Stephen Stubbs

The Golden Age Of The French Lute

Format: CD
Label: Challenge Classics
UPC: 0608917206425
Catnr: CC 72064
Release date: 01 January 1998
1 CD
Challenge Classics
Catalogue number
CC 72064
Release date
01 January 1998

About the album

On this album you can listen to French baroque music for lute by Denis and Ennemond Gaultier, Jacques Gallot, Jan Antonín Losy, Arcangelo Corelli, Esaias Reusner and Robert de Visée.

De meester van de luit
Stephen Stubbs is een luitspeler en dirigent die al ruim 30 jaar een van de belangrijkste figuren is in de Amerikaanse uitvoeringspraktijk van oude muziek. Nadat hij was opgegroeid in Seattle studeerde hij klavecimbel en compositie aan de Universiteit van Washington waar hij, tegelijkertijd, begon met het leren spelen van de luit. Nadat hij afstudeerde verhuisde hij naar Engeland en daarna Nederland om het instrument verder te beoefenen en in 1976 gaf zijn luit debuutconcert in de Wigmore Hall in Londen. Van 1981 tot 2013 doceerde hij aan Hochschule für Künste in Bremen en in 2013 werd hij “artist in residence” aan de Universiteit van Washington in Seattle. Door de jaren heen heeft hij veel opgetreden met zijn ensembles Tragicomedia en Teatro Lirico en heeft hij meerdere barokopera’s gedirigeerd over de hele wereld. Hij heeft een groot aantal albums opgenomen met beroemde ensembles en musici zoals het Hilliard Ensemble en Andrew Lawrence-King.

Op dit album is een compilatie van zijn beste luit uitvoeringen te horen. Het zijn werken van Denis en Ennemond Gaultier, Jacques Gallot, Jan Antonín Losy, Arcangelo Corelli, Esaias Reusner en Robert de Visée. Stuk voor stuk uit de Franse barok: de hoogtijdagen van de luitmuziek. De muziek is vlot en ontroerend: een genot voor het oor.


After a successful thirty-year career in Europe, Stephen Stubbs returned to his native Seattle in 2006 as one of the world's most respected lutenists, conductors, and music educators. Before his return, he was based in Bremen, Germany, where he was Professor at the Hochschule für Künste. Stephen also spent a lot of time on the road as a guest conductor and performer. Together with Erin Headley he started the ensemble Tragicomedia in 1987, which toured throughout Europe, Japan and the US, as well as recording numerous CD’s for various recording companies. Tragicomedia has also been the continuo team for the Boston Early Music Festival since 1997. Stephen is the Festival’s permanent artistic co-director along with his long time colleague Paul O’Dette. Stephen and Paul are also the musical directors of all BEMF operas under the brilliant leadership of BEMF’s stage director in residence Gilbert Blin. BEMF’s recordings of Conradi’s Ariadne, Lully’s Thesee, and Psyché were nominated for Grammy awards in 2005, 2007, and 2009 respectively.

In 2007 Stephen established his new production company, Pacific MusicWorks, based in Seattle. Pacific MusicWorks reflects his lifelong interest in both early music and contemporary performance. PMW’s first staging in spring 2009 reflected both interests, presenting Claudio Monteverdi's 1641 opera The Return of Ulysses in a staging using life-sized puppets designed and brought to life by the Handspring Puppet Company of South Africa, and projections designed by the world-renowned graphic and performance artist and stage director William Kentridge. This inaugural production was universally lauded by critics and public alike.

Subsequent productions have included a successful collaboration with Seattle Chamber Players/On the Boards for a staging that included Monteverdi's Combattimento di Tancredi e Clorinda, a collaboration with Seattle Dance Project and Anna Mansbridge performing staged 17th Century madrigals for three sopranos and three dancers, as well as performances of the Monteverdi Vespers with Concerto Palatino, described by the Seattle Times as “utterly thrilling” and “of a quality you are unlikely to encounter anywhere else in the world”.

This coming season will bring a special collaboration with the Seattle Symphony in the form of what could be called “the Passions Project” in which the Symphony will present the St. Matthew Passion, and a week later (with the same group of vocal soloists) we will present our first performance of the St. John Passion with our own baroque orchestra.

In addition to his ongoing commitments to Pacific MusicWorks and the Boston Early Music Festival, other engagements have recently taken Stephen to Bilbao’s opera house in Spain to conduct Handels’ Giulio Cesare and Gluck’s Orfeo. In 2007 he returned to the Netherlands Opera, Amsterdam, where he directed Monteverdi’s L’Orfeo. 2011 saw his debut conducting the Seattle Symphony Orchestra performing Vivaldi’s Four Seasons and he returned in 2012 to conduct Handel’s Messiah. In 2011-2012 he conducted Monteverdi’s Poppea with Opera UCLA as well as Charpentier’s La Descente d’Orphee in Boston with co-director Paul
O’Dette for BEMF. Other recent appearances included Handel’s L’Allegro and Mozart’s Magic Flute for the Hawaii Performing Arts Festival, Monteverdi’s L’Orfeo for BEMF, Handel’s Il Trionfo del Tempo, and an evening of Bach Cantata’s for Pacific MusicWorks. He made his conducting debut with the Edmonton Symphony performing Handel’s Messiah in 2012, and conducted Bach’s St. Matthew Passion in Denver with the Baroque Chamber Orchestra of Colorado.

Stephen has an extensive discography as conductor and as a solo lutenist of well over 100 CDs, many of which have received international acclaim and awards.

This summer, Stephen headed to Bremen with the BEMF team to record CDs of BEMF’s productions of Handel’s Acis and Galathea, and Charpentier’s La Descente d’Orphee, and then returned to Hawaii to conduct Mozart’s Cosi fan Tutte for the Hawaii Performing Arts Festival. In November he will return to Bremen with the BEMF team to record their production of Steffani’s Niobe, followed by a gala performance at Jordan Hall to celebrate five years of BEMF’s Chamber Opera Series.

In 2013, Stephen Stubbs was appointed Senior Artist in Residence and faculty member of the School of Music at the University of Washington. The first collaboration between the University and Pacific MusicWorks will be Handel’s Semele to be performed in May 2014. For that production Stephen will be joined by his colleague, stage director James Darrah.

A full discography and detailed performance calendar can be seen at Stephen Stubbs is represented by Schwalbe and Partners (


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