"Tip - Fleisher's play casts a spell over the listener. It is the music making without calculus and wrong poses, which features his art here and since year one."Fono Forum, 17-11-2014
Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.
Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.
George Gershwin was an American composer, who is mostly known due to his combinations of classical and popular music genres.
George Gershwin grew up in a poor neighbourhood in New York. His parents were Russian immigrants who had trouble making ends meet. They did, however, decide to purchase an old piano so Ira Gershwin could study to become a musician. Yet, it turned out not Ira, but his younger brother George showed remarkable talent. Ira applied himself to writing song lyrics and together the Gershwin brothers became absolute greats in the world of 20th century musicals. Nowadays, George's compositions are still relevant, as is evidenced by the many performances of his Rhapsody in Blue from 1924. But the best example is the ageless Summtertime, which has been covered a countless number of times by a countless number of artists.
The recipient of a Pulitzer Prize, a MacArthur Foundation fellowship, and an array of other major awards and honors, George Perle occupies a commanding position among American composers of our time. Born in Bayonne, NJ, May 6, 1915, he received his early musical education in Chicago. After graduation from DePaul University, where he studied composition with Wesley LaViolette, and subsequent private studies with Ernst Krenek, Perle served in the US Army during World War II. After the War, he took post-graduate work in musicology at New York University. His PhD thesis became his first book, Serial Composition and Atonality, now in its sixth edition.
Perle’s music has been widely performed in this country and abroad. Major commissions have resulted in significant works, among them Serenade III (1983) for solo piano and chamber orchestra, choreographed by American Ballet Theater and nominated in a Nonesuch recording, for a Grammy Award (1986); Woodwind Quintet No.4 (Pulitzer Prize, 1986); Piano Concerto No.1 (1990), commissioned for Richard Goode during Perle’s residency with the San Francisco Symphony; Piano Concerto No.2 (1992), commissioned by Michael Boriskin; Transcendental Modulations for Orchestra, commissioned by the New York Philharmonic for its 150th anniversary; and Thirteen Dickinson Songs (1978) commissioned by Bethany Beardslee. Recent works include Brief Encounters (fourteen movements for string quartet), Nine Bagatelles for piano, Critical Moments and Critical Moments 2 for six players, and Triptych for solo violin and piano. A particularly notable portion of Perle’s catalog consists of pieces for solo piano, many of which have been recorded by Michael Boriskin on New World Records.
Perle’s compositions have figured on the programs of Boston, Chicago, Philadelphia, New York Philharmonic, Royal Philharmonic, BBC, and other major orchestras in this country and abroad. Perle’s works are recorded on Nonesuch, Harmonia Mundi, New World, Albany, CRI and other labels. He has been a frequent Visiting Composer at the Tanglewood Music Festival and Composer-in-Residence with the San Francisco Symphony.
Though Perle is above all a composer, the breadth of his musical interests has led to significant contributions in theory and musicology as well. He has published numerous articles in scholarly journals and seven books, including the award-winning Operas of Alban Berg. He has been a guest professor at major universities and a much sought after lecturer and commentator on TV, here and abroad. He is Professor Emeritus at the City University of New York.
As music critic Andrew Porter has written, “Perle’s renown as an analyst and scholar may have diverted some of the attention that should be given to his merits as a composer … What matters to listeners is his achievement: the vividness of his melodic gestures, the lively rhythmic sense, the clarity and shapeliness of his discourse and, quite simply, the charm and grace of his utterance.”
Tip - Fleisher's play casts a spell over the listener. It is the music making without calculus and wrong poses, which features his art here and since year one.
Fono Forum, 17-11-2014
melancholy reflections of a lucid mind
Stuttgarter Zeitung, 11-11-2014
Fleisher's musicality is fascinating and has an enormous range (...) simply beautiful.
Piano News, 23-10-2014
(...) the melancholic and introverted reflections of a ingenious mind
Stuttgarter Zeitung, 22-10-2014
The Fleisher disc is the one I've listened to the most, nearly to the point of obsession. At the age of 86 the pianist remains a musician of magisterial powers. This CD is one of his finest hours on record
The New Yorker, 25-9-2014