Ton Koopman / Members of the Amsterdam Baroque Orchestra

Musikalisches Opfer BWV 1079

Price: € 12.95
Format: CD
Label: Challenge Classics
UPC: 0608917230925
Catnr: CC 72309
Release date: 02 January 2009
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Label
Challenge Classics
UPC
0608917230925
Catalogue number
CC 72309
Release date
02 January 2009
Album
Artist(s)
Composer(s)
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About the album

Ton Koopman and his orchestra give an intimate and delicate performance of this music
Een intieme en subtiele uitvoering van ‘Musikalisches Opfer’ door Ton Koopman en zijn orkest
Dit album bevat een opname van ‘Musikalisches Opfer’ van Johann Sebastian Bach, uitgevoerd door Ton Koopman en leden van het Amsterdam Baroque Orchestra.

‘Musikalisches Opfer’ is het enige instrumentale werk van Bach waarvan de precieze oorsprong bekend is. Het werk dankt zijn oorsprong aan Bach’s bezoek aan het koninklijke hof van Friedrich II in Potsdam in mei 1747. Tijdens dit bezoek speelde de koning een thema op klavier. Bach zag dit thema als de belichaming van voortreffelijkheid. Daarom wenste Bach om een fuga op dit thema te zetten, eerst op papier, en vervolgens gegraveerd in koper. In zijn voorwoord bij het werk verwijst Bach naar het bezoek aan Potsdam, en naar het vervullen van de wens om een fuga voor zes partijen te schrijven.
Das Musikalische Opfer ist das einzige Instrumentalwerk Bachs, bei dem die Umstände seiner Entstehung näher bekannt sind. Seinen Ursprung verdankt es Bachs zweitägigem Besuch am königlichen Hofe Friedrichs II. in Potsdam im Mai 1747. Das Werk erhielt von Bach den Titel ?Musicalisches Opfer? und in seinem gedruckten Vorwort erinnert der Komponist ausdrücklich an die Potsdamer Begebenheit, insbesondere die Erfüllung des königlichen Wunsches nach einer ?Fuge mit sechs obligaten Stimmen?.

Artist(s)

Ton Koopman was born in Zwolle in 1944. After a classical education he studied organ, harpsichord and musicology in Amsterdam and was awarded the Prix d'Excellence for both instruments. From the beginning of his musical studies he was fascinated by authentic instruments and a performance style based on sound scholarship and in 1969, at the age of 25, he created his first Baroque orchestra. In 1979 he founded the Amsterdam Baroque Orchestra followed by the Amsterdam Baroque Choir in 1992.

Koopman's extensive and impressive activities as a soloist, accompanist and conductor have been recorded on a large number of LPs and CDs for labels like Erato, Teldec, Sony, Philips and DG, besides his own record label “Antoine Marchand”, distributed by Challenge Records.

Over the course of a forty-five-year career Ton Koopman has appeared in the most important concert halls and festivals of the five continents. As an organist he has performed on the most prestigious historical instruments of Europe, and as a harpsichord player and conductor of the Amsterdam Baroque Orchestra & Choir he has been a regular guest at venues which include the Concertgebouw in Amsterdam, the Théatre des Champs-Elysées in Paris, the Philharmonie in Munich, the Alte Oper in Frankfurt, the Lincoln Center and Carnegie Hall in New York and leading concert halls in Vienna, London, Berlin, Brussels, Madrid, Rome, Salzburg, Tokyo and Osaka.

Between 1994 and 2004 Ton Koopman has been engaged in a unique project, conducting and recording all the existing Cantatas by Johann Sebastian Bach, a massive undertaking for which he has been awarded the Deutsche Schallplattenpreis "Echo Klassik", the BBC Award 2008, the Prix Hector Berlioz, has been nominated for the Grammy Award (USA) and the Gramophone Award (UK). In 2000 Ton Koopman has received an Honorary Degree from the Utrecht University for his academic work on the Bach Cantatas and Passions and has been awarded both the prestigious Silver Phonograph Prize and the VSCD Classical Music Award. In 2006 he has received the « Bach-Medaille » from the City of Leipzig.

Recently Ton Koopman has embarked on another main project: the recording of the whole works by Dietrich Buxtehude, one of the great inspirer of the young J.S. Bach. The recording will be accomplished in 2010 with the release of 30 CDs. Ton Koopman is President of the “International Dieterich Buxtehude Society”.

Ton Koopman is very active as a guest conductor and he has collaborated with many prominent orchestras in Europe, USA and Japan. He has been Principal Conductor of the Netherland Radio Chamber Orchestra and has collaborated with the Royal Concertgebouw Amsterdam, DSO Berlin, Tonhalle Orchestra Zurich, Orchester des Bayerischen Rundfunks in Munich, Boston Symphony, Chicago Symphony, Orchestre Philharmonique de Radio France, Cleveland Orchestra, Santa Cecilia in Rome, Deutsche Kammerphilharmonie and Wiener Symphoniker. In the following season he will work on new programmes with the New York Philharmonic, DSO Berlin, Orchestra RAI in Turin, Stockholm Philharmonic, Tonhalle in Zurich. After the great success of his tour at the beginning of 2008, Ton Koopman has been nominated Artist in Residence at the Cleveland Orchestra for three consecutive years starting in 2011.

Ton Koopman publishes regularly and for a number of years he has been engaged in editing the complete Händel Organ Concertos for Breitkopf & Härtel. Recently he has published Händel’s Messiah and Buxtehude‘s Das Jüngeste Gericht for Carus. Ton Koopman leads the class of harpsichord at the Royal Conservatory in The Hague, is Professor at the University of Leiden and is a Honorary Member of the Royal Academy of Music in London.

Ton Koopman is artistic director of the French Festival “Itinéraire Baroque”.

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