×

10% discount on your next order!

Subscribe to our newsletter and receive a personal discount code for 10% discount on a album of your choice! After subscribing, you will receive the code in your email. This code is only valid for 10 days!




The code is valid one time and valid for a 10 days after receiving the promotioncode. Your emailaddress will only be used by Challenge Records International and will not be given to 3rd party advertisers. If you have any questions please contact us.
Cover
Charles Ives/Martin Perry/Gordon Binkerd

Martin Perry

Martin Perry performs Binkerd & Ives

  • Type CD
  • Label Bridge
  • UPC 0090404939020
  • Catalog number BRIDG 9390
  • Release date 04 September 2013
Physical (CD)

€ 19.95
Add to cart
Product is on stock
Digital

Get the album digitally

High resolution download Spirit of Turtle iTunes

About the album

The featured music on this recording is the first recorded performance of Ives’s Concord Sonata in the final edition made by John Kirkpatrick, the legendary pianist who gave the New York premiere of the sonata in 1939. Although the concert was the culmination of an extended period of study for Kirkpatrick, it was only the beginning of his life-long involvement with the Concord Sonata as both a performer and an editor. Over the decades Kirkpatrick made at least five separate editorial efforts at the work. There is a lost edition from the 1930s; an abandoned effort to help Ives with the second edition in the early 1940s; one he prepared in 1953; a retouched copy of the second edition, and a final edition, carried out in the 1980s, a culmination of a life’s contemplation of Ives’s labyrinthine sonata. This recording by Martin Perry marks the first time that Kirkpatrick’s final edition has been commercially released. Kirkpatrick’s take on the sonata by the 1980s went far beyond what many would expect from an edition: Ives’s thick dissonances have been replaced at points with pure octave and fifths, and the meter of the work has been meticulously notated by Kirkpatrick. In a speech he gave on the occasion of his eightieth birthday Kirkpatrick concluded by saying that he found that Ives’s music had arrived at a “strange stopping place” because of his “failure to grant his masterpieces certain rights of their own.” Although, strictly speaking, all of the notes in this edition are Ives’s, drawing from more than 15 copies of the work which Ives had marked up, Kirkpatrick’s own editorial hand guides the Sonata towards a sound that is decidedly romantic compared to Ives’s often harsh modernist sound.

  • 1
    1
    Essays for the Piano: IV. Lightly, Like Music running
     
    06:04
  • 1
    2
    Essays for the Piano: V. She to Him
     
    05:57
  • 1
    3
    Essays for the Piano: VI. Shut Out that Moon
     
    04:58
  • 1
    4
    Second Piano Sonata, “Concord, Mass., 1840-1860”: I. Emerson
     
    16:13
  • 1
    5
    Second Piano Sonata, “Concord, Mass., 1840-1860”: II. Hawthorne
     
    12:36
  • 1
    6
    Second Piano Sonata, “Concord, Mass., 1840-1860”: III. The Alcotts
     
    06:11
  • 1
    7
    Second Piano Sonata, “Concord, Mass., 1840-1860”: IV. Thoreau
     
    11:31

Add a comment


We need to make sure that you are really an human, please enter the code below.

code