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Tchaikovsky: The Tempest, Piano Concerto 1

Joyce Yang / Odense Symphony Orchestra

Tchaikovsky: The Tempest, Piano Concerto 1

Format: CD
Label: Bridge
UPC: 0090404941023
Catnr: BRIDG 9410
Release date: 25 April 2014
1 CD
 
Label
Bridge
UPC
0090404941023
Catalogue number
BRIDG 9410
Release date
25 April 2014
Album
Artist(s)
Composer(s)
EN
DE

About the album

This disc presents the debut concerto recording of the 12th Van Cliburn International Piano Competition silver-medalist, Joyce Yang, heard here in an impassioned 2011 account of Tchaikovsky's masterpiece, recorded in Odense, Denmark. Also on the recording is the rarely heard symphonic fantasy, The Tempest, op. 18. In this work Tchaikovsky evokes Shakespeare's island and the sea around it, both in calm and storm, heard here in Alexander Lazarev and the OSO's intensely powerful reading.

Beim 12. InternationalenVan Cliburn Klavierwettbewerb, gewann die koranische Pianistin Joyce Yang den zweiten Preis. Hier ist sie in einer Aufnahme aus dem Jahr 2011 zu hören. In Tschaikowskys Meisterwerk wird sie begleitet vom Sinfonieorchester Odense, Dänemark.

Composer(s)

Pyotr Ilyich Tchaikovsky

Tchaikovsky is considered as one of the most talented Russian composers of the 19th century. Unlike many other Russian composers of his time, he studied at a conservatory and made the western music theory his own. So, he was not as distrustful of western music as the group of nationalistic composers surrounding Balakirev. Yet, Tchaikovsky sought to express the typical Russian mentality just as much and used many Russian folk songs in his music.  He had a good relationship with Balakirev, who helped him with constructive feedback on his first masterpiece, the overture of Romeo and Juliet. At times, Tchaikovsky was emotionally unstable, which has often been attributed to struggles with his homosexuality. His decision to marry proved to be disastrous...
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Tchaikovsky is considered as one of the most talented Russian composers of the 19th century. Unlike many other Russian composers of his time, he studied at a conservatory and made the western music theory his own. So, he was not as distrustful of western music as the group of nationalistic composers surrounding Balakirev. Yet, Tchaikovsky sought to express the typical Russian mentality just as much and used many Russian folk songs in his music. He had a good relationship with Balakirev, who helped him with constructive feedback on his first masterpiece, the overture of Romeo and Juliet. At times, Tchaikovsky was emotionally unstable, which has often been attributed to struggles with his homosexuality. His decision to marry proved to be disastrous and plunged him into a deep crisis. Yet, the passionate letters of his fiance, even though they barely knew each other, did inspire him to compose his succesful opera Evgenij Onegin. Tchaikovsky had the wonderful gift of composing the most beautiful, lyric melodies. He had a feeling for creating a certain atmosphere in his music and mastered the art of orchestration. Moreover, he excelled in dance music, which made him the ideal composer for ballet. With his ballets The Swan Lake, The Sleeping Beauty, and The Nutcracker he brought the genre to a higher level. During his life, he was already a celebrity. He often did tours to conduct his music and in the USA he was welcomed as a star. He died unexpectedly, nine days after the premiere of his incredibly gloomy Sixth Symphony, probably of cholera. Some other highlights of his body of works are his First Piano Concerto, his Violin Concerto and the Rococo-variations.
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