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Der Schatzgräber
Franz Schreker

Dutch National Opera / Netherlands Philharmonic Orchestra / Marc Albrecht

Der Schatzgräber

Price: € 22.95
Format: SACD hybrid
Label: Challenge Classics
UPC: 0608917259124
Catnr: CC 72591
Release date: 15 October 2013
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Label
Challenge Classics
UPC
0608917259124
Catalogue number
CC 72591
Release date
15 October 2013

""The jury praised the artistic addition and the technical quality of the recordings""

NRC Handelsblad, 27-10-2014
Album
Artist(s)
Composer(s)
Press
EN
NL
DE
IT

About the album

Franz Schreker (1878-1934, austrian composer) was born in Monaco and grew up during travels across half of Europe and, after the early death of his father, the family moved to Vienna (1888) where in 1892, with the help of a scholarship, Schreker entered the Vienna Conservatory. Starting with violin studies, with Sigismund Bachrich and Arnold Rosé, he moved into the composition class of Robert Fuchs, graduating as a composer in 1900.

Schreker is well known for his operas and worte the libretto and composed his opera "Der Schatzgräber" after the great success of "Der ferne Klang" (1912) and "Die Gezeichneten" (1918). "Der Schatzgräber", questioning the value of materialism versus love, was to prove particularly powerful in post-War Europe. After the Frankfurt premiere in January 1920, productions popped up in major cities across the continent and Schreker became one of the most performed composers of his generation. While his biggest competition Richard Strauss and Hugo von Hofmannsthal had pursued a similar path in the overtly Wagnerian "Die Frau ohne Schatten" – which opened in Vienna on 10 October 1919 – their ‘last Romantic opera’ lacked Schreker’s allegorical punch. Strauss retreated further into Gemütlichkeit, while Schreker continued to wrestle with the dilemma of being an artist in the modern world.

Synopsis
The opera is set in legendary medieval times. The queen has lost her jewels, and with them her beauty and fertility. The fool knows about Elis, a wandering minstrel whose magic lute points out all hidden treasures to him. The king promises the fool that he will be allowed to choose a wife as a reward, if Ellis can find the jewels.

Els, daughter of the innkeeper, has to marry a brutal but rich young nobleman she despises. She therefore sends him away to find the queen's jewels, and has him murdered by Albi, her servant. The minstrel Elis presents Els with an ornament he has found in the woods. Els falls in love with the young minstrel, but then the body of the dead nobleman is found in the woods; the bailiff, who wants Els for himself, arrests Elis on suspicion of murder.

Elis is to be hanged. Els seeks the advice of the fool, who promises to help. The king's messenger stops the execution at the last moment, so Elis can go in search of the ornament. To avoid being exposed, Els orders Albi to steal the minstrel's magic lute.
During a night of love, Els shows herself to Elis in the full beauty of the jewels. She hands over the jewellery to him, on condition that he will never ask her about the provenance, and will always trust her.

Elis has returned the jewels to the queen. During a celebration, the bailiff intervenes and announces that Albi has confessed to the murder. Els is denounced as the instigator of the murder, and the bailiff demands her immediate execution. But the fool reminds the king of his promise: he chooses Els as his wife and thus saves her from being executed.

One year later, Els is dying. Only the fool has remained with her. He fetches the minstrel, who sings his most beautiful ballad for Els. She dies in the minstrel's arms.

Moderne interpretatie van een beroemde maar vergeten opera uit de vroege 20e eeuw
Dit album bevat een opname van de opera Der Schatzgräber van de Oostenrijkse componist Franz Schreker, uitgevoerd door de Nederlandse Opera en het Nederlands Filharmonisch Orkest.

Schreker is bekend van zijn opera’s, die de situatie aan de het begin van de 20e eeuw weerspiegelen. Schreker werd tijdens zijn leven succesvol door de vele uitvoeringen van zijn opera’s, zoals Der Ferne Klang (1912), Die Gezeichneten (1918) en Der Schatzgräber (1920). Hij was een van de bekendste componisten van zijn tijd. Na de Tweede Wereldoorlog werd zijn werk echter vergeten.

Schreker begon met het componeren van Der Schatzgräber in 1915, midden in de Eerste Wereldoorlog. De opera onderzoekt de waarde van materialisme tegenover de liefde, en sloot goed aan bij de situatie na de Eerste Wereldoorlog. Na de première in Frankfurt in 1920 werd het werk uitgevoerd in grote steden door heel Europa.
Live-Mitschnitt einer gelungenen Aufführung von Franz Schrekers "Die Schatzgräber" mit der Nederlandse Opera.

Im September 2012 wurde am Amsterdamer Musiektheater Franz Schrekers Oper "Die Schatzgräber" neu inszeniert. Die ambitionierte Aufführung unter dem Intendanten Pierre Audi wurde ein großer Erfolg. Dazu schrieb Joachim Lange im Online Musik Magazin:
„Marc Albrecht, diesmal am Pult des Nederlands Philharmonisch Orkest, lässt die pulsierende, Fin de Siècle-parfümierte Orchester-Klangpracht immer wieder aus der Weite des Amsterdamer Grabens aufsteigen, krönt sie mit funkelnden Bläsern und berauschenden Tutti. Wenn er sie zurücknimmt, nur um dann erneut die pure Opulenz aufleuchten zu lassen, werden die gut ausgesuchten Stimmen (vor allem die frei sopranglitzernde, manchmal deutsch, meist vokaleuropäisch klingende von Manuela Uhl als Els) zum Teil eines Klangfeuerwerkes, dessen Sog zwar ohne narrative Strenge, aber nicht ohne Pathos auskommt.“
Seconda registrazione assoluta di Der Schatzgräber – la prima, su Capriccio, risale al 1989.

Assai noto per la sua produzione operistica, Schreker redasse il libretto e compose la musica di Der Schatzgräber [Il cercatore di tesori] dopo il grande successo di Der ferne Klang [Il suono lontano] (1912) e Die Gezeichneten [I predestinati] (1918). Indagando il valore del materialismo rispetto all’Amore, Der Schatzgräber si rivelerà un’opera particolarmente sentita nell’Europa postbellica. Dopo il debutto a Francoforte, nel gennaio 1920, le rappresentazioni proliferarono nelle maggiori metropoli europee e Schreker divenne uno dei più importanti compositori della sua generazione. Anche se già i colleghi Richard Strauss e Hugo von Hofmannsthal avevano perseguito una strada simile nell’opera scopertamente wagneriana Die Frau ohne Schatten [La donna senz’ombra] – andata in scena a Vienna il 10 ottobre 1919 –, la loro ‘ultima opera romantica’ non aveva la forza allegorica di Schreker. Strauss si ritirò ulteriormente nella Gemütlichkeit [comodità], mentre Schreker continuerà a lottare con il dilemma di essere un artista della modernità.

Artist(s)

Netherlands Philharmonic Orchestra

The Netherlands Philharmonic Orchestra (NedPhO) is among the best orchestras in the country. The NedPhO and the associated Netherlands Chamber Orchestra (NKO) are the regular accompanying partners of De Nederlandse Opera (DNO) in the Muziektheater. Alongside this, both orchestras provide versatile concert programs in the Amsterdam Concertgebouw and are welcome guests in other Dutch concert halls and in halls and festivals abroad. Typical of the NedPhO | NKO are their inviting programming and welcoming presentation. With their enthusiasm and passion for the music, the musicians provide a special listening experience. With the extensive NedPho GO! education and outreach program, NedPhO | NKO make classical music accessible for everyone.   Under its former chief conductor Hartmut Haenchen, NedPhO had great success with the...
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The Netherlands Philharmonic Orchestra (NedPhO) is among the best orchestras in the country. The NedPhO and the associated Netherlands Chamber Orchestra (NKO) are the regular accompanying partners of De Nederlandse Opera (DNO) in the Muziektheater. Alongside this, both orchestras provide versatile concert programs in the Amsterdam Concertgebouw and are welcome guests in other Dutch concert halls and in halls and festivals abroad. Typical of the NedPhO | NKO are their inviting programming and welcoming presentation. With their enthusiasm and passion for the music, the musicians provide a special listening experience. With the extensive NedPho GO! education and outreach program, NedPhO | NKO make classical music accessible for everyone. Under its former chief conductor Hartmut Haenchen, NedPhO had great success with the performance of the complete Der Ring des Nibelungen (DNO, also on CD). Over the years, the orchestra has performed all the great operas by Wagner and Richard Strauss. The successful performance of Die Frau ohne Schatten led to the appointment of Marc Albrecht as chief conductor of DNO and NedPhO | NKO. In 2011 and 2012 Albrecht conducted the operas Orest and Der Schatzgräber with the NedPhO and once again received praising reviews. Next to the opera productions with DNO, Albrecht will regularly appear in the coming season with the Netherlands Philharmonic Orchestra in the Amsterdam Concertgebouw.

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Dutch National Opera

De Nationale Opera (DNO) is the Netherlands’ largest opera company and is based in the Nationale Opera & Ballet in Amsterdam (formerly known as The Amsterdam Music Theatre). DNO has grown into one of Europe’s most prominent and progressive opera companies. Until February 17, 2014 the company operated under the name De Nederlandse Opera. To start at 2013 Els van der Plas is the general director of De Nederlandse Opera, Dutch National Ballet and the music theatre. In 1998 Pierre Audi became artistic director of the company, who formed a successful team together with administrative director Truze Lodder. Since January 1, 2013, Audi is director of De Nationale Opera. In September 2018 he will be succeeded by Sophie de Lint. DNO produces...
more
De Nationale Opera (DNO) is the Netherlands’ largest opera company and is based in the Nationale Opera & Ballet in Amsterdam (formerly known as The Amsterdam Music Theatre). DNO has grown into one of Europe’s most prominent and progressive opera companies. Until February 17, 2014 the company operated under the name De Nederlandse Opera. To start at 2013 Els van der Plas is the general director of De Nederlandse Opera, Dutch National Ballet and the music theatre.
In 1998 Pierre Audi became artistic director of the company, who formed a successful team together with administrative director Truze Lodder. Since January 1, 2013, Audi is director of De Nationale Opera. In September 2018 he will be succeeded by Sophie de Lint.
DNO produces music theatre productions at the highest international level, with a clear focus on artistic quality, diversity and innovation. The sixty member Koor van De Nederlandse Opera contributes significantly to this success.
Examples of DNO’s audacious programming include the first Dutch staging of Wagner’s Der Ring des Nibelungen and the operas of Claudio Monteverdi. The majority of the performances are given in The Amsterdam Music Theatre, but operas are occasionally staged in other venues, including the Stadsschouwburg Amsterdam, Koninklijk Theater Carré, on the grounds of the Westergasfabriek and in the Muziekgebouw aan ‘t IJ.
DNO typically realizes eleven opera productions each season, with an average attendance of 96% capacity. In order to reach a wider audience, most productions are broadcast live on radio and several productions per year are televised. DNO also regularly organizes supplemental activities at other venues and via new media. In addition, many of DNO’s opera productions have been issued on DVD.
DNO performs regularly in opera houses and on festivals abroad. For instance, the company was a guest at the Brooklyn Academy of Music, on the Lincoln Festival in New York, the Adelaide Festival in Australia, the Salzburger Festspiele and in Luxembourg, Tokio and Valencia as well.

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Chorus of Dutch National Opera

The Chorus of De Nederlandse Opera currently has 60 members. The chorus performs both mainstream repertoire and works of contemporary composers, and has collaborated on a number of world premières. The chorus of DNO gained international acclaim in Amsterdam and Salzburg for its role in Schönberg’s Moses und Aron conducted by Pierre Boulez. The Friends of De Nederlandse Opera awarded the chorus with the 1996 Prix d’Amis in recognition of this achievement. The DNO productions The Bassarids, Lady Macbeth of Mtsensk, Castor et Pollux, Ercole amante, Saint François d’Assise, Boris Godunov and Carmen were significant milestones in past seasons. In 2008 the chorus performed the concertante version of Saint François d’Assise at the BBC Proms (Royal Albert Hall). Lately the...
more
The Chorus of De Nederlandse Opera currently has 60 members. The chorus performs both mainstream repertoire and works of contemporary composers, and has collaborated on a number of world premières. The chorus of DNO gained international acclaim in Amsterdam and Salzburg for its role in Schönberg’s Moses und Aron conducted by Pierre Boulez. The Friends of De Nederlandse Opera awarded the chorus with the 1996 Prix d’Amis in recognition of this achievement. The DNO productions The Bassarids, Lady Macbeth of Mtsensk, Castor et Pollux, Ercole amante, Saint François d’Assise, Boris Godunov and Carmen were significant milestones in past seasons. In 2008 the chorus performed the concertante version of Saint François d’Assise at the BBC Proms (Royal Albert Hall). Lately the chorus has given outstanding performances in La Juive, Les Troyens, Turandot, Les vêpres siciliennes, Platée, Legende, Yevgeny Onyegin, Iphigénie en Aulide/Iphigénie en Tauride, Don Carlo and Parsifal. It received plaudits both at home and abroad for its impressive performance in The Legend of the Invisible City of Kitezh and the Maiden Fevronia and most recently in Guillaume Tell (prepared by Eberhard Friedrich). The chorus ended its association with artistic director Martin Wright in the 2011-2012 season and has been working with various guest conductors during the 2012-2013 season.

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Marc Albrecht (conductor)

Marc Albrecht, chief conductor of De Nederlandse Opera and the Netherlands Philharmonic Orchestra, is highly regarded for his interpretations of works by Wagner and Richard Strauss, as well as contemporary works. He has been a guest conductor with the Berlin Philharmonic, the Munich Philharmonic, the Royal Concertgebouw Orchestra, the City of Birmingham Orchestra, the Chamber Orchestra of Europe and the orchestras of Rome (Santa Cecilia), Dresden and Lyons. He has led operas including Der fliegende Holländer (Bayreuther Festspiele, 2003-2006), Die Bacchantinnen (Salzburger Festspiele, 2005) and From the House of the Dead (Opéra national de Paris, 2005). From 2001 to 2004 he was principal guest conductor at the Deutsche Oper Berlin, where his engagements included a highly acclaimed performance of Messiaen’s Saint...
more
Marc Albrecht, chief conductor of De Nederlandse Opera and the Netherlands Philharmonic Orchestra, is highly regarded for his interpretations of works by Wagner and Richard Strauss, as well as contemporary works.
He has been a guest conductor with the Berlin Philharmonic, the Munich Philharmonic, the Royal Concertgebouw Orchestra, the City of Birmingham Orchestra, the Chamber Orchestra of Europe and the orchestras of Rome (Santa Cecilia), Dresden and Lyons. He has led operas including Der fliegende Holländer (Bayreuther Festspiele, 2003-2006), Die Bacchantinnen (Salzburger Festspiele, 2005) and From the House of the Dead (Opéra national de Paris, 2005). From 2001 to 2004 he was principal guest conductor at the Deutsche Oper Berlin, where his engagements included a highly acclaimed performance of Messiaen’s Saint François d’Assise. He was artistic director and chief conductor of the Orchestre Philharmonique de Strasbourg from 2006 to 2011. He also enjoys a close association with the Semperoper Dresden, where he led the productions of Die Frau ohne Schatten and La damnation de Faust in 2007. Recent conducting engagements include The Bassarids (Bayerische Staatsoper München), Der fliegende Holländer (ROH Covent Garden), Der Prinz von Homburg (Theater an der Wien), Lulu with the Wiener Philharmoniker (Salzburg), Elektra, Orest and The Legend of the Invisible City of Kitezh and the Maiden Fevronia (DNO) and his debut at La Scala with Die Frau ohne Schatten.

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Composer(s)

Press

"The jury praised the artistic addition and the technical quality of the recordings"
NRC Handelsblad, 27-10-2014

The recorded sound is remarkably fine and Marc Albrecht conducts a vibrant, vividly-played account of the score.
Opera, 01-5-2014

Musically excellent on all levels, this production is flawless also in the presentation, with a smart introduction, beautiful color photos and the entire libretto.
Pizzicato, 11-4-2014

The Netherlands Philharmonic Orchestra make the most of the brief passages of purely orchestral writing and the practised hand of Marc Albrecht ensures as strong of sense of forward movign as this kind of harmonic idiom permits. 
Gramophone, 05-3-2014

a dreamteam in sensualism and temperament
Rondo, 01-3-2014

Performance ***** ​Recording ***** The main plaudits must go to Marc Albrecht and the Netherlands Philharmonic.
BBC Music Magazine, 01-3-2014

Der Schatzgräber finds its preliminary climax in this impressive DNO recording and exceeds the Capriccio recording from 1989
Luister, 03-2-2014

The live-recording of this hit from 1920 is impressive, because Marc Albrecht's conducting is giving Schreker's musical language of heated appealing-harmonic and pseudo-archaic-late-romanticism enough room and is sensual despite its structual clarity.
hifi&records, 01-2-2014

"If you are a fan of opera on record from any period this is a treat, but if you love your music-dramas exciting, moving and Romantic with a big-boned ‘R’ then this is one you will want to keep close to your SACD sound reproduction unit for a long time to come"
www.musicweb-international.com, 23-1-2014

Albrecht conducts with clarity and impreccable taste.
Financial Times, 04-1-2014

subtle conducting
Das Opernglas, 01-1-2014

There's lightning and glisten, glow and die-aways, cutting and nestleing, it's a pleasure and you ask yourself seriously, why this composition is so seldom heard.  
Opernwelt, 01-1-2014

(...) this is one of those operas and recordings which "has it all", from drama and sublime beauty of the music to the glorious performance and sumptuous recording.
Music Web International, 01-1-2014

"A true jewel is the realized sound of this recording by producer Lodewijk Collette, which is recorded excellent by Challenge on CD. The simple but well-prepared presentation (with a Dutch explanation) is an aesthetic pleasure"
www.opusklassiek.nl, 03-11-2013

"One year ago, Der Schatzgräber from Franz Schreker at the Dutch Opera was musically a hit"
www.operamagazine.nl, 23-10-2013

Play album Play album
Disc #1
01.
Der Schatzgräber, Vorspiel: Was sagst du dazu?
05:03
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Tijl Faveyts, Graham Clark
02.
Der Schatzgräber, Vorspiel: So hört, Herr König
04:13
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Tijl Faveyts, Graham Clark
03.
Der Schatzgräber, Erster Aufzug: Lass mich!
03:28
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Mattijs van de Woerd, Manuela Uhl
04.
Der Schatzgräber, Erster Aufzug: Ah! Ah!
02:03
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Manuela Uhl
05.
Der Schatzgräber, Erster Aufzug: Soll ich?
01:35
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Manuela Uhl, Gordon Gietz
06.
Der Schatzgräber, Erster Aufzug: Mein Kind, Els?
02:52
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Andrew Greenan, Manuela Uhl
07.
Der Schatzgräber, Erster Aufzug: Halloh, halloh!
04:27
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Alasdair Elliott, Kurt Gysen, Kay Stiefermann, Andrew Greenan, Manuela Uhl, Peter Arink
08.
Der Schatzgräber, Erster Aufzug: Schön’ Abend
01:32
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Alasdair Elliott, Kurt Gysen, Kay Stiefermann, Raymond Very, Andrew Greenan, Manuela Uhl, Peter Arink
09.
Der Schatzgräber, Erster Aufzug: So hört meinen Sang
05:30
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Alasdair Elliott, Kay Stiefermann, Raymond Very, Andrew Greenan, Manuela Uhl
10.
Der Schatzgräber, Erster Aufzug: Kommt, kommt!
04:46
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Alasdair Elliott, Kurt Gysen, Kay Stiefermann, Gordon Gietz, Chorus of De Nederlandse Opera, Raymond Very, Manuela Uhl
11.
Der Schatzgräber, Erster Aufzug: Els! Els!
02:36
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Kay Stiefermann, Raymond Very, Andrew Greenan, Manuela Uhl
12.
Der Schatzgräber, Erster Aufzug: Das werdet Ihr nicht tun!
02:25
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Kay Stiefermann, Manuela Uhl
13.
Der Schatzgräber, Zweiter Aufzug: Ziemlich langsam
02:01
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam
14.
Der Schatzgräber, Zweiter Aufzug: Ein ödes Nest!
08:00
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Graham Clark, Manuela Uhl
15.
Der Schatzgräber, Zweiter Aufzug: Tibi soli peccavi
01:56
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Kay Stiefermann, Manuela Uhl, Chorus of De Nederlandse Opera
16.
Der Schatzgräber, Zweiter Aufzug: Elis! - Mutter!
01:53
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Raymond Very, Manuela Uhl
17.
Der Schatzgräber, Zweiter Aufzug: Genug! Macht ein Ende!
01:14
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Kay Stiefermann, Chorus of De Nederlandse Opera, Cato Fordham, Richard Meijer, Inez Hafkamp, Hiroko Mogaki
18.
Der Schatzgräber, Zweiter Aufzug: Wie ich lebte, so lasst mich sterben
03:23
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Kay Stiefermann, Raymond Very, Manuela Uhl, Chorus of De Nederlandse Opera
19.
Der Schatzgräber, Zweiter Aufzug: Er ist von Sinnen!
01:29
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Kay Stiefermann, Raymond Very, Manuela Uhl, Chorus of De Nederlandse Opera, Marieke Reuten, Inez Hafkamp, Hiroko Mogaki
20.
Der Schatzgräber, Zweiter Aufzug: Lasst ab von dem
05:14
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Kay Stiefermann, Raymond Very, Manuela Uhl, Chorus of De Nederlandse Opera, André Morsch, Cato Fordham, Richard Meijer
21.
Der Schatzgräber, Zweiter Aufzug: Er kommt, er kommt morgen
02:05
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Manuela Uhl
22.
Der Schatzgräber, Zweiter Aufzug: Els! Els!
03:57
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Manuela Uhl, Gordon Gietz

Disc #2
01.
Der Schatzgräber, Dritter Aufzug: Klein war ich noch
03:57
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Manuela Uhl
02.
Der Schatzgräber, Dritter Aufzug: Els! - Elis, endlich
07:41
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Raymond Very, Manuela Uhl
03.
Der Schatzgräber, Dritter Aufzug: Rubato - Ziemlich langsam
01:15
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam
04.
Der Schatzgräber, Dritter Aufzug: Geheimnisvoll kündet die Nacht sich an
03:15
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Raymond Very, Chorus of De Nederlandse Opera
05.
Der Schatzgräber, Dritter Aufzug: Kein Grauen, Freund!
02:53
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Raymond Very, Manuela Uhl
06.
Der Schatzgräber, Dritter Aufzug: Ich bin kein Schemen
02:52
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Raymond Very, Manuela Uhl
07.
Der Schatzgräber, Dritter Aufzug: In sanfter ruhiger Bewegung - Mehr und mehr gesteigert
03:50
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam
08.
Der Schatzgräber, Dritter Aufzug: Du sollst mich nie fragen
01:11
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Raymond Very, Manuela Uhl, Chorus of De Nederlandse Opera
09.
Der Schatzgräber, Dritter Aufzug: In fortwährender Steigerung
05:51
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam
10.
Der Schatzgräber, Dritter Aufzug: Was soll das?
05:17
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Raymond Very, Manuela Uhl
11.
Der Schatzgräber, Vierter Aufzug: Allegro con spirito
01:04
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam
12.
Der Schatzgräber, Vierter Aufzug: Nun, Narr, du hast es gelöst!
05:43
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Tijl Faveyts, Alasdair Elliott, André Morsch, Kurt Gysen, Graham Clark, Raymond Very, Chorus of De Nederlandse Opera
13.
Der Schatzgräber, Vierter Aufzug: Wenn Majestät geruh’n zu erlauben
02:55
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Tijl Faveyts, Alasdair Elliott, Raymond Very, Chorus of De Nederlandse Opera
14.
Der Schatzgräber, Vierter Aufzug: Am Ilsenstein in uralter Zeit
06:19
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Tijl Faveyts, Alasdair Elliott, Raymond Very
15.
Der Schatzgräber, Vierter Aufzug: Wie seid Ihr töricht
01:24
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Tijl Faveyts, Alasdair Elliott, André Morsch, Raymond Very, Chorus of De Nederlandse Opera
16.
Der Schatzgräber, Vierter Aufzug: Halt, o König!
02:58
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Tijl Faveyts, Kay Stiefermann
17.
Der Schatzgräber, Vierter Aufzug: Ah! Hört auf!
01:00
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Tijl Faveyts, Manuela Uhl, Chorus of De Nederlandse Opera
18.
Der Schatzgräber, Vierter Aufzug: Ha, ha! Herr König
02:46
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Tijl Faveyts, Alasdair Elliott, Kurt Gysen, Graham Clark
19.
Der Schatzgräber, Vierter Aufzug: Dank, Dank, Herr König
02:18
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Graham Clark, Raymond Very, Manuela Uhl
20.
Der Schatzgräber, Vierter Aufzug: Komm, komm, mein Bräutchen
01:29
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Graham Clark
21.
Der Schatzgräber, Nachspiel: Sehr getragen
01:10
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam
22.
Der Schatzgräber, Nachspiel: Dank, dass Ihr kamt!
02:53
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Graham Clark, Raymond Very
23.
Der Schatzgräber, Nachspiel: Els! - Wer ist da?
04:05
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Manuela Uhl, Raymond Very
24.
Der Schatzgräber, Nachspiel: Du legst dein Köpfchen jetzt sanft zur Seit’
04:01
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Raymond Very
25.
Der Schatzgräber, Nachspiel: Amen, so sei’s!
01:13
(Franz Schreker) Netherlands Philharmonic Orchestra Amsterdam, Graham Clark
show all tracks

Often bought together with..

Ludwig van Beethoven
Complete Piano Trios vol. 4
Van Baerle Trio
Robert Schumann, Richard Wagner
Dichterliebe Op. 48 / Lenau-Lieder und Requiem Op. 90 / Wesendonck Lieder
Christoph Prégardien / Michael Gees
Karl Amadeus Hartmann
Symphonies Nos. 1-8
Netherlands Radio Philharmonic Orchestra & Netherlands Radio Chamber Philharmonic
Various composers
Afscheid van een springlevend orkest
Radio Kamer Filharmonie
Richard Strauss
Elektra (Live 2011)
Dutch National Opera / Netherlands Philharmonic Orchestra / Marc Albrecht

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