasis none the less lay on the composition of new works, and the first cycle of cantatas that Bach wrote for Leipzig is notable for the number of new pieces that it contains.
Een enorme werklast voor Bach
Tussen 1994 en 2004 nam dirigent Ton Koopman de enorme taak op zich om alle cantates, gecomponeerd door Johann Sebastian Bach, op te nemen met zijn Amsterdam Baroque Orchestra & Choir. Tijdens zijn leven schreef Bach vermoedelijk 295 cantates, waarvan er 202 bewaard zijn gebleven. Het overgrote deel van deze cantates kwam tot stand in de jaren 1723-1725 in de tijd dat Bach in Leipzig verbleef. Althans volgens biograaf Christoph Wolff, met wie Ton Koopman samenwerkte aan het enorme Bach-project.

Bach schreef de meeste cantates als muzikale omlijsting van de zondagse kerkdienst. De cantates sloten inhoudelijk aan bij de lezingen en de preek van die zondag of kerkelijke feestdag. Het was dus functionele gebruiksmuziek, maar van een hoog muzikaal niveau. Vaak beginnen de cantates met een uitgebreid openingskoor, gevolgd door enkele aria's en recitatieven (vertellende stukken, zonder tekstherhalingen).

Koopman heeft, zoals gezegd, alle bewaarde 202 cantates opgenomen. Zijn verzameling is onderverdeeld in 22 delen. Musicologen verdelen Bach's enorme cantateproductie over 5 cantatejaargangen. Een cantatejaargang of cantate-jaarcyclus bestaat uit een groep van bij elkaar horende cantates, geschreven voor de kerkdiensten van één kerkelijk jaar.

Net als de delen 6 en 7, is deel 8 van de complete opname van Bachs cantates onderdeel van de eerste jaargang van de Leipzig cantates uit 1723-1724. Met het plannen en het realiseren van deze eerste jaargang nam Bach een enorme last op zijn schouders, met meer werk dan hij ooit eerder had gedaan. Om nog maar te zwijgen over de creatieve en artistieke uitdagingen die hiermee gepaard gingen. Het is daarom begrijpelijk dat Bach daar waar mogelijk terugviel op bestaande werken. En vooral op die uit zijn voorgaande periode in Weimar. Toch bevat de eerste editie van de cantates voor Leipzig opvallend veel nieuw materiaal.

Artist(s)

Ton Koopman

Ton Koopman is a leading figure in Early Music and historically informed performance practice. As organist and harpsichordist Ton Koopman has performed all over the world and played the most beautiful historical instruments of Europe. His Amsterdam Baroque Orchestra & Choir has gained worldwide fame as one of the best ensembles on period instruments. Between 1994 and 2004 Ton Koopman and ABO&C have recorded all sacred and secular cantatas by Johann Sebastian Bach, an extraordinary project that earned international acclaim. After that Koopman recorded the complete works by Bach’s predecessor, Dieterich Buxtehude. Besides performing as a soloist and with his ABO&C, Ton Koopman is very active as a guest conductor for modern orchestras and also devotes part of his time...
more
Ton Koopman is a leading figure in Early Music and historically informed performance practice. As organist and harpsichordist Ton Koopman has performed all over the world and played the most beautiful historical instruments of Europe. His Amsterdam Baroque Orchestra & Choir has gained worldwide fame as one of the best ensembles on period instruments. Between 1994 and 2004 Ton Koopman and ABO&C have recorded all sacred and secular cantatas by Johann Sebastian Bach, an extraordinary project that earned international acclaim. After that Koopman recorded the complete works by Bach’s predecessor, Dieterich Buxtehude. Besides performing as a soloist and with his ABO&C, Ton Koopman is very active as a guest conductor for modern orchestras and also devotes part of his time to teaching. Ton Koopman is president of the International Dieterich Buxtehude Society and, since 2019, president of the Leipzig Bach Archiv.

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Amsterdam Baroque Orchestra & Choir

Ton Koopman founded the Amsterdam Baroque Orchestra in 1979. The group consists of internationally renowned baroque specialists who meet up several times a year and work together to prepare and perform new exciting programmes. For the musicians each concert is a new experience and Koopman's boundless energy and enthusiasm are a sure guarantee of the highest quality. The Amsterdam Baroque Choir was founded in 1992 and it made its debut during the Holland Festival of Early Music in Utrecht performing the world première of the Requiem (for 15 voices) and Vespers (for 32 voices) by H.I.F. Biber. The recording of both of these works won the Cannes Classical Award for the best performance of 17th/18th century choral music. For its rare...
more
Ton Koopman founded the Amsterdam Baroque Orchestra in 1979. The group consists of internationally renowned baroque specialists who meet up several times a year and work together to prepare and perform new exciting programmes. For the musicians each concert is a new experience and Koopman's boundless energy and enthusiasm are a sure guarantee of the highest quality.
The Amsterdam Baroque Choir was founded in 1992 and it made its debut during the Holland Festival of Early Music in Utrecht performing the world première of the Requiem (for 15 voices) and Vespers (for 32 voices) by H.I.F. Biber. The recording of both of these works won the Cannes Classical Award for the best performance of 17th/18th century choral music. For its rare combination of textural clarity and interpretative flexibility, the Amsterdam Baroque Choir is considered among today’s most outstanding choirs. In 1994 Ton Koopman and the Amsterdam Baroque Orchestra & Choir embarked upon the most ambitious recording project of the last decades: the integral recording of Bach’s secular and sacred cantatas. For this extraordinary project Koopman and his ensemble received the Deutsche Schallplatten-Preis Echo Klassik. Next to the CD recordings three books have been edited and published by Ton Koopman and the musicologist Christoph Wolff and a series of six documentaries was produced and broadcasted by various TV stations.
Alongside Bach’s music the Amsterdam Baroque Orchestra & Choir has recorded all major baroque and classical works. Major recognitions include the Gramophone Award, Diapason d'Or, 10-Repertoire, Stern des Monats-Fono Forum, the Prix Hector Berlioz and two Edison Awards. In 2008 the ensemble and Ton Koopman have been honoured with the prestigious BBC Award. Since March 2003 “Antoine Marchand”, a new sub-label of Challenge Classics, took over the release of Koopman’s new recordings and among many others has published 22 CD boxes of the Bach Cantatas, a new recording of the St. Matthew Passion (on CD and DVD) and St. Markus Passion of J.S. Bach (DVD), live recorded in Milan, as well as the first seven volumes of the Buxtehude Opera-Omnia Edition. Ton Koopman and the ABO & ABC are regular guests at the major concert halls of Europe, the USA and Japan. In the 2008/09 season they will tour extensively in Europe (Amsterdam, Paris, Madrid, Vienna, Milan, Cologne, Dresden, Düsseldorf etc) and in Far East with concerts in Hong Kong, Seoul and Tokyo.
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Composer(s)

Johann Sebastian Bach

Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.  Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.  
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Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.

Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.


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Disc #1
01.
'Sie werden aus Saba alle kommen' BWV 65: Sie werden aus Saba alle kommen (Chorus)
03:20
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
02.
'Sie werden aus Saba alle kommen' BWV 65: Chorale: Die Kon'ge aus Saba kamen dar
00:21
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
03.
'Sie werden aus Saba alle kommen' BWV 65: Recitative: Was dort Jesaias vorhergesehn (Bass)
01:49
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
04.
'Sie werden aus Saba alle kommen' BWV 65: Aria: Gold aus Ophir ist zu schlecht (Bass)
02:51
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
05.
'Sie werden aus Saba alle kommen' BWV 65: Recitative: Verschmahe nicht (Tenor)
01:10
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
06.
'Sie werden aus Saba alle kommen' BWV 65: Aria: Nimm mich dir zu eigen hin (Tenor)
03:32
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
07.
'Sie werden aus Saba alle kommen' BWV 65: Chorale: Ei nun, mein Gott, so fall ich dir
01:06
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
08.
'Was soll ich aus dir machen, Ephraim?' BWV 89: Aria: Was soll ich aus dir machen, Ephraim? (Bass)
04:01
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
09.
'Was soll ich aus dir machen, Ephraim?' BWV 89: Recitative: Ja, freilich sollte Gott (Alto)
00:50
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
10.
'Was soll ich aus dir machen, Ephraim?' BWV 89: Aria: Ein unbarmherziges Gerichte (Alto)
02:42
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
11.
'Was soll ich aus dir machen, Ephraim?' BWV 89: Recitative: Wohlan! Mein Herze legt (Soprano)
01:09
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
12.
'Was soll ich aus dir machen, Ephraim?' BWV 89: Aria: Gerechter Gott, ach rechnest du? (Soprano)
01:58
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
13.
'Was soll ich aus dir machen, Ephraim?' BWV 89: Chorale: Mir mangelt zwar sehr viel
00:46
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
14.
'O Ewigkeit, du Donnerwort' BWV 60: Aria: O Ewigkeit, du Donnerwort (Alto, Tenor)
03:25
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
15.
'O Ewigkeit, du Donnerwort' BWV 60: Recitative: O schwerer Gang (Alto, Tenor)
02:05
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
16.
'O Ewigkeit, du Donnerwort' BWV 60: Aria: Mein letztes Lager (Duet: Alto, Tenor)
03:06
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
17.
'O Ewigkeit, du Donnerwort' BWV 60: Recitative: Der Tod Bleibt doch (Alto, Bass)
04:34
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
18.
'O Ewigkeit, du Donnerwort' BWV 60: Chorale: Es ist genung
01:09
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
19.
'Erfreute Zeit im neuen Bunde' BWV 83: Aria: Erfreute Zeit im neuen Bunde (Alto)
06:11
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
20.
'Erfreute Zeit im neuen Bunde' BWV 83: Intonation and Recitative: Herr, nun lässest deinen Diener (Bass)
03:35
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
21.
'Erfreute Zeit im neuen Bunde' BWV 83: Aria: Eile, Herz, voll Freudigkeit (Tenor)
05:50
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
22.
'Erfreute Zeit im neuen Bunde' BWV 83: Recitative: Ja, merkt dein Glaube noch viel Finsternis (Alto)
00:37
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
23.
'Erfreute Zeit im neuen Bunde' BWV 83: Chorale: Er ist das Heil und selig Licht
00:53
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
24.
Appendix BWV 89a: Aria: Was soll ich aus dir machen, Ephraim?
04:16
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra

Disc #2
01.
'Darzu ist erschienen der Sohn Gottes' BWV 40: Darzu ist erschienen der Sohn Gottes (Chorus)
03:33
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
02.
'Darzu ist erschienen der Sohn Gottes' BWV 40: Recitative: Das Wort ward Fleisch (Tenor)
01:07
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
03.
'Darzu ist erschienen der Sohn Gottes' BWV 40: Chorale: Die Sund macht Leid
00:46
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
04.
'Darzu ist erschienen der Sohn Gottes' BWV 40: Aria: Hollische Schlange (Bass)
02:01
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
05.
'Darzu ist erschienen der Sohn Gottes' BWV 40: Recitative: Die schlange, so im Paradies (Alto)
01:28
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
06.
'Darzu ist erschienen der Sohn Gottes' BWV 40: Chorale: Schuttle deinen Kopf und sprich
00:46
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
07.
'Darzu ist erschienen der Sohn Gottes' BWV 40: Aria: Christenkinder, freuet euch! (Tenor)
03:23
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
08.
'Darzu ist erschienen der Sohn Gottes' BWV 40: Chorale: Jesu, nimm dich deiner Glieder
01:03
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
09.
'Schauet doch und sehet, ob irgend ein Schmerz sei' BWV 46: Schauer doch und sehet (Chorus)
05:38
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
10.
'Schauet doch und sehet, ob irgend ein Schmerz sei' BWV 46: Recitative: So klage, du zerstorte Gottesstadt (Tenor)
01:38
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
11.
'Schauet doch und sehet, ob irgend ein Schmerz sei' BWV 46: Aria: Dein Wetter zog sich auf von weitem (Bass)
03:42
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
12.
'Schauet doch und sehet, ob irgend ein Schmerz sei' BWV 46: Recitative: Doch bildet euch, o Sunder, ja nicht ein (Alto)
00:37
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
13.
'Schauet doch und sehet, ob irgend ein Schmerz sei' BWV 46: Aria: Doch Jesus will auch bei der Strafe (Alto)
03:44
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
14.
'Schauet doch und sehet, ob irgend ein Schmerz sei' BWV 46: Chorale: O grosser Gott von Treu (Chorus)
01:29
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
15.
'Sehet, welch eine Liebe hat uns der Vater erzeiget' BWV 64: Sehet, welch eine Liebe... (Chorus)
02:17
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
16.
'Sehet, welch eine Liebe hat uns der Vater erzeiget' BWV 64: Chorale: Das hat er alles uns getan
00:38
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
17.
'Sehet, welch eine Liebe hat uns der Vater erzeiget' BWV 64: Recitative: Geh, Welt! behalte nur das Deine (Alto)
00:42
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
18.
'Sehet, welch eine Liebe hat uns der Vater erzeiget' BWV 64: Chorale: Was frag ich nach der Welt
00:46
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
19.
'Sehet, welch eine Liebe hat uns der Vater erzeiget' BWV 64: Aria: Was die Welt in sich halt (Soprano)
05:23
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
20.
'Sehet, welch eine Liebe hat uns der Vater erzeiget' BWV 64: Recitative: Der Himmel bleibet mir gewiss (Bass)
01:09
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
21.
'Sehet, welch eine Liebe hat uns der Vater erzeiget' BWV 64: Aria: Von der Welt verlang ich nichts (Alto)
05:46
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
22.
'Sehet, welch eine Liebe hat uns der Vater erzeiget' BWV 64: Chorale: Gute Nacht, o Wesen
01:02
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
23.
'Ihr Menschen, rühmet Gottes Liebe' BWV 167: Aria: Ihr Menschen, ruhmet Gottes Liebe (Tenor)
04:16
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
24.
'Ihr Menschen, rühmet Gottes Liebe' BWV 167: Recitative: Gelobet sei der Herr Gott Israel (Alto)
01:32
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
25.
'Ihr Menschen, rühmet Gottes Liebe' BWV 167: Duet: Gottes Wort, das truget nicht (Soprano, Alto)
07:45
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
26.
'Ihr Menschen, rühmet Gottes Liebe' BWV 167: Recitative: Des Weibes Samen kam (Bass)
01:18
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
27.
'Ihr Menschen, rühmet Gottes Liebe' BWV 167: Chorale: Sei Lob und Preis mit Ehren (Chorus)
02:06
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra

Disc #3
01.
'Ich glaube, lieber Herr, hilf meinem Unglauben' BWV 109: Ich glaube, lieber Herr, hilf meinem Unglaben! (Chorus)
06:13
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
02.
'Ich glaube, lieber Herr, hilf meinem Unglauben' BWV 109: Recitative: Des Herren Hand ist ja noch nicht verkurzt (Tenor)
01:20
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
03.
'Ich glaube, lieber Herr, hilf meinem Unglauben' BWV 109: Aria: Wie zweifelhaftig ist mein Hoffen (Tenor)
05:26
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
04.
'Ich glaube, lieber Herr, hilf meinem Unglauben' BWV 109: Recitative: O fasse dich, du zweifelhafter Mut (Alto)
00:33
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
05.
'Ich glaube, lieber Herr, hilf meinem Unglauben' BWV 109: Aria: Der Heiland kennet ja die Seinen (Alto)
04:38
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
06.
'Ich glaube, lieber Herr, hilf meinem Unglauben' BWV 109: Chorale: Wer hofft in Gott und dem vertraut
03:29
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
07.
'Jesus schläft, was soll ich hoffen' BWV 81: Aria: Jesus schlaft, was soll ich hoffen? (Alto)
04:07
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
08.
'Jesus schläft, was soll ich hoffen' BWV 81: Recitative: Herr, warum trittest du so ferne? (Tenor)
01:09
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
09.
'Jesus schläft, was soll ich hoffen' BWV 81: Aria: Die schaumenden Wellen von Belials Bachen (Tenor)
03:00
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
10.
'Jesus schläft, was soll ich hoffen' BWV 81: Arioso: Ihr Kleinglaubigen, warum seid ihr so furchtsam? (Bass)
01:21
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
11.
'Jesus schläft, was soll ich hoffen' BWV 81: Aria: Schweig, aufgeturmtes Meer! (Bass)
05:07
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
12.
'Jesus schläft, was soll ich hoffen' BWV 81: Recitative: Wohl mir, mein Jesus spricht ein Wort (Alto)
00:31
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
13.
'Jesus schläft, was soll ich hoffen' BWV 81: Chorale: Unter deinen Schirmen
00:59
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
14.
'Du sollt Gott, deinen Herren, lieben' BWV 77: Du sollt Gott, deinen Herren, lieben (Chorus)
03:03
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
15.
'Du sollt Gott, deinen Herren, lieben' BWV 77: Recitative:So muss er sein (Bass)
00:42
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
16.
'Du sollt Gott, deinen Herren, lieben' BWV 77: Aria: Mein Gott, ich liebe dich von Herzen (Soprano)
04:16
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
17.
'Du sollt Gott, deinen Herren, lieben' BWV 77: Recitative: Gib mir dabei, mein Gott! (Tenor)
01:04
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
18.
'Du sollt Gott, deinen Herren, lieben' BWV 77: Aria: Ach, er bleibt in meiner Liebe (Alto)
03:20
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
19.
'Du sollt Gott, deinen Herren, lieben' BWV 77: Chorale: Herr, durch den Glauben wohn in mir
01:03
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
20.
'Es reißet euch ein schrecklich Ende' BWV 90: Aria: Es reisset euch ein schrecklich Ende (Tenor)
05:46
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
21.
'Es reißet euch ein schrecklich Ende' BWV 90: Recitative: Des Hochsten Gute wird von Tag (Alto)
01:25
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
22.
'Es reißet euch ein schrecklich Ende' BWV 90: Aria: So loschet im Eifer der rächende Richter (Bass)
03:33
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
23.
'Es reißet euch ein schrecklich Ende' BWV 90: Recitative: Doch Gottes Auge sieht auf (Tenor)
00:37
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
24.
'Es reißet euch ein schrecklich Ende' BWV 90: Chorale: Leit uns mit deiner rechten Hand
00:44
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
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