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Christmas Oratorio

Combattimento Consort Amsterdam

Christmas Oratorio

Price: € 12.95
Format: SACD + Book
Label: Challenge Classics
UPC: 9789087490089
Catnr: CC 76607
Release date: 01 November 2006
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2 SACD + Book
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€ 12.95
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Label
Challenge Classics
UPC
9789087490089
Catalogue number
CC 76607
Release date
01 November 2006
Album
Artist(s)
Composer(s)
EN
NL

About the album

Bach’s celebrated Christmas Oratorio forges a link between birth and deliverance: the birth of Christ is not only the birth of light, of innocence; this joyful event is equally characterized by suffering. In this respect the Christmas Oratorio is akin to the St. Matthew Passion and the St. John Passion. Guilt and innocence, suffering and deliverance are present from the moment a mother holds her child in her arms.

This book on Bach’s Christmas Oratorio lends credence to Jan Willem de Vriend’s musical interpretation of the work. It comprises an interview with De Vriend himself, carried out by the musicologist Frits de Haen, a short history of how the work came into being and an article on the liturgical significance of the six cantatas by the internationally renowned musicologist Robin A. Leaver.

The book is also replete with eight full-page photos, which explore the Mother & Child theme across the globe, taken by the photographer Eddy Posthuma de Boer.
Een unieke muzikale interpretatie van het Weihnachtsoratorium door Jan Willem de Vriend
Bachs Weihnachtsoratorium legt een link tussen geboorte en verlossing. De geboorte van Jezus staat niet alleen voor de geboorte van licht en onschuld, maar ook voor lijden. Hierdoor lijkt dit werk op de Mattheuspassie en de Johannespassie. Schuld en onschuld, lijden en verlossing zijn aanwezig op het moment dat een moeder haar kind in haar armen houdt.

Dit boek, samen met de allereerste opname in super audio kwaliteit (5.1 multichannel), hecht geloof aan Jan Willem de Vriend’s muzikale interpretatie van Bachs oratorium. Het boek bevat een interview met De Vriend, gegeven door de musicoloog Frits de Haen, een kort verhaal over de totstandkoming van het werk, en een artikel over de liturgische betekenis van de zes cantates, geschreven door de internationaal vermaarde musicoloog Robin A. Leaver. Daarnaast bevat het boek foto’s, die het thema ‘Moeder en Kind’ over de hele wereld verkennen.

Het album bevat een bekroonde uitvoering door een van de beste barokensembles van Amsterdam, met internationaal erkende solisten. Combattimento Consort, onder leiding van internationaal dirigent Jan Willem de Vriend, is een belangrijk ensemble op het gebied van de kamermuziek. Het ensemble brengt altijd frisse en originele werken ten gehore.

Thiemo Wind schreef in de Telegraaf over dit album: “Het is een van de beste albums ooit gemaakt”. Niet voor niets waren er in november 2008, ruim twee jaar nadat het album werd uitgebracht, al 10.000 exemplaren van verkocht!

Artist(s)

Jan Willem de Vriend

Jan Willem de Vriend, designated “a godsend from the Netherlands” by the Neue Zürcher Zeitung, is driven by the pioneering spirit of historically informed perfomance practice. As music director of the Combattimento Consort Amsterdam, which he founded in 1982, he specialised in repertoire of the 17th and 18th centuries, reviving a wealth of rarely heard works through historically informed performances on modern instruments, praised by Gramophone magazine for their “technical finesse and a lively feeling for characterization”. An award-winner for his creative contribution to classical music, Jan Willem de Vriend has more than 50,000 followers on Spotify and is in demand as a conductor around the world, appearing regularly with such orchestras as the Royal Concertgebouw Amsterdam, Rotterdam Philharmonic, Residentie Orkest...
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Jan Willem de Vriend, designated “a godsend from the Netherlands” by the Neue Zürcher Zeitung, is driven by the pioneering spirit of historically informed perfomance practice. As music director of the Combattimento Consort Amsterdam, which he founded in 1982, he specialised in repertoire of the 17th and 18th centuries, reviving a wealth of rarely heard works through historically informed performances on modern instruments, praised by Gramophone magazine for their “technical finesse and a lively feeling for characterization”.
An award-winner for his creative contribution to classical music, Jan Willem de Vriend has more than 50,000 followers on Spotify and is in demand as a conductor around the world, appearing regularly with such orchestras as the Royal Concertgebouw Amsterdam, Rotterdam Philharmonic, Residentie Orkest Den Haag, Belgian National Orchestra, Tonhalle Zurich, Orchestre National de Lyon, Bergen Philharmonic, Warsaw Philharmonic, the symphony orchestras of Netherlands Radio and Hessischer Rundfunk (Frankfurt Radio Symphony), Melbourne Symphony, Yomiuri Nippon Symphony and Hong Kong Philharmonic. He is Principal Conductor Designate of the Vienna Chamber Orchestra, and Principal Guest Conductor of the City of Kyoto Symphony Orchestra, Principal Guest Conductor of the Stuttgart Philharmonic and Orchestre National de Lille, and former Principal Guest Conductor of the Orquestra Simfònica de Barcelona i Nacional de Catalunya and the Brabant Orchestra.
For the Challenge Classics label, de Vriend and the Netherlands Symphony Orchestra have recorded the complete Mendelssohn symphonies and all Beethoven’s symphonies and concertos with, among others, pianist Hannes Minnaar and violinist Liza Ferschtman. De Vriend’s interpretation of the Symphony No 7 prompted Classic FM to admire “a bounding flair that does real justice to the composer’s capacity for joy”. A further landmark of his recorded catalogue is his complete recording of the Schubert symphonies with the Residentie Orkest Den Haag.
De Vriend’s collaborative spirit is equally evident in his work for the stage, notably with opera director Eva Buchmann and Combattimento Consort Amsterdam. In addition to works by Monteverdi, Haydn, Handel and Telemann, their productions in Europe and the USA have included staged versions of Bach’s ‘Hunting’ and ‘Coffee’ Cantatas at the Bachfest Leipzig, and operas by Mozart, Rossini, Verdi and Cherubini, among them Mozart’s Don Giovanni und Rossini’s La gazzetta, both toured in Switzerland. De Vriend has also conducted operatic productions in Amsterdam (with the Nederlandse Reisopera), Barcelona, Strasbourg, Lucerne, Schwetzingen and Bergen.

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Cappella Amsterdam

Cappella Amsterdam was established by Jan Boeke in 1970 and has, since 1990, been under the artistic leadership of Daniel Reuss. In recent years the choir has occupied a prominent position in the field of Dutch music and has also enjoyed great success in Europe and beyond. Cappella Amsterdam is renowned for it’s homogenous, refined consonance and its extraordinary versatility. The choir excels in both modern repertoires as in music by the old masters and especially embraces the works of Dutch composers. The choir has special attention for works by Dutch composers, from Sweelinck to Andriessen and Ton de Leeuw. Cappella Amsterdam adamant about bringing Dutch musical heritage towards audiences in The Netherlands and abroad.  Not only does Cappella enjoys success with her...
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Cappella Amsterdam was established by Jan Boeke in 1970 and has, since 1990, been under the artistic leadership of Daniel Reuss. In recent years the choir has occupied a prominent position in the field of Dutch music and has also enjoyed great success in Europe and beyond.

Cappella Amsterdam is renowned for it’s homogenous, refined consonance and its extraordinary versatility. The choir excels in both modern repertoires as in music by the old masters and especially embraces the works of Dutch composers.
The choir has special attention for works by Dutch composers, from Sweelinck to Andriessen and Ton de Leeuw. Cappella Amsterdam adamant about bringing Dutch musical heritage towards audiences in The Netherlands and abroad. Not only does Cappella enjoys success with her own productions but also through collaborations with other renowned choirs, ensembles and orchestras, such as the Orchestra of the Eighteenth Century and Asko|Schönberg.


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Jörg Dürmüller

The Swiss lyric tenor, Jörg Dürmüller, studied violin and voice at the Winterthur Conservatoire in Switzerland with Ruth Binder (1977-1982), and with a scholarship of the Migros-Genossenschafts-Bund at the Academy of Music and Theatre in Hamburg with Naan Pöld, Hans Kagel and Hertha Werner (1982-1987). He attended master-classes given by Edith Mathis, Christa Ludwig and Hermann Prey. Jörg Dürmüller's first opera-engagement led him in 1987 to the Bielefeld City Theatre, where he was a member of the ensemble for five years. From 1995 to 1997 he was engaged as the first tenor at the Brunswick State Theatre under Kammersängerin Brigitte Fassbaender. He appeared also at the State Opera of Hamburg, and at the Theatre in Revier Gelsenkirchen. In 1996 he appeared as a guest at the Comic Opera Berlin...
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The Swiss lyric tenor, Jörg Dürmüller, studied violin and voice at the Winterthur Conservatoire in Switzerland with Ruth Binder (1977-1982), and with a scholarship of the Migros-Genossenschafts-Bund at the Academy of Music and Theatre in Hamburg with Naan Pöld, Hans Kagel and Hertha Werner (1982-1987). He attended master-classes given by Edith Mathis, Christa Ludwig and Hermann Prey.
Jörg Dürmüller's first opera-engagement led him in 1987 to the Bielefeld City Theatre, where he was a member of the ensemble for five years. From 1995 to 1997 he was engaged as the first tenor at the Brunswick State Theatre under Kammersängerin Brigitte Fassbaender. He appeared also at the State Opera of Hamburg, and at the Theatre in Revier Gelsenkirchen. In 1996 he appeared as a guest at the Comic Opera Berlin in the role of Fernando in Così fan tutte produced by Harry Kupfer, and at the National Theatre of Braunschweig as Andres in Wozzeck by Alban Berg. In 2002 and 2003 he sang the role of Bajazete in George Frideric Handel’s Tamerlano also at the Opera Comique Berlin directed by David Alden.

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Combattimento Consort Amsterdam

Over the past 30 years, Combattimento Consort Amsterdam has established a strong national and international reputation. The ensemble is famous for the high quality and energy of its performances. That, together with its varied and often surprising and unfamiliar repertoire, for formations ranging from chamber ensemble to chamber orchestra, and from oratorios to operas, has made it one of the most successful Baroque ensembles in the world. The Combattimento Consort’s roughly 60 performances a year are distinguished by the originality of the ensemble’s presentation, led by one of the trend-setting conductors in Dutch musical life, Jan Willem de Vriend, who in November 2012 received the Radio 4 Prize.   The Combattimento Consort has gone on a number of tours in recent years...
more
Over the past 30 years, Combattimento Consort Amsterdam has established a strong national and international reputation. The ensemble is famous for the high quality and energy of its performances. That, together with its varied and often surprising and unfamiliar repertoire, for formations ranging from chamber ensemble to chamber orchestra, and from oratorios to operas, has made it one of the most successful Baroque ensembles in the world. The Combattimento Consort’s roughly 60 performances a year are distinguished by the originality of the ensemble’s presentation, led by one of the trend-setting conductors in Dutch musical life, Jan Willem de Vriend, who in November 2012 received the Radio 4 Prize.
The Combattimento Consort has gone on a number of tours in recent years to Germany, Spain, Central Europe, South America, Japan, Russia and the United States. It has recorded more than 35 CDs and DVDs – this year, its CD of Handel’s Concerto Grossi op. 6 will be released. The ensemble has worked with prominent soloists such as Barbara Bonney, Andreas Scholl and Sol Gabeta, Thomas Zehetmair and Sabine Meyer, as well as with the Netherlands Chamber Choir, the Nationale Reisopera and Cappella Amsterdam. The spearhead of its artistic direction is the performance of unfamiliar and as yet unpublished repertoire. Innumerable searches through libraries, churches and cloisters over the past 30 years have resulted in a notable collection of remarkable performances. In 2007, for example, Combattimento Consort Amsterdam presented Arminio, the only surviving opera of Heinrich Ignaz Franz von Biber. Over the years, it has developed a distinctive style of playing, which has even come to be known as the “Combattimento School” of performance. Recognizable and energetic, inventive, style-conscious and inspiring. The ensemble presents itself as a “consort”, but with the visibility of the “individual”. Jan Willem de Vriend leads the Combattimento Consort from the “first chair”, appearing as a conductor only in the larger productions (operas and oratorios). The instrumental soloists are in most cases members of the ensemble.

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Daniël Reuss (conductor)

Composer(s)

Johann Sebastian Bach

Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.  Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.  
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Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.

Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.


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Press

Play album Play album
Disc #1
01.
Christmas Oratorio BWV 248: Christmas Day
07:34
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
02.
Christmas Oratorio BWV 248: Christmas Day
00:54
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
03.
Christmas Oratorio BWV 248: Christmas Day
01:11
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
04.
Christmas Oratorio BWV 248: Christmas Day
02:32
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
05.
Christmas Oratorio BWV 248: Christmas Day
01:18
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
06.
Christmas Oratorio BWV 248: Christmas Day
00:35
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
07.
Christmas Oratorio BWV 248: Christmas Day
00:41
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
08.
Christmas Oratorio BWV 248: Christmas Day
03:19
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
09.
Christmas Oratorio BWV 248: Christmas Day
00:34
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
10.
Christmas Oratorio BWV 248: Boxing Day
09:02
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
11.
Christmas Oratorio BWV 248: Boxing Day
02:32
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
12.
Christmas Oratorio BWV 248: Boxing Day
01:21
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
13.
Christmas Oratorio BWV 248: Boxing Day
00:07
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
14.
Christmas Oratorio BWV 248: Boxing Day
00:45
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
15.
Christmas Oratorio BWV 248: Boxing Day
07:14
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
16.
Christmas Oratorio BWV 248: Boxing Day
04:53
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
17.
Christmas Oratorio BWV 248: Boxing Day
00:56
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
18.
Christmas Oratorio BWV 248: Boxing Day
00:36
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
19.
Christmas Oratorio BWV 248: Boxing Day
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
20.
Christmas Oratorio BWV 248: Boxing Day
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
21.
Christmas Oratorio BWV 248: Boxing Day
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
22.
Christmas Oratorio BWV 248: Boxing Day
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
23.
Christmas Oratorio BWV 248: Boxing Day
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
24.
Christmas Oratorio BWV 248: Third Day of Christmas
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
25.
Christmas Oratorio BWV 248: Third Day of Christmas
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
26.
Christmas Oratorio BWV 248: Third Day of Christmas
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
27.
Christmas Oratorio BWV 248: Third Day of Christmas
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
28.
Christmas Oratorio BWV 248: Third Day of Christmas
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
29.
Christmas Oratorio BWV 248: Third Day of Christmas
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
30.
Christmas Oratorio BWV 248: Third Day of Christmas
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
31.
Christmas Oratorio BWV 248: Third Day of Christmas
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
32.
Christmas Oratorio BWV 248: Third Day of Christmas
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
33.
Christmas Oratorio BWV 248: Third Day of Christmas
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
34.
Christmas Oratorio BWV 248: Third Day of Christmas
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
35.
Christmas Oratorio BWV 248: Third Day of Christmas
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
36.
Christmas Oratorio BWV 248: Third Day of Christmas
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam

Disc #2
01.
Christmas Oratorio BWV 248: 'New Year's Day - ''Feast of the Circumcision'''
07:34
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
02.
Christmas Oratorio BWV 248: 'New Year's Day - ''Feast of the Circumcision'''
00:54
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
03.
Christmas Oratorio BWV 248: 'New Year's Day - ''Feast of the Circumcision'''
01:11
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
04.
Christmas Oratorio BWV 248: 'New Year's Day - ''Feast of the Circumcision'''
02:32
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
05.
Christmas Oratorio BWV 248: 'New Year's Day - ''Feast of the Circumcision'''
01:18
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
06.
Christmas Oratorio BWV 248: 'New Year's Day - ''Feast of the Circumcision'''
00:35
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
07.
Christmas Oratorio BWV 248: 'New Year's Day - ''Feast of the Circumcision'''
00:41
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
08.
Christmas Oratorio BWV 248: Sunday after New Year's Day
03:19
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
09.
Christmas Oratorio BWV 248: Sunday after New Year's Day
00:34
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
10.
Christmas Oratorio BWV 248: Sunday after New Year's Day
09:02
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
11.
Christmas Oratorio BWV 248: Sunday after New Year's Day
02:32
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
12.
Christmas Oratorio BWV 248: Sunday after New Year's Day
01:21
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
13.
Christmas Oratorio BWV 248: Sunday after New Year's Day
00:07
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
14.
Christmas Oratorio BWV 248: Sunday after New Year's Day
00:45
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
15.
Christmas Oratorio BWV 248: Sunday after New Year's Day
07:14
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
16.
Christmas Oratorio BWV 248: Sunday after New Year's Day
04:53
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
17.
Christmas Oratorio BWV 248: Sunday after New Year's Day
00:56
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
18.
Christmas Oratorio BWV 248: Sunday after New YBoxing Dayear's Day
00:36
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
19.
Christmas Oratorio BWV 248: Epiphany
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
20.
Christmas Oratorio BWV 248: Epiphany
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
21.
Christmas Oratorio BWV 248: Epiphany
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
22.
Christmas Oratorio BWV 248: Epiphany
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
23.
Christmas Oratorio BWV 248: Epiphany
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
24.
Christmas Oratorio BWV 248: Epiphany
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
25.
Christmas Oratorio BWV 248: Epiphany
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
26.
Christmas Oratorio BWV 248: Epiphany
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
27.
Christmas Oratorio BWV 248: Epiphany
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
28.
Christmas Oratorio BWV 248: Epiphany
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
29.
Christmas Oratorio BWV 248: Epiphany
00:00
(Johann Sebastian Bach ) Cappella Amsterdam, Combattimento Consort Amsterdam
show all tracks

Often bought together with..

Weihnachts-Oratorium
Combattimento Consort Amsterdam
Weihnachts-Oratorium
Combattimento Consort Amsterdam
Christmas Cantatas - Weihnachtskantaten
Ton Koopman / The Amsterdam Baroque Orchestra & Choir

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