×

10% discount on your next order!

Subscribe to our newsletter and receive a personal discount code for 10% discount on a album of your choice! After subscribing, you will receive the code in your email. This code is only valid for 10 days!




The code is valid one time and valid for a 10 days after receiving the promotioncode. Your emailaddress will only be used by Challenge Records International and will not be given to 3rd party advertisers. If you have any questions please contact us.
Cover
Gregor Werner

Ars Antiqua Austria / Gunar Letzbor

Pro Adventu

  • Type CD
  • Label Challenge Classics
  • UPC 0608917251326
  • Catalog number CC 72513
  • Release date 07 September 2012
Physical (CD)

Free shipping in the EU, outside the EU from €5,-

€ 12.95
Add to cart
Product is on stock
Digital

Get the album digitally

High resolution download Spirit of Turtle iTunes

About the album

Gregorius Josephus Werner (1695-1766)
Pro Adventu


Gregor Werner (1695-1766) began directing the fortunes of the Esterházy court band, the Hofkapelle, on 10 May 1728. He was an industrious man. Forty Masses, three Requiems, three Te Deums, four
Offertories, twelve Vespers, twelve Good Friday oratorios, approximately eighteen oratorios, a hundred and thirty-three antiphons and a multitude of instrumental pieces and minor works testify to his fertile creative spirit.

Little is known of his youth. He is sure to have spent an lengthy period in Vienna. The quodlibets “Bauren- Richters-Wahl” and “Der Wienner- ische Tandelmarkt” demonstrate an intimate knowledge of the Viennese background and spoken dialect in the Late Baroque period. His skilful counterpoint style suggests a connec- tion to the Court Kapellmeister J.J. Fux (1660-1741).
Werner seems to have found utter fulfilment in his work for the princely band. It seems he did not undertake any further travels. Isolated in the eastern region of the empire he wrote one musical gem after another. His oeuvre reveals the early a-capella style as well as the Baroque concer- tante style of the turn of the century.
As with Fux, there are no “lazy parts” in his counterpoint settings.

Throughout his life he remained true to the idiom of Baroque music-making and refused to adapt in any way to new fashions. Thus it is no wonder that he is supposed to have spoken disparagingly of Joseph Haydn as “G`sanglmacher” – “common songwriter” – and “Modehansl” – fashion lackey.

Nevertheless Haydn’s regard for this famous master was so high that he worked during the last months of his life on the edition and publishing of Werner’s quartets! What a delight that Werner's music is dusted off now by Ars Antiqua Austria!

Add a comment


We need to make sure that you are really an human, please enter the code below.

code