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Piano Concertos (Chamber versions)

Anne-Marie McDermott

Piano Concertos (Chamber versions)

Format: CD
Label: Bridge
UPC: 0090404940323
Catnr: BRIDG 9403
Release date: 10 January 2014
1 CD
 
Label
Bridge
UPC
0090404940323
Catalogue number
BRIDG 9403
Release date
10 January 2014
Album
Artist(s)
Composer(s)
EN
DE

About the album

The brilliant American pianist, Anne-Marie McDermott is joined by the Calder Quartet in rarely heard recordings of the chamber versions of three Mozart concertos. Writing to his father in Salzburg on 28 December 1782, Mozart explained that ‘These concertos are a happy medium between what is too easy and too difficult; they are very brilliant, pleasing to the ear, and natural without being vapid. There are passages here and there from which the connoisseurs alone can derive satisfaction; but these passages are written in such a way that the less learned cannot fail to be pleased, though without knowing why.’ On 15 January Mozart solicited subscriptions in the Wiener Zeitung for three concertos (Nos. 11-13), describing them as being with with optional wind parts, to allow performance with the accompaniment of only a string quartet. And so they are heard here.
Mozart Klavierkonzerte in der von ihm persönlich autorisierten kammermusikalischen Besetzung.

Wolfgang Amadeus Mozart selber beschreibt seine 1782 komponierten Klavierkonzerte als brillante, leicht eingängige Stücke, die nicht zu schwer und nicht zu leicht seien und sowohl dem Laien als auch dem Kenner Freude bereiten. Im Januar 1763 bietet Mozart die Konzerte zur Subskription an mit der Erlaubnis, diese Werke nur mit Klavier und Streichquartett aufführen zu dürfen.
Die virtuose amerikanische Pianistien Anne-Marie McDermott hat jetzt genau dies umgesetzt und spielt Mozarts Konzerte Nr. 11-13 in dieser kammermusikalischen Fassung gemeinsam mit dem Calder Quartett.

Artist(s)

Anne-Marie McDermott (piano)

In a career that has spanned over 25 years, American pianist Anne-Marie McDermott has played concertos, recitals and chamber music in hundreds of cities throughout the United States, Europe and Asia. The breadth of her repertoire matches that of her instrument, spanning from Bach, Haydn and Beethoven to Rachmaninoff, Prokoviev and Scriabin to works by today’s most influential composers -- Aaron Jay Kernis, Steven Hartke, Joan Tower and Charles Wuorinen, among them. As an Artistic Director, Ms. McDermott leads the Ocean Reef Chamber Music Festival in Florida and the Avila Chamber Music Celebration in Curacao. Beginning with the 2011 season, she is also the Artistic Director of the Vail Valley Music Festival in Colorado. Anne-Marie has been an Artist Member of The Chamber...
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In a career that has spanned over 25 years, American pianist Anne-Marie McDermott has played concertos, recitals and chamber music in hundreds of cities throughout the United States, Europe and Asia. The breadth of her repertoire matches that of her instrument, spanning from Bach, Haydn and Beethoven to Rachmaninoff, Prokoviev and Scriabin to works by today’s most influential composers -- Aaron Jay Kernis, Steven Hartke, Joan Tower and Charles Wuorinen, among them. As an Artistic Director, Ms. McDermott leads the Ocean Reef Chamber Music Festival in Florida and the Avila Chamber Music Celebration in Curacao.
Beginning with the 2011 season, she is also the Artistic Director of the Vail Valley Music Festival in Colorado. Anne-Marie has been an Artist Member of The Chamber Music Society of Lincoln Center since 1995. Ms. McDermott’s passions have recently coalesced in several important projects that are indicative both of her popularity and the range of her musical interests: the presentation of The Complete Prokoviev Piano Sonatas and Chamber Music as part of the Lincoln Center Festival; The Chamber Music of Shostakovich at the Chamber Music Society of Lincoln Center ; the premiere of Charles Wuorinen’s Piano Sonata No. 6; and the performance and recording of Gershwin’s Complete Works for Piano and Orchestra with the Dallas Symphony (2008, Bridge Records). The latter was named Editor’s Choice by Gramophone.
About her critically acclaimed recording of the Complete Prokoviev Piano Sonatas (2009, Bridge Records), Gramophone wrote “we have waited a long time for an American pianist of this stature.”
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Composer(s)

Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart, whose actual name is Joannes Chrysotomus Wolfgangus Theophilus Mozart, was a composer, pianist, violinist and conductor from the classical period, born in Salzburg. Mozart was a child prodigy. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. Along with Johann Sebastian Bach and Ludwig van Beethoven, Mozart is considered to be one of the most influential composers of all of music's history. Within the classical tradition, he was able to develop new musical concepts which left an everlasting impression on all the composers that came after him. Together with Joseph Haydn and Ludwig van Beethoven he is part of the First Viennese School.  At 17, Mozart was engaged as...
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Wolfgang Amadeus Mozart, whose actual name is Joannes Chrysotomus Wolfgangus Theophilus Mozart, was a composer, pianist, violinist and conductor from the classical period, born in Salzburg. Mozart was a child prodigy. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. Along with Johann Sebastian Bach and Ludwig van Beethoven, Mozart is considered to be one of the most influential composers of all of music's history. Within the classical tradition, he was able to develop new musical concepts which left an everlasting impression on all the composers that came after him. Together with Joseph Haydn and Ludwig van Beethoven he is part of the First Viennese School. At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. From 1763 he traveled with his family through all of Europe for three years and from 1769 he traveled to Italy and France with his father Leopold after which he took residence in Paris. On July 3rd, 1778, his mother passed away and after a short stay in Munich with the Weber family, his father urged him to return to Salzburg, where he was once again hired by the Bishop. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death.


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