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Universe of Sound - The Planets (Blu-ray)
Gustav Holst, Joby Talbot

Philharmonia Orchestra

Universe of Sound - The Planets (Blu-ray)

Price: € 28.95
Format: BluRay video
Label: Signum Classics
UPC: 0635212000106
Catnr: SIGBRD 001
Release date: 15 May 2013
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Label
Signum Classics
UPC
0635212000106
Catalogue number
SIGBRD 001
Release date
15 May 2013
Album
Artist(s)
Composer(s)
EN

About the album

Esa-Pekka Salonen leads the Philharmonia Orchestra in a unique performance of Holst's The Planets Suite, captured in High Definition by 37 cameras. This immersive experience takes the viewer to the heart of the Philharmonia as they perform this well-loved piece, using cameras placed in a multitude of positions and angles to create an extraordinary glimpse of the orchestra at work from within. As well as Holst's The Planets, the filmed performance also includes a new commission by UK composer Joby Talbot, Worlds, Stars, Systems, Infinity.

Additional features include a 'Making of' documentary feature, listening guide films for each planet, audio commentaries from conductor Esa-Pekka Salonen and principal players of the Philharmonia, and a bonus view option that allows a simultaneous view of the conductor and orchestra in action. The Philharmonia Orchestra is committed to bringing classical music to new audiences in creative and exciting ways, and to this end has become a technological trailblazer in its adoption and adaptation of new technology. In 2010 the Re-Rite project allowed members of the public to experience Stravinsky's Rite of Spring for the first time from within the orchestra through audio/visual projections. Their 'Universe of Sound' project from which this release stems debuted at the Science Museum in London last year, and is set to tour the country in new installations during 2013.

Artist(s)

Philharmonia Orchestra

The Philharmonia was founded in 1945 by EMI producer Walter Legge, originally as a recording orchestra for the growing home audio market. We have worked with a who’s who of 20th- and 21st-century music. Herbert von Karajan, Otto Klemperer, Wilhelm Furtwängler, Arturo Toscanini and Riccardo Muti are just a few of the great artists to be associated with the Orchestra, and we have premiered works by Richard Strauss, Sir Peter Maxwell Davies, Errollyn Wallen, Kaija Saariaho and many others. We have always pioneered the use of technology to reach broader audiences for orchestral music. During the Coronavirus pandemic, we continued to create outstanding performances designed to experience online. We played for lifelong fans and first-time listeners in Brazil, Sudan, Indonesia, India,...
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The Philharmonia was founded in 1945 by EMI producer Walter Legge, originally as a recording orchestra for the growing home audio market. We have worked with a who’s who of 20th- and 21st-century music. Herbert von Karajan, Otto Klemperer, Wilhelm Furtwängler, Arturo Toscanini and Riccardo Muti are just a few of the great artists to be associated with the Orchestra, and we have premiered works by Richard Strauss, Sir Peter Maxwell Davies, Errollyn Wallen, Kaija Saariaho and many others. We have always pioneered the use of technology to reach broader audiences for orchestral music. During the Coronavirus pandemic, we continued to create outstanding performances designed to experience online. We played for lifelong fans and first-time listeners in Brazil, Sudan, Indonesia, India, and high above the Arctic Circle in Norway.

Southbank Centre’s Royal Festival Hall, in the heart of London, has been our home since 1995. We also have residencies at venues and festivals across England: Bedford Corn Exchange, De Montfort Hall in Leicester, The Marlowe in Canterbury, Anvil Arts in Basingstoke, the Three Choirs Festival in the West of England, and Garsington Opera. Central to all our residencies is a Learning & Engagement programme that empowers people to engage with, and participate in, orchestral music.

The Philharmonia is a registered charity. We rely on income from a wide range of sources to deliver our programme. We are proud to be supported by Arts Council England, and grateful for the generosity of the many individuals who make up our supporter family, as well as the Trusts and Foundations who underpin our work. In the US, the Orchestra’s American Patrons generously support the Philharmonia Foundation, a US-registered 501(c)(3) non-profit organisation.


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Eska-Pekka Salonen (conductor)

Composer(s)

Gustav Holst

Gustav Holst is a composer nobody seems to know, evne though everyone knows The Planets. This lack of relative fame is a mystery, because the quality of his works for choir and orchestra (including some amazing works for brass orchestra) is often high. Perhaps this can be explained by his aversion to public appearance. After the succes of The Planets he focused on more introvert topics, which resulted among others in his beautiful Hymn of Jesus from 1917. This is typically a work which upon first listening makes you wonder why it's not better known (even though allegedly the work was quite succesful during its own time).  There is, however, also something up with the continuity of Holst as a composer, as if technical challenges stimulated...
more
Gustav Holst is a composer nobody seems to know, evne though everyone knows The Planets. This lack of relative fame is a mystery, because the quality of his works for choir and orchestra (including some amazing works for brass orchestra) is often high. Perhaps this can be explained by his aversion to public appearance. After the succes of The Planets he focused on more introvert topics, which resulted among others in his beautiful Hymn of Jesus from 1917. This is typically a work which upon first listening makes you wonder why it's not better known (even though allegedly the work was quite succesful during its own time). There is, however, also something up with the continuity of Holst as a composer, as if technical challenges stimulated him more than creating a consistent style. Grove music Online quoted Holst's daughter Imogen regarding this remarkable phenomenon: 'As soon as he made his point, he stopped'.
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Press

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