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Tango Nuevo

Aurelia Saxophone Quartet

Tango Nuevo

Format: CD
Label: Challenge Classics
UPC: 0608917200423
Catnr: CC 72004
Release date: 01 January 1994
1 CD
 
Label
Challenge Classics
UPC
0608917200423
Catalogue number
CC 72004
Release date
01 January 1994
Album
Artist(s)
Composer(s)
EN
NL

About the album

On this album the Aurelia Saxophone Quartet, Gustavo Toker and Juan Pablo Dobal play works by Astor Piazzolla.

Astor Piazzolla was the leader of the "Tango Nuevo" (New Tango) movement. His father was Vicente Piazzolla and his mother was Asunta Manetti Piazzolla, both of wholly Italian descent. His daughter, Diana, gave Astor's parents the traditional Italian names for Grandpa and Grandma -- Nonino and Nonina.

One of Piazzolla's jobs was as music director to the dance team of Juan Carlos Copes and Maria Nieves, which included a trip to San Juan, Puerto Rico in October 1960, to appear in the Club Flamboyan. There, on the last night of the engagement, he received a telegram. Nonino had been injured in a fall from his bicycle and, due to complications, was in critical condition. When he called Argentina, his cousin informed him that Nonino had died just after noon that day. "It was the only time I ever saw cry," remembered Copes. Once home, Piazzolla asked to be left alone for a while. The emotions now caught up with him. His wife, Dedé, heard only sighs for a while. Then the sound of her husband playing a bright little tune he had written some time earlier, called Nonino. Then a pause, and then, amid continued sighs and the sound of crying came a new tune, a soul-haunting melody. It was the composer's way of saying farewell to his father -- Adios, Nonino. It became Piazzolla's most famous piece. "Perhaps I was surrounded by angels," he said 20 years later. "I was able to write the finest tune I have written. I don't know if I shall ever do better. I doubt it." He performed well over a thousand times, making 20 different arrangements of it.

His father's death impelled him to go back to Argentina to try his new tango there again with the lessons he had assimilated in America. Lacking the money for four fares for the family, he phoned his publisher in Paris, offering to renegotiate his contract for an advance, which he was granted. Gratefully, Piazzolla immediately sent the publisher Adios, Nonino, an act that benefited them both as it became what Piazzolla's biographers Maria Susana Azzi and Simon Collier called "the jewel in the crown of the Piazzolla list at Éditions Universelles."

For years, Piazzolla refused any efforts to set words to Adios, Nonino, but in the 1980s that talented singer Eladia Blásquez played him a tape in which she had sung lyrics she wrote for it: "Adiós Nonino...qué largo sin vos será el camino..." it began, "Farewell, Nonino...how long the road will be without you...." His eyes slightly misty, he nodded his assent.
De Nieuwe Tango
Op dit album speelt het Aurelia Saxofoonkwartet samen met Gustavo Toker en Juan Pablo Dobal de werken van Argentijnse tangocomponist Astor Piazzola. Piazzola was de leider van de “Tango Nuevo” (Nieuwe Tango) beweging, waarbij de traditionele tangomuziek wordt gecombineerd met elementen uit de jazz en klassieke muziek. Het resultaat is een rijke mix aan klanken en emoties die zowel dansbaar als heel ontroerend is.

Het Aurelia Saxofoon Kwartet werd in 1982 opgericht in Rome door vier jonge Nederlanders. Sindsdien heeft het kwartet getoerd over de hele wereld, meer dan 10 cd’s opgenomen, ongeveer honderd stukken (aan het kwartet opgedragen) in première gebracht en samengewerkt met kunstenaars uit verschillende vakgebieden. Het Aurelia is een inspiratiebron voor jonge musici over de gehele wereld. Ze spelen samen met de Argentijnse musici Gustavo Toker en Juan Pablo Dobal die de tango als geen ander kennen. Deze twee musici hebben het Aurelia Saxefoon Kwartet geleerd om dezelfde intense emotie uit hun instrument te halen, en de muziek van Piazzola echt tot zijn recht te laten komen.

Artist(s)

Aurelia Saxophone Quartet

The hot Italian summer of 1982; four young Dutch saxophonists rehearsing in Via Aurelia in Rome; the beginning of a sensational, pioneering chamber-music ensemble: the Aurelia Saxophone Quartet. Then came: Concerts throughout the world from Suntory Hall in Tokyo to the Gewandhaus in Leipzig – not to mention the little church in Marken-Binnen in the Dutch province of Noord-Holland and a municipal centre in Oristano, Sardinia which smelt of beer. Radio and television performanceswithin the Netherlands and abroad. Multiple CDs to the group’s name, one of which won an Edison and international praise, setting a new standard for saxophone quartets the world over. Collaboration with artists from all disciplines, including dance and theatre, as well as a great many musicians: pianists Ivo Janssen and...
more

The hot Italian summer of 1982; four young Dutch saxophonists rehearsing in Via Aurelia in Rome; the beginning of a sensational, pioneering chamber-music ensemble: the Aurelia Saxophone Quartet.
Then came: Concerts throughout the world from Suntory Hall in Tokyo to the Gewandhaus in Leipzig – not to mention the little church in Marken-Binnen in the Dutch province of Noord-Holland and a municipal centre in Oristano, Sardinia which smelt of beer.

Radio and television performanceswithin the Netherlands and abroad.

Multiple CDs to the group’s name, one of which won an Edison and international praise, setting a new standard for saxophone quartets the world over.

Collaboration with artists from all disciplines, including dance and theatre, as well as a great many musicians: pianists Ivo Janssen and Juan Pablo Dobal, bandoneon players Gustavo Toker and Carel Kraaijenhof, the Netherlands Wind Ensemble, the Georgian women’s choir Mzetamze, the gamelan ensemble Multifoon, Slagwerkgroep Den Haag, the Japanese saxophone quartet Trouvère, the Hague Residentie Orchestra and others.

Over seventy world premieres of works by ter Veldhuis, Goldstein, Keuris, Andriessen and many others. The group gives compositions the chance to grow and plays pieces frequently so that they are heard often.

Astounding and ambitious arrangements. String quartets by Ravel, Debussy and Shostakovich, The Art of Fugue and the sonatas of Domenico Scarlatti. Pushing boundaries for our one great love: the saxophone quartet.
In 2017 the Aurelia Saxophone Quartet is ending after 35 beautiful years. The current members have decided to stop playing together because the successful development of their personal projects leaves no room for concerts. The quartet is proud to pass the baton to the promising next generation.


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Arno Bornkamp

ARNO BORNKAMP Dutch saxophonist Arno Bornkamp (1959) is the archetype of the modern virtuoso, feeling equally at home in traditional and contemporary repertoire. Hailed as a lyrical musician with a great sense of performance, Bornkamp studied at the Sweelinck Conservatory in Amsterdam with Ed Bogaard and graduated in 1986 with the highest distinction.  He has won many awards, the 'Silver Laurel of the Concertgebouw' and the 'Netherlands Music Prize' among the most noteworthy. The latter enabled him to go abroad, studying in France with Daniel Deffayet and Jean-Marie Londeix, in Japan with Ryo Noda as well as working with composers as Luciano Berio and Karlheinz Stockhausen.  Since his 1982 solo debut in Rome, performing the 'Concertino da Camera' by Jacques Ibert, he...
more
ARNO BORNKAMP Dutch saxophonist Arno Bornkamp (1959) is the archetype of the modern virtuoso, feeling equally at home in traditional and contemporary repertoire. Hailed as a lyrical musician with a great sense of performance, Bornkamp studied at the Sweelinck Conservatory in Amsterdam with Ed Bogaard and graduated in 1986 with the highest distinction. He has won many awards, the 'Silver Laurel of the Concertgebouw' and the 'Netherlands Music Prize' among the most noteworthy. The latter enabled him to go abroad, studying in France with Daniel Deffayet and Jean-Marie Londeix, in Japan with Ryo Noda as well as working with composers as Luciano Berio and Karlheinz Stockhausen. Since his 1982 solo debut in Rome, performing the 'Concertino da Camera' by Jacques Ibert, he has played more than 250 concerts with orchestras around the world, including the most important works from the saxophone repertoire in addition to new concerti written especially for him, such as the 'Tallahatchie Concerto' by Jacob TV. In the year 2009 Bornkamp added 3 new works to his repertoire: 'Trois Danses' (orig. for oboe) by Frank Martin and 2 new saxophone concerto's by Joey Roukens and Carlos Michans. Chamber music is also a great love of Arno Bornkamp. He has a long-standing duo with pianist Ivo Janssen and is part of the Aurelia Saxophone Quartet (one of the world's most acclaimed saxophone quartet), which celebrated its 25th anniversary in 2008. Arno Bornkamp's many activities (including concerts, festivals, masterclasses, lectures) have taken him to many countries in Europe, the USA, the Far East and South America, but the highlight of his career took place closer to home: in the summer of 1996 he played with Ivo Janssen due to the Prinsengracht Concert in Amsterdam for an audience of more than 15.000 people. The many CD's he has made since 1990 since on various labels have garnered national and international praise. A remarkable project is a tryptich of CD's on the Ottavo label: 'The Classical Saxophone from a Historical Perspective', covering three important periods in the history of the saxophone: the beginning period with works from around 1850 written for Adolphe Sax ('Adolphe Sax Revisited'), the beginning of the 20th Century with impressionistic music ('Boston-Paris, the Elisa Hall Collection') and the years '20 and '30 in Berlin ('Metropolis Berlin'). His most recent CD-project was released by the Basta label in 2009: 'Buku of Horn: Arno B. plays JacobTV', a portrait of Dutch composer JacobTV. Arno Bornkamp is a renowned teacher, leading an international saxophone class at the Conservatory of Amsterdam. In the summer he teaches the International Saxophone Masterclass in Laubach (Germany) and at the Université d'Eté Européenne pour saxophone in Gap (France).

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Juan Pablo Dobal

Born in Buenos Aires (1964), pianist Juan Pablo Dobal came to the Neth- erlands at the age of 25. He is a mod- ern-day virtuoso who refuses to be pigeonholed and feels at home with a diversity of musical styles and hybrids. He has been with Fernando Lameir- inhas’ band for many years and has played with countless musicians. His compositions have been performed by the Metropole Orchestra, Rumbatá and the Aurelia Saxophone Quartet, among others, and his main source of inspiration is the folk music of his native Argentina.
more
Born in Buenos Aires (1964), pianist Juan Pablo Dobal came to the Neth- erlands at the age of 25. He is a mod- ern-day virtuoso who refuses to be pigeonholed and feels at home with a diversity of musical styles and hybrids. He has been with Fernando Lameir- inhas’ band for many years and has played with countless musicians. His compositions have been performed by the Metropole Orchestra, Rumbatá and the Aurelia Saxophone Quartet, among others, and his main source of inspiration is the folk music of his native Argentina.

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Composer(s)

Ástor Piazzolla

Astor Piazzolla (1921-1992) is one of most important tango composers of all time. Surprisingly, he spent a large part of his youth in New York. In 1937, Piazzolla returned to his mother country Argentina. There, he started to focus on a career as a classical pianist while in the evening he would play accordion in tango cabaret. From 1955, he worked on his own compositions and wove these two influences together to a new, refreshing sound: the 'tango neuvo'.  At the wedding of crown prince Willem-Alexander and Máxima Zorreguieta, Carl Kraayenhof made a spectacular impression with his performance of Adios Noniño. Piazzolla died in 1992. 
more

Astor Piazzolla (1921-1992) is one of most important tango composers of all time. Surprisingly, he spent a large part of his youth in New York. In 1937, Piazzolla returned to his mother country Argentina. There, he started to focus on a career as a classical pianist while in the evening he would play accordion in tango cabaret. From 1955, he worked on his own compositions and wove these two influences together to a new, refreshing sound: the 'tango neuvo'.

At the wedding of crown prince Willem-Alexander and Máxima Zorreguieta, Carl Kraayenhof made a spectacular impression with his performance of Adios Noniño. Piazzolla died in 1992.


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