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La Damnation de Faust
Hector Berlioz

Bernard Haitink & Radio Filharmonisch Orkest & Groot Omroepkoor

La Damnation de Faust

Price: € 8.95
Format: CD
Label: Challenge Classics
UPC: 0608917251425
Catnr: CC 72514
Release date: 13 December 2010
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2 CD
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Label
Challenge Classics
UPC
0608917251425
Catalogue number
CC 72514
Release date
13 December 2010

"Fortunately this beautiful recording is now available"

orpheus, 01-7-2011
Album
Artist(s)
Composer(s)
Press
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NL
DE

About the album

A memorable performance of Berlioz' masterpiece recorded in 1999 and performed by two Dutch world class orchestras, four phenomenal soloists and a conductor of worldfame, who started his career with the Radio Philharmonic Orchestra. This were all very good reasons to bring out this concert on CD. An additional reason was the threatening intention of the Dutch government to abolish the Muziekcentrum van de Omroep (MCO) with its orchestras (Radio Philharmonic, Radio Chamber Philharmonic, Metropole, Public Broadcast Choir). This would be very bad for Dutch and international cultural life and tradition. Conductor Bernard Haitink also empazises his support to the rich musical tradition in the Netherlands and to pass on the passion to the younger generation of musicians and to keep the high quality of music alive!

Buying this CD is also a symbolic act of support to the Dutch orchestras of the MCO.
De uitzonderlijke kwaliteit van het Radio Filharmonisch Orkest en het Groot Omroepkoor
Dit album bevat de memorabele uitvoering van Hector Berlioz’s meesterwerk La Damnation de Faust, uitgevoerd en opgenomen in 1999 door twee topensembles: het Radio Filharmonisch Orkest en het Groot Omroepkoor, onder leiding van de wereldberoemde Bernard Haitink. Voor deze gelegenheid keerde Haitink terug naar het orkest waar hij zijn carrière startte.

Een extra reden voor de uitgave van dit album was het voornemen van het toenmalige kabinet om het gehele Muziekcentrum van de Omroep (Radio Filharmonisch Orkest, Radio Kamer Filharmonie, Groot Omroepkoor, Metropole Orkest, Muziekbibliotheek en MCO Educatie) niet langer meer financieel te ondersteunen. De opname van dit album moest als voorbeeld dienen voor de uitzonderlijk hoge kwaliteit van de Nederlandse orkesten en ensembles. Die kwaliteit blijkt uit de schitterende uitvoering van Berlioz’s werk met internationaal bekende solisten Charlotte Margiono (sopraan, Marguerite), Vinson Cole (tenor, Faust), Thomas Quasthoff (bariton, Méphistophélès) en Jaco Huijpen (bas, Brander).
Diese Live-Aufnahme entstand im Juni 1999 im Concertgebouw Amsterdam innerhalb der Serie 'Carte Blanche' für Bernhard Haitink. Dieses denkwürdige Konzert mit dem Philharmoischen Orchester des Holländischen Rundfunks ist fest im musikalischen Gedächtnis eingeschrieben. Diese außergewöhnliche Aufnahme erscheint nun auf CD und soll ein Symbol für die hohe Qualität dieses Orchesterkörpers mit seiner reichen Tradition sein, und zwar in einer Zeit, da die Zukunft dieses Orchesters so sehr durch die Politik gefährdet ist - wie so viele Kulturinstitute auf aller Welt - und schon in den nächsten Jahren abgewickelt werden soll. Challenge Classics hilft mit dieser Initiative mit, alle Kräfte zu bündeln, um dieses Orchester zu erhalten

Artist(s)

Charlotte Margiono

Her Fiordiligi in Jürgen Flimm’s production of Cosi fan tutte with Nikolaus Harnoncourt conducting the Royal Concertgebouw Orchestra, January 1990 in Amsterdam, put Charlotte Margiono without any doubt at the international top of Mozart sopranos. After her first Nozze di Figaro in Bern in January 1988 many Contessas were to follow in numerous new productions (Hamburg 1990/94, Aix-en-Provence 1991, Bordeaux 1995, Amsterdam 1993 and Dresden 1995, Vienna and, with the Wiener Staatsoper, in Japan 1994). Her Mozart roles include Vitellia in La Clemenza di Tito (Aix 1988, Salzburg 1991), Erste Dame in Die Zauberflöte (Amsterdam 1988, Aix 1989), Pamina in Die Zauberflöte (Bordeaux 1992), Aminda in La Finta Giardiniera (Parijs 1991) and, her favourite, Donna Elvira in Don Giovanni (with...
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Her Fiordiligi in Jürgen Flimm’s production of Cosi fan tutte with Nikolaus Harnoncourt conducting the Royal Concertgebouw Orchestra, January 1990 in Amsterdam, put Charlotte Margiono without any doubt at the international top of Mozart sopranos. After her first Nozze di Figaro in Bern in January 1988 many Contessas were to follow in numerous new productions (Hamburg 1990/94, Aix-en-Provence 1991, Bordeaux 1995, Amsterdam 1993 and Dresden 1995, Vienna and, with the Wiener Staatsoper, in Japan 1994). Her Mozart roles include Vitellia in La Clemenza di Tito (Aix 1988, Salzburg 1991), Erste Dame in Die Zauberflöte (Amsterdam 1988, Aix 1989), Pamina in Die Zauberflöte (Bordeaux 1992), Aminda in La Finta Giardiniera (Parijs 1991) and, her favourite, Donna Elvira in Don Giovanni (with John Eliot Gardiner in Parma, Amsterdam, London, Ludwigsburg 1994).
In addition to these Mozart-roles Charlotte Margiono is gradually building a wide lyrical repertoire: Marie in Die Verkaufte Braut, Mimi in La Bohème, Agathe in Der Freischütz (role debut in Hamburg 1999), Desdemona in Otello (role debut in Paris and Amsterdam, 1994), Rusalka (role debut in the Netherlands 1998), Marguerite in a concert performance of La Damnation de Faust to close the Bernard Haitink Festival in the Amsterdam Concertgebouw (1999), and Eva in Meistersinger (role debut in Amsterdam 2000).
Future engagements for new roles include Leonore in Fidelio (Sir Simon Rattle, Glyndebourne 2001), Elsa in Lohengrin (Amsterdam 2002), Chrysothemis in Elektra (Brussel 2002). 3 Conductors with whom Charlotte Margiono is frequently singing are a.o. Claudio Abbado, Gerd Albrecht, Gary Bertini, Frans Brüggen, Sir Colin Davis, John Eliot Gardiner, Valery Gergiev, Carlo Maria Giulini, Hartmut Haenchen, Bernard Haitink, Nikolaus Harnoncourt, Armin Jordan, James Judd, Alain Lombard, Ingo Metzmacher, Antonio Pappano, Wolfgang Sawallisch, Marc Soustrot, Edo de Waart en Franz Welser-Möst.
Almost all leading international orchestras such as the Berliner Philharmoniker, the Wiener Philharmoniker, l’Orchestre National de France, Madrid, Santa Caecilia, Royal Concertgebouw Orchestra, Florence and Orchester der Beethovenhalle Bonn regularly invite the soprano for a.o. Mahler Symphony 2 and 4, Rossini Stabat Mater, Strauss Vier letzte Lieder, Berlioz Les Nuits d’été, Verdi Requiem, Ravel Shéhérazade, Berg Sieben Frühe Lieder, Beethoven IX, Missa Solemnis and, especially, Ah Perfido! Charlotte Margiono’s voice is recorded a.o. as Erste Dame in Die Zauberflöte (Erato), Missa Solemnis, Ah Perfido!, Donna Elvira in Don Giovanni with John Eliot Gardiner (DGG-Archiv), Brahms’ Ein Deutsches Requiem (Philips), Cosi fan tutte (Fiordiligi), La Finta Giardiniera (Arminda), Le Nozze di Figaro (Contessa), various Mozart Masses and Beethovens Fidelio (Harnoncourt/Teldec). Strauss’ Jugendlieder were recorded with the accompaniment of Friedrich Haider.
Recently Charlotte Margiono has founded her own Margiono Quintet, with four leading string-players from the Royal Concertgebouw Orchestra. The official debut of the Margiono Quintet in the Amsterdam Concertgebouw in November 1998 was an enormous success. Several national and international chambermusic festivals already showed their interest in the Quintet.


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Bernard Haitink

Bernard Haitink was born in Amsterdam and his interest in music was first stimulated when, as a child, he would go to hear concerts given by the Amsterdam Concertgebouw Orchestra under Willem Mengelberg. At the age of nine he started to have violin lessons, which he continued at the Amsterdam Conservatory, where he also studied conducting with Felix Hupka. He joined the Netherlands Radio Symphony Orchestra as a violinist but in 1954 and 1955 attended the annual courses for conductors organised by the Netherlands Radio Union, at which he studied with Ferdinand Leitner. This experience led directly to his appointment in 1955 as second conductor with the Union, sharing responsibility for four radio orchestras. Mr Haitink first attracted attention when in...
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Bernard Haitink was born in Amsterdam and his interest in music was first stimulated when, as a child, he would go to hear concerts given by the Amsterdam Concertgebouw Orchestra under Willem Mengelberg. At the age of nine he started to have violin lessons, which he continued at the Amsterdam Conservatory, where he also studied conducting with Felix Hupka. He joined the Netherlands Radio Symphony Orchestra as a violinist but in 1954 and 1955 attended the annual courses for conductors organised by the Netherlands Radio Union, at which he studied with Ferdinand Leitner. This experience led directly to his appointment in 1955 as second conductor with the Union, sharing responsibility for four radio orchestras.
Mr Haitink first attracted attention when in 1956 he substituted for Carlo Maria Giulini in a performance of Cherubini’s Requiem with the Concertgebouw Orchestra, as a result of which he was invited to be a guest conductor at some of the orchestra’s regular concerts. Having become principal conductor of the Netherlands Radio Philharmonic Orchestra in the following year, he made his American debut in 1958, with the Los Angeles Philharmonic Orchestra, and first appeared in Britain in 1959, on a tour with the Concertgebouw Orchestra, with whom he made his first recording during the same year.
Following the unexpected death of the Concertgebouw Orchestra’s chief conductor Eduard van Beinum, also in 1959, Haitink and Eugen Jochum were appointed joint chief conductors of the orchestra in 1961. This arrangement lasted until 1963, when Haitink assumed full responsibility for the orchestra, also becoming a guest conductor with the London Philharmonic Orchestra. He was appointed chief conductor of the LPO in 1967 and, between 1970 and 1979 he was also it's artistic director. Haitink made his debut at the Glyndebourne Festival Opera in 1972, conducting Mozart’s Die Entführung aus dem Serail, and returned to lead Die Zauberflöte in 1973 and Stravinsky’s The Rake’s Progress in 1975. Two years later he succeeded Sir John Pritchard as the Festival’s chief conductor, a post that he retained until 1988. While at Glyndebourne Haitink conducted a repertoire that included Beethoven’s Fidelio, Richard Strauss’s Arabella, Prokofiev’s The Love for Three Oranges and Britten’s A Midsummer Night’s Dream, in addition to the principal Mozart operas.
Having first appeared with the Royal Opera Company at Covent Garden in 1977 conducting Don Giovanni, and at the Metropolitan Opera in 1982 with Fidelio, Haitink maintained his association with Covent Garden, conducting performances of Verdi’s Un ballo in maschera, Janáček’s Jenůfa and Wagner’s Lohengrin and Parsifal, and was appointed the company’s chief conductor in 1987. Although he suffered terribly during the traumas of the closure and rebuilding of the Royal Opera House between 1997 and 1999, arguably it was his principled stand that prevented the Covent Garden orchestra and chorus from being disbanded during this period. While in command at the Royal Opera, both before and after the closure, Haitink conducted memorable accounts of the major elements of the traditional operatic repertoire, such as Wagner’s Der Ring des Nibelungen, Die Meistersinger von Nürnberg and Tristan und Isolde, Verdi’s Don Carlo and Falstaff, Mozart’s Le nozze di Figaro, Borodin’s Prince Igor, Tchaikovsky’s The Queen of Spades and Britten’s Peter Grimes. He also took the orchestra out of the opera house and led it in several notable orchestral concerts.
In addition to his operatic work in London, Haitink maintained an active concert schedule. As well as regularly appearing as a guest conductor with major orchestras such as the Berlin Philharmonic of which he is an honorary member, London Symphony, and Vienna Philharmonic, between 1994 and 1999 he was chief conductor of the European Union Youth Orchestra, and in 1995 was appointed principal guest conductor of the Boston Symphony Orchestra where he is currently conductor emeritus. Haitink relinquished his post at Covent Garden in 2002, becoming chief conductor of the Dresden Staatskapelle and also honorary conductor of the Concertgebouw Orchestra – the first time that such a title had been awarded in the history of the orchestra. In 2006 he took up the newly-created post of principal conductor with the Chicago Symphony Orchestra.
Among the many honours Haitink has received during his long career are an honorary knighthood in 1977, the Erasmus Prize in Holland in 1991, and the Order of the House of Orange-Nassau, conferred upon him by the Queen of The Netherlands for his achievements in the arts; in 2002 he was made a Companion of Honour by Her Majesty the Queen of England.
Haitink’s reserved exterior is deceptive when it comes to making music. in works with which he identifies deeply, such as the symphonies of Mahler, he is able to deliver performances of great power and passion. He is without question one of the finest conductors of the symphonies of Bruckner, possessing complete command of their individual musical architecture.
Haitink has been such a ubiquitous figure in European and American musical life that it has been easy to take him for granted; this is to do him a major injustice. As his extensive recorded repertoire demonstrates, he stands in the direct line of the great European conductors of earlier generations such as Richter, Nikisch, Weingartner and Mengelberg.

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Netherlands Radio Choir

The Netherlands Radio Choir is the largest professional choir in the Netherlands. Since its founding in 1946, the choir has performed a broad repertoire ranging from Baroque to contemporary music and has been synonymous with top-level music performed with passion. It works in various sizes and formations, depending on the music concerned and the conductor. First official chief conductor of the Netherlands Radio Choir was Kenneth Montgomery. After him came Robin Gritton, Martin Wright, Simon Halsey, Celso Antunes and Gijs Leenaars. As from the 2015-2016 season Klaas Stok is chief conductor of the Netherlands Radio Choir. Michael Gläser has been its permanent guest conductor since September 2010. The Netherlands Radio Choir has worked with guest conductors such as Marcus Creed and Peter Dijkstra,...
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The Netherlands Radio Choir is the largest professional choir in the Netherlands. Since its founding in 1946, the choir has performed a broad repertoire ranging from Baroque to contemporary music and has been synonymous with top-level music performed with passion. It works in various sizes and formations, depending on the music concerned and the conductor.
First official chief conductor of the Netherlands Radio Choir was Kenneth Montgomery. After him came Robin Gritton, Martin Wright, Simon Halsey, Celso Antunes and Gijs Leenaars. As from the 2015-2016 season Klaas Stok is chief conductor of the Netherlands Radio Choir. Michael Gläser has been its permanent guest conductor since September 2010.
The Netherlands Radio Choir has worked with guest conductors such as Marcus Creed and Peter Dijkstra, with early music specialists as Frans Brüggen, Philippe Herreweghe and Ton Koopman, and in the symphonic choral repertoire with Jaap van Zweden, James Gaffigan, Markus Stenz and Sir Simon Rattle, among others.
The choir often performs with the Netherlands Radio Philharmonic Orchestra in public radio concert series, and it is regularly invited to perform with the Royal Concertgebouw Orchestra and the Rotterdam Philharmonic Orchestra.
Since the early 1980s, the Netherlands Radio Choir has been a frequent guest in the Saturday Matinee series of the Concertgebouw in Amsterdam. In these concerts the choir has regularly performed pre- mieres and works by contemporary composers such as Ligeti, Boulez, Birtwistle, Kagel, Reich, Wagemans, Adès, Adams and Vleggaar. Most concerts of the Netherlands Radio Choir are live broadcasted by Radio 4. On CD the Netherlands Radio Choir excels in a broad repertoire including music by Keuris, MacMillan, Mahler, Poulenc, Rossini and Wagner.

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Netherlands Radio Philharmonic Orchestra

The Netherlands Radio Philharmonic Orchestra gave its first concert on 7 October 1945, led by its founder and ‘first conductor‘ Albert van Raalte, on Radio “Herrijzend Nederland”. Initially the orchestra spent most of its time in studios working on a large number of recordings for the public broadcasting system. The Netherlands Radio Philharmonic featured prominently in the Saturday Matinee as soon as the series started in 1961, and has continued to give frequent live performances ever since. The celebrated Saturday Matinee has hosted many legendary concerts. Illustrious soloists such as Kathleen Ferrier, Elisabeth Schwarzkopf, Clara Haskil and Jean-Pierre Rampal have shared the stage with the Netherlands Radio Philharmonic Orchestra. In 2004, the three classical orchestral formations of the broadcasting 15 system...
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The Netherlands Radio Philharmonic Orchestra gave its first concert on 7 October 1945, led by its founder and ‘first conductor‘ Albert van Raalte, on Radio “Herrijzend Nederland”. Initially the orchestra spent most of its time in studios working on a large number of recordings for the public broadcasting system. The Netherlands Radio Philharmonic featured prominently in the Saturday Matinee as soon as the series started in 1961, and has continued to give frequent live performances ever since. The celebrated Saturday Matinee has hosted many legendary concerts. Illustrious soloists such as Kathleen Ferrier, Elisabeth Schwarzkopf, Clara Haskil and Jean-Pierre Rampal have shared the stage with the Netherlands Radio Philharmonic Orchestra.
In 2004, the three classical orchestral formations of the broadcasting 15 system were transformed into two: the present Netherlands Radio Philharmonic Orchestra and the Netherlands Radio Chamber Philharmonic. In 2006, these two orchestras, the Netherlands Radio Choir and the Metropole Orchestra joined the Dutch public broadcasting organisation NPO.
The Radio Philharmonic Orchestra has been conducted by great names such as Bernard Haitink, Jean Fournet, Hans Vonk, Sergiu Comissiona and Edo de Waart. Jaap van Zweden was named its chief conductor in September 2005. The orchestra has also worked with numerous famed guest conductors such as Leopold Stokowski, Kirill Kondrashin, Antál Dorati, Riccardo Muti, Kurt Masur and Valery Gergiev. Soon after its founding, the Netherlands Radio Philharmonic found itself foremost in Dutch musical life in the number of performances and the diversity of its repertoire, with a predilection for Dutch and contemporary works in its programming. It has honed another facet of its striking profile with a great many opera concertante performances. The orchestra has an extensive discography, ranging from legendary LPs recorded in the 1970s under such conductors as Leopold Stokowski and Antal Doráti to Jean Fournet’s much-lauded renderings of French repertoire. Under Edo de Waart, not only did it release its legendary Wagner interpretations, but also the complete orchestral works of Rachmaninov. CDs with work by contemporary composers such as Jonathan Harvey, Klas Torstensson, Jan van Vlijmen and Stravinsky have garnered prizes and much acclaim.

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Martin Wright (conductor)

Composer(s)

Hector Berlioz

Hector Berlioz is perhaps the most romantic of the romantics. His continuously changing moods split the traditional symphony orchestra into countless divisions, and his idealistic longing faded the borders between symphony, opera and oratoria. No wonder that this revolutionary expression gained little appreciation in its own time. The public of that age had barely overcome Beethoven's innovations. Reciprocally, Berlioz resented the audience and its conventions of the prevailing concert practice. In one of his writings, Berlioz dreamed of a Utopian city called Euphonia, in which commerce was banned and the arts stood at the centre of civilisation.  It wasn't until after his death that Berlioz gained the recognition he deserves. The most music lovers will know Berlioz from his Symphonie Fantastique,...
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Hector Berlioz is perhaps the most romantic of the romantics. His continuously changing moods split the traditional symphony orchestra into countless divisions, and his idealistic longing faded the borders between symphony, opera and oratoria. No wonder that this revolutionary expression gained little appreciation in its own time. The public of that age had barely overcome Beethoven's innovations. Reciprocally, Berlioz resented the audience and its conventions of the prevailing concert practice. In one of his writings, Berlioz dreamed of a Utopian city called Euphonia, in which commerce was banned and the arts stood at the centre of civilisation. It wasn't until after his death that Berlioz gained the recognition he deserves. The most music lovers will know Berlioz from his Symphonie Fantastique, in which he portrayed several opium visions. With this out of control 'bad trip', he tried to win over the famous Shakespeare actress Harriet Smithson. Some other highlights of his career are his epic opera La Damnation de Faust, his symphony Roméo et Juliette, his Requiem and the opera Les Troyens.


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Press

Fortunately this beautiful recording is now available
orpheus, 01-7-2011

Play album Play album
Disc #1
01.
La Damnation de Faust - Première partie: Scène 1 - Plaines de Hongrie
06:10
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
02.
La Damnation de Faust - Première partie: Scène 2 - Ronde des paysans
04:14
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
03.
La Damnation de Faust - Première partie: Scène 3 - Marche hongroise
04:52
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
04.
La Damnation de Faust - Deuxième partie: Scène 4 - Nord d’Allemagne
04:58
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
05.
La Damnation de Faust - Deuxième partie: Scène 4 - Chant de la fête de Pâques
07:34
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
06.
La Damnation de Faust - Deuxième partie: Scène 5 - Méphistophélès et Faust: O pure émotion
02:41
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
07.
La Damnation de Faust - Deuxième partie: Scène 6 - Choeur de buveurs: A boire encore!
02:30
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
08.
La Damnation de Faust - Deuxième partie: Scène 6 - Chanson de Brander: Certain rat, dans une cuisine
03:36
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
09.
La Damnation de Faust - Deuxième partie: Scène 6 - Vrai Dieu! Messieurs, votre fugue
01:22
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
10.
La Damnation de Faust - Deuxième partie: Scène 6 - Chanson de Méphistophélès: Une puce gentille
04:22
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
11.
La Damnation de Faust - Deuxième partie: Scène 7 - Air de Méphistophélès: Voici des roses
02:54
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
12.
La Damnation de Faust - Deuxième partie: Scène 7 - Choeur de gnomes et de sylphes. Songe de Faust: Dors, heureux Faust
07:01
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
13.
La Damnation de Faust - Deuxième partie: Scène 7 - Ballet des sylphes
02:38
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
14.
La Damnation de Faust - Deuxième partie: Scène 7 - Faust: Margarita!
01:11
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
15.
La Damnation de Faust - Deuxième partie: Scène 8 - Choeurs de soldats et chanson d’étudiants
05:47
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen

Disc #2
01.
La Damnation de Faust - Troisième partie: Scène 9 - La retraite
01:09
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
02.
La Damnation de Faust - Troisième partie: Scène 9 - Air de Faust: Merci, doux crépuscule
05:52
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
03.
La Damnation de Faust - Troisième partie: Scène 10 - Méphistophélès et Faust
01:03
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
04.
La Damnation de Faust - Troisième partie: Scène 11 - Marguerite: Que l’air est étouffant
03:07
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
05.
La Damnation de Faust - Troisième partie: Scène 11 - Le roi de Thulé
05:29
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
06.
La Damnation de Faust - Troisième partie: Scène 12 - Évocation
01:52
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
07.
La Damnation de Faust - Troisième partie: Scène 12 - Menuet des follets
06:14
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
08.
La Damnation de Faust - Troisième partie: Scène 12 - Sérénade de Méphistophélès
02:19
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
09.
La Damnation de Faust - Troisième partie: Scène 13 - Final. Duo, trio et choeur
05:52
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
10.
La Damnation de Faust - Troisième partie: Scène 14 - Trio et choeur
05:45
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
11.
La Damnation de Faust - Quatrième partie: Scène 15 - Romance. Marguerite: D’amour l’ardente flamme
10:46
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
12.
La Damnation de Faust - Quatrième partie: Scène 16 - Invocation à la nature
05:13
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
13.
La Damnation de Faust - Quatrième partie: Scène 17 - Récitatif et chasse
03:42
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
14.
La Damnation de Faust - Quatrième partie: Scène 18 - La course à l’abîme
03:19
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
15.
La Damnation de Faust - Quatrième partie: Scène 19 - Pandæmonium
04:25
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
16.
La Damnation de Faust - Quatrième partie: Scène 19 - Épilogue sur la terre
01:28
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
17.
La Damnation de Faust - Quatrième partie: Scène 19 - Dans le ciel
11:40
(Hector Berlioz) Bernard Haitink, Radio Filharmonisch Orkest, Groot Omroepkoort, Thomas Quasthoff, Charlotte Margiono, Vinson Cole, Jaco Huijpen
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