Ton Koopman / Amsterdam Baroque Orchestra & Choir

Solo Cantatas for Bass

Format: CD
Label: Challenge Classics
UPC: 0608917228328
Catnr: CC 72283
Release date: 01 February 2008
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Label
Challenge Classics
UPC
0608917228328
Catalogue number
CC 72283
Release date
01 February 2008
Album
Artist(s)
Composer(s)
EN
NL

About the album

Recorded at the Waalse Kerk, Amsterdam 1995 (BWV 203) and 2001 (BWV 56, 82, 158)
The performance of Johann Sebastian Bach’s cantatas usually requires a choir of soprano, alto, tenor, and bass voices. Within these cantatas, however, all recitatives and arias are assigned to solo singers usually representing three or four different voices.

Few of Bach’s professional solo singers from Weimar and Leipzig are known, but it is clear that he always had a few particularly competent soloists at his disposal - in Leipzig through stipends provided by the city council. One of Bach’s principal bass soloists in the 1740s was his private pupil and later son in law, Johann Christoph Altnickol. He came to Leipzig from Breslau (Wroclaw), where he had been a paid choir singer at the Mary Magdalene Church. He moved to Leipzig in order to attend the university, taking along two fellow choristers and soloists, who also entered Bach’s ensemble.

The solo cantata “Ich habe genung” BWV 82 was composed for the Feast of the Purification of the Virgin Mary on 2 February 1727. The author of the text is anonymous.

The solo cantata “Ich will den Kreuzstab gerne tragen” BWV 56 was first performed on 27 October 1726, the 19th Sunday after Trinity.

The cantata “Der Friede sei mit dir” BWV 158 survives with designations for two liturgical occasions (Purification/Third Day of Easter) in a manuscript copied by a reliable scribe shortly after Bach‘s death. The origins of the work are therefore uncertain, but most likely it represents an expansion of a solo cantata originally written (like BWV 82) for the Marian Feast of Purification on 2 February.

"Amore traditore” BWV 203, in the typical format (aria-recitative-aria) of the Italian secular solo cantata, is based on an anonymous text that was also set by the Neapolitan composer Nicola Fago (1677-1745). The visit of the famous bass singer Riemschneider at the Cöthen court in 1718-19 suggests that the piece was most likely written at that time and for a prominent appearance of two superior virtuosos.
Solocantates van Bach uitgevoerd door Koopman en zijn toonaangevende ensemble
Slechts af en toe componeerde Bach een cantate voor een enkele solist. Of hij een beslissing in deze richting zou maken hing af van de aard van de tekst, de beschikbaarheid van solisten en de eventuele opdrachten van specifieke zangers.

De solocantate Ich habe genung BWV 82 werd gecomponeerd voor Maria-Lichtmis in 1727. Uit de originele partijen en de handgeschreven partituur blijkt dat het werk in 1731, 1735 en na 1745 nogmaals is uitgevoerd. Bach hield de cantate blijkbaar in hoog aanzien.

De solocantate Ich will den Kreuzstab gerne tragen BWV 56 werd voor het eerst uitgevoerd op 27 oktober 1726. De auteur van de tekst is onbekend, maar werd kennelijk geïnspireerd door de cantatetekst Ich will den Kreuzweg gerne gehen van Erdmann Neumeister.

Het gekopieerde manuscript voor Der Friede sei mit dir BWV 158 bevat aanduidingen voor twee liturgische gelegenheden: Maria-Lichtmis en de derde dag van Pasen. De oorsprong van het werk is daardoor onduidelijk. Het is in alle waarschijnlijkheid een uitbreiding van een solocantate die werd gecomponeerd voor Maria-Lichtmis.

Amore Traditore BWV 203 staat in de typische vorm van een Italiaanse wereldlijke solocantate (aria-recitatief-aria) en is gebaseerd op een anonieme tekst. Het bezoek van de beroemde bas Johann Gottfried Riemschneider aan het hof van Cöthen in 1718-1719 wijst erop dat het werk waarschijnlijk rond die tijd gecomponeerd werd.

Artist(s)

Ton Koopman was born in Zwolle in 1944. After a classical education he studied organ, harpsichord and musicology in Amsterdam and was awarded the Prix d'Excellence for both instruments. From the beginning of his musical studies he was fascinated by authentic instruments and a performance style based on sound scholarship and in 1969, at the age of 25, he created his first Baroque orchestra. In 1979 he founded the Amsterdam Baroque Orchestra followed by the Amsterdam Baroque Choir in 1992.

Koopman's extensive and impressive activities as a soloist, accompanist and conductor have been recorded on a large number of LPs and CDs for labels like Erato, Teldec, Sony, Philips and DG, besides his own record label “Antoine Marchand”, distributed by Challenge Records.

Over the course of a forty-five-year career Ton Koopman has appeared in the most important concert halls and festivals of the five continents. As an organist he has performed on the most prestigious historical instruments of Europe, and as a harpsichord player and conductor of the Amsterdam Baroque Orchestra & Choir he has been a regular guest at venues which include the Concertgebouw in Amsterdam, the Théatre des Champs-Elysées in Paris, the Philharmonie in Munich, the Alte Oper in Frankfurt, the Lincoln Center and Carnegie Hall in New York and leading concert halls in Vienna, London, Berlin, Brussels, Madrid, Rome, Salzburg, Tokyo and Osaka.

Between 1994 and 2004 Ton Koopman has been engaged in a unique project, conducting and recording all the existing Cantatas by Johann Sebastian Bach, a massive undertaking for which he has been awarded the Deutsche Schallplattenpreis "Echo Klassik", the BBC Award 2008, the Prix Hector Berlioz, has been nominated for the Grammy Award (USA) and the Gramophone Award (UK). In 2000 Ton Koopman has received an Honorary Degree from the Utrecht University for his academic work on the Bach Cantatas and Passions and has been awarded both the prestigious Silver Phonograph Prize and the VSCD Classical Music Award. In 2006 he has received the « Bach-Medaille » from the City of Leipzig.

Recently Ton Koopman has embarked on another main project: the recording of the whole works by Dietrich Buxtehude, one of the great inspirer of the young J.S. Bach. The recording will be accomplished in 2010 with the release of 30 CDs. Ton Koopman is President of the “International Dieterich Buxtehude Society”.

Ton Koopman is very active as a guest conductor and he has collaborated with many prominent orchestras in Europe, USA and Japan. He has been Principal Conductor of the Netherland Radio Chamber Orchestra and has collaborated with the Royal Concertgebouw Amsterdam, DSO Berlin, Tonhalle Orchestra Zurich, Orchester des Bayerischen Rundfunks in Munich, Boston Symphony, Chicago Symphony, Orchestre Philharmonique de Radio France, Cleveland Orchestra, Santa Cecilia in Rome, Deutsche Kammerphilharmonie and Wiener Symphoniker. In the following season he will work on new programmes with the New York Philharmonic, DSO Berlin, Orchestra RAI in Turin, Stockholm Philharmonic, Tonhalle in Zurich. After the great success of his tour at the beginning of 2008, Ton Koopman has been nominated Artist in Residence at the Cleveland Orchestra for three consecutive years starting in 2011.

Ton Koopman publishes regularly and for a number of years he has been engaged in editing the complete Händel Organ Concertos for Breitkopf & Härtel. Recently he has published Händel’s Messiah and Buxtehude‘s Das Jüngeste Gericht for Carus. Ton Koopman leads the class of harpsichord at the Royal Conservatory in The Hague, is Professor at the University of Leiden and is a Honorary Member of the Royal Academy of Music in London.

Ton Koopman is artistic director of the French Festival “Itinéraire Baroque”.

Amsterdam Baroque Orchestra & Choir
Ton Koopman founded the Amsterdam Baroque Orchestra in 1979. The group consists of internationally renowned baroque specialists who meet up several times a year and work together to prepare and perform new exciting programmes. For the musicians each concert is a new experience and Koopman's boundless energy and enthusiasm are a sure guarantee of the highest quality.

The Amsterdam Baroque Choir was founded in 1992 and it made its debut during the Holland Festival of Early Music in Utrecht performing the world première of the Requiem (for 15 voices) and Vespers (for 32 voices) by H.I.F. Biber. The recording of both of these works won the Cannes Classical Award for the best performance of 17th/18th century choral music. For its rare combination of textural clarity and interpretative flexibility, the Amsterdam Baroque Choir is considered among today’s most outstanding choirs.

In 1994 Ton Koopman and the Amsterdam Baroque Orchestra & Choir embarked upon the most ambitious recording project of the last decades: the integral recording of Bach’s secular and sacred cantatas. For this extraordinary project Koopman and his ensemble received the Deutsche Schallplatten-Preis Echo Klassik. Next to the CD recordings three books have been edited and published by Ton Koopman and the musicologist Christoph Wolff and a series of six documentaries was produced and broadcasted by various TV stations.

Alongside Bach’s music the Amsterdam Baroque Orchestra & Choir has recorded all major baroque and classical works. Major recognitions include the Gramophone Award, Diapason d'Or, 10-Repertoire, Stern des Monats-Fono Forum, the Prix Hector Berlioz and two Edison Awards. In 2008 the ensemble and Ton Koopman have been honoured with the prestigious BBC Award.

Since March 2003 “Antoine Marchand”, a new sub-label of Challenge Classics, took over the release of Koopman’s new recordings and among many others has published 22 CD boxes of the Bach Cantatas, a new recording of the St. Matthew Passion (on CD and DVD) and St. Markus Passion of J.S. Bach (DVD), live recorded in Milan, as well as the first seven volumes of the Buxtehude Opera-Omnia Edition.

Ton Koopman and the ABO & ABC are regular guests at the major concert halls of Europe, the USA and Japan. In the 2008/09 season they will tour extensively in Europe (Amsterdam, Paris, Madrid, Vienna, Milan, Cologne, Dresden, Düsseldorf etc) and in Far East with concerts in Hong Kong, Seoul and Tokyo.

Composer(s)

Press

Play album
01.
“Ich habe genung” BWV 82: Aria: “Ich habe genung”
08:05
02.
“Ich habe genung” BWV 82: Recitative: “Ich habe genung! Mein Trost ist nur allein”
01:06
03.
“Ich habe genung” BWV 82: Aria: “Schlummert ein, ihr matten Augen”
08:39
04.
“Ich habe genung” BWV 82: Recitative: “Mein Gott! Wenn kömmt das Schöne: Nun!”
00:46
05.
“Ich habe genung” BWV 82: Aria: “Ich freue mich auf meinen Tod”
03:28
06.
“Ich will den Kreuzstab gerne tragen” BWV 56: Aria: “Ich will den Kreuzstab gerne tragen”
06:46
07.
“Ich will den Kreuzstab gerne tragen” BWV 56: Recitative: “Mein Wandel auf der Welt”
01:42
08.
“Ich will den Kreuzstab gerne tragen” BWV 56: Aria: “Endlich wird mein Joch”
06:33
09.
“Ich will den Kreuzstab gerne tragen” BWV 56: Recitative: “Ich stehe fertig und bereit”
01:34
10.
“Ich will den Kreuzstab gerne tragen” BWV 56: Chorale: “Komm, o Tod, du Schlafes Bruder”
01:23
11.
“Der Friede sei mit dir” BWV 158: Recitative: “Der Friede sei mit dir”
01:41
12.
“Der Friede sei mit dir” BWV 158: Aria and Chorale (Sopranos): “Welt, ade, ich bin dein Müde”
05:42
13.
“Der Friede sei mit dir” BWV 158: Recitative: “Nun Herr, regiere meinen Sinn”
01:20
14.
“Der Friede sei mit dir” BWV 158: Chorale: “Hier ist das rechte Osterlamm”
01:02
15.
“Amore traditore” BWV 203: Aria: “Amore traditore”
06:06
16.
“Amore traditore” BWV 203: Recitative: “Voglio provar”
00:42
17.
“Amore traditore” BWV 203: Aria: “Chi in amore ha nemica la sorte”
06:19
show all tracks

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