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Madame d'Amours
Various composers

Musica Antiqua of London

Madame d'Amours

Price: € 19.95
Format: CD
Label: Signum Classics
UPC: 0635212004425
Catnr: SIGCD 044
Release date: 01 January 2007
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Label
Signum Classics
UPC
0635212004425
Catalogue number
SIGCD 044
Release date
01 January 2007
Album
Artist(s)
Composer(s)
EN
NL

About the album

Madame d'Amours; Songs, dances and consort music for the six wives of Henry VIII
Henry VIII is the most instantly recognisable of English kings: the heavy, square face with its fringe of beard, the massive torso, arms akimbo, feet planted firmly on the ground. His character, too, is familiar: ‘Bluff King Hal’, gorging himself at the table, flagrantly promiscuous, cynically manipulating the Church to suit his marital aims, the very archetype of chauvinism.

But scholarship reveals a very different Henry. Larger than life, certainly (six feet two inches tall, a colossal height for the time); but, as a young man, clean-shaven and with a halo of red hair, his waist was a mere 35 inches and his chest 42 inches. His table manners were refined to the point of being finicky, and the conduct of his sexual liaisons was (according to the French ambassador) almost excessively discreet.

An irresistible figure to the twentieth century early–music revival, Henry is shown by numerous hyperbolic contemporary accounts to have been an expert singer (with a clear tenor voice and able to sing at sight); a player of lute, flute, recorder, cornett and virginals; and a composer of sacred and secular music. Inventories made at the time of his death show him as an avid collector of instruments (including recorders, flutes, cornetts, viols and bagpipes). And two musical sources, one sacred (The Eton Choirbook), the other secular (The Henry VIII Ms), proved rich in music as dramatic, colourful and exotic as the king himself.

But there is more to Henry’s music than ‘Pastime with Good Company’ and the splendours of Eton’s polyphony. Henry inherited a modest musical establishment from his father, but bequeathed a large ‘Kynge’s Musicke’ to his heirs.

Henry’s queens were no mere observers of the development of music at his court. Catherine of Aragon and Anne Boleyn both owned song–books which show a strong Franco–Flemish presence in Tudor music; Anne of Cleves augmented her small band of minstrels by borrowing players from Prince Edward’s household; improper relationships with musicians were cited in the cases against both executed queens; Jane Seymour’s royal wedding was celebrated with shawms and sackbuts; and Catherine Parr danced to her own consort of viols. In chapel and chamber, whether dancing, worshipping, singing, playing or listening, music was an important counterpoint to the lives (and sometimes deaths) of all of Henry’s six wives.

This album does not set out to offer a comprehensive survey of music under Henry and his queens: rather it is a subjective selection of music from many contemporary sources inspired by, and, we hope, illustrative of six extraordinary lives.

Madame d'Amours; liederen, dansen en consort muziek voor de zes vrouwen van Henry VIII
Tijdens de wederopleving van Oude Muziek in de 20e eeuw werd Henry VIII als een belangrijk figuur gezien. Hij blijkt uit een tal van bronnen een deskundig zanger te zijn geweest. Daarnaast speelde hij luit, dwarsfluit, blokfluit, cornet en virginaal, en componeerde hij geestelijke en wereldlijke muziek. Ook blijkt uit inventarissen die gemaakt werden op het moment van zijn dood dat hij muziekinstrumenten verzamelde. Henry was meerdere keren getrouwd en ook zijn vrouwen waren niet louter waarnemers van de ontwikkeling van muziek aan het hof: Catharina van Aragon en Anne Boleyn bezaten allebei liedboeken die een sterke Frans-Vlaamse invloed tonen in Tudor muziek, Anna van Kleef versterkte haar kleine groep minstrelen door spelers te lenen uit Prince Edwards huishouden, Jane Seymours koninklijke huwelijk werd gevierd met schalmeien en trombones en Catherine Parr danste op de muziek van haar eigen groep viola spelers. In de kapel en in de kamers, of het nu om dansen, aanbidden, zingen, spelen of luisteren ging, was muziek een belangrijk deel van het leven van Henry's zes vrouwen.

Dit album biedt een selectie van muziek uit vele hedendaagse bronnen, geïnspireerd door deze zes buitengewone levens. De muziek wordt uitgevoerd door Musica Antiqua of London, een buitengewoon ensemble dat gespecialiseerd is in de uitvoering van Renaissance muziek.

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