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Duo En Noir

Enrico Rava & Ran Blake

Duo En Noir

Price: € 13.95
Format: CD
Label: Between The Lines
UPC: 0608917122428
Catnr: BTLCHR 71224
Release date: 04 September 2009
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Label
Between The Lines
UPC
0608917122428
Catalogue number
BTLCHR 71224
Release date
04 September 2009
Album
Artist(s)
Composer(s)
EN
DE

About the album

Enrico Rava - Trumpet, flugelhorn | Ran Blake - piano

They only appeared on stage one time together for recording: Enrico Rava, the most well-known European trumpeter, and Ran Blake, the American pianist with an influence on numerous contemporary musicians that can hardly be overestimated.

Hazelwood Music Production recorded the exceptional concert at the Frankfurt South Train station in 1999. Ten songs, ten standards. The composition, which Enrico Rava contributed ("Certi Angoli"), can also be called a standard in the meantime. In addition, songs such as "I Should Care", "Nature Boy", "There's No You" and even "Tea for Two" were interpreted very originally. All songs radiate a high degree of melancholy without triggering sadness thanks to Rava's unmistakable sound and Blake's just as unique phrasing.

After the CD was no longer available from between the lines for many years, we are very pleased that we can now re-release it!
Sie sind nur ein einziges Mal gemeinsam f�r Aufnahmen auf der B�hne gestanden: Enrico Rava, der bekannteste europ�ische Trompeter, und Ran Blake, der amerikanische Pianist mit einem kaum zu �bersch�tzenden Einfluss auf zahlreiche aktuelle Musiker. 1999, im S�dbahnhof Frankfurt, wurde ein Ausnahmekonzert mitgeschnitten. Zehn Titel, zehn Standards. Alle Titel strahlen durch Rava's unverwechselbaren Ton und Blake's ebenso einmalige Phrasierungen ein hohes Ma� an Melancholie aus, ohne Traurigkeit auszul�sen.

Artist(s)

Enrico Rava

Enrico Rava was born in Trieste in 1939. Self-taught, he started out playing Dixieland trombone but switched to trumpet at 18 after hearing Miles Davis. In 1962, he began a collaboration with Gato Barbieri, which brought him into contact with Don Cherry, Mal Waldron and Steve Lacy. He joined Lacy’s group in 1965, subsequently travelling with him through Europe, South America and the US. In New York, Rava worked with Cecil Taylor, the Jazz Composers Orchestra, and Roswell Rudd; back in Europe he lent his energies to the European avant-garde and the free players of the Globe Unity Orchestra. Even in experimental periods Rava remained firstly a melodic player, a tendency refined and developed through a career which has touched...
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Enrico Rava was born in Trieste in 1939. Self-taught, he started out playing Dixieland trombone but switched to trumpet at 18 after hearing Miles Davis. In 1962, he began a collaboration with Gato Barbieri, which brought him into contact with Don Cherry, Mal Waldron and Steve Lacy. He joined Lacy’s group in 1965, subsequently travelling with him through Europe, South America and the US. In New York, Rava worked with Cecil Taylor, the Jazz Composers Orchestra, and Roswell Rudd; back in Europe he lent his energies to the European avant-garde and the free players of the Globe Unity Orchestra. Even in experimental periods Rava remained firstly a melodic player, a tendency refined and developed through a career which has touched on all aspects of the jazz tradition. His first ECM album The Pilgrim and the Stars in 1975 already set high standards. He has won many national and international awards, including, in 2002, the ‘JazzPar Prize’, Europe’s biggest award for jazz players.
Enrico Rava’s band has meanwhile become a kind of finishing school for Italian jazz musicians, and many of his sidemen have gone on to become bandleaders in their own right, recent examples being Stefano Bollani, Giovanni Guidi and Gianluca Petrella. Petrella and Guidi recently recorded a collaborative album for ECM, on which they were joined by drummer Gerald Cleaver and clarinettist Louis Sclavis; the album will be issued in 2016.


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Ran Blake

The New York Times once wrote: 'Only Ran Blake sounds like Ran Blake.' Although the pianist born in 1935 studied under piano legends such as Oscar Peterson and took private lessons from Mary Lou Williams, he soon cut loose and developed his own sounds and structures. He has become one of the most authoritative musicians and composers of the 'Third Stream' and has a chair for this at the New England Conservatory till today. His students repeatedly cite him as a decisive influence: Don Byron, Matthew Shipp, Don Medeski and – not the least – Between The Lines artist Yitzhak Yedid.
more
The New York Times once wrote: "Only Ran Blake sounds like Ran Blake." Although the pianist born in 1935 studied under piano legends such as Oscar Peterson and took private lessons from Mary Lou Williams, he soon cut loose and developed his own sounds and structures. He has become one of the most authoritative musicians and composers of the "Third Stream" and has a chair for this at the New England Conservatory till today. His students repeatedly cite him as a decisive influence: Don Byron, Matthew Shipp, Don Medeski and – not the least – Between The Lines artist Yitzhak Yedid.
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Composer(s)

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