2 SACD
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€ 24.95
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Label Challenge Classics |
UPC 0608917266122 |
Catalogue number CC 72661 |
Release date 13 March 2015 |
"Stars 4/5"
Diapason, 01-7-2015Bachs Matthäus Passion − bewerkt door Felix Mendelssohn
Deze live opname van J.S. Bachs Matthäus Passion wordt uitgevoerd door het Orkest van het Oosten en Concensus Vocalis onder leiding van Jan Willem de Vriend. Deze uitvoering vond plaats in Muziekcentrum Enschede in april 2014.
Felix Mendelssohn begon in 1828 te werken aan een bewerking van Bachs Matthäus Passion en deed enkele aanpassingen om het werk te vormen naar de tijd waarin hij leefde. Zo paste hij de instrumentatie aan, omdat er enkele instrumenten in het stuk gebruikt werden die in zijn tijd niet meer bespeeld werden. Op 1 maart 1829, bijna 100 jaar nadat het werk voor het laatst werd uitgevoerd, dirigeerde de 20-jarige Mendelssohn de uitvoering van zijn bewerking in de concertzaal van de Singakademie in Berlijn. Zo'n 900 mensen waren aanwezig, en het optreden was zo succesvol dat het twee keer werd herhaald.
Na de successen in Berlijn werd de Matthäus Passion uitgevoerd in een aantal andere Duitse steden. In 1841 gaf Mendelssohn een optreden in de Thomaskirche te Leipzig, waar hij toen kapelmeester was. Dit was tevens de kerk waar het werk voor het eerst werd uitgevoerd. Voor deze gelegenheid paste Mendelssohn wederom de muziek aan. De versie uit 1841 is te horen op dit album.
Jan Willem de Vriend is sinds 2006 chef dirigent bij het Orkest van het Oosten. Tevens is de Vriend gastdirigent geweest bij toonaangevende orkesten in zowel binnen- als buitenland, waaronder het Koninklijk Concertgebouw Orkest van Amsterdam en het Konzerthaus Orchester van Berlijn. In 2012 won hij de prestigieuze Radio 4 prijs voor zijn onvermoeibare promotie van klassieke muziek.
The Netherlands Symphony Orchestra is based in Enschede, in the province of Overijssel. Performing at an international level, as evidenced by its highly acclaimed CDs and invitations for international tours, the orchestra is firmly rooted in society.
Jan Willem de Vriend has been its artistic director and chief conductor since 2006. Under De Vriend’s leadership, the orchestra has expanded its repertoire to cover music from four centuries. Its use of period instruments in the Classical repertoire gives the orchestra a distinctive and highly individual character.
The Netherlands Symphony Orchestra performs amongst others in Amsterdam, Rotterdam, Utrecht, Enschede, Zwolle and Deventer. In addition, it often works with the Dutch National Touring Opera Company. In its home town Enschede, the orchestra builds on a symphonic tradition of more than 80 years, and it is known as one of the most modern and entrepreneurial orchestras in the Netherlands. Its international partners include the BBC Philharmonic and the Liszt School of Music Weimar.
The Netherlands Symphony Orchestra created a number of ensembles, such as a chamber orchestra, the Baroque Academy of the Netherlands Symphony Orchestra (BANSO) and various chamber music ensembles. The orchestra’s commitment to expanding its social relevance is also reflected in the large number of projects in which education is a key element.
The Netherlands Symphony Orchestra has made successful tours of the United States, Spain and England, and it has performed in such famous venues as Carnegie Hall in New York and Birmingham Symphony Hall. Its CDs of the complete Beethoven symphonies (for Challenge Classics) and music by Dutch composers such as Julius Röntgen and Jan van Gilse (for the CPO label) were very well received by the international music press.
The orchestra has worked with distinguished conductors, such as its former chief conductor Jaap van Zweden, Vasily Petrenko, Edo de Waart, Hans Vonk, Gerd Albrecht, Marc Soustrot, Eri Klas, Ed Spanjaard, Claus Peter Flor and Tan Dun.
It also has accompanied many celebrated soloists, including Gidon Kremer, Ronald Brautigam, Natalia Gutman, Charlotte Margiono, Antje Weithaas, Marie-Luise Neunecker, Hélène Grimaud, Robert Holl, Fazil Say, Jean-Yves Thibaudet and Thomas Zehetmair.
The Netherlands Symphony Orchestra is financially supported by the Dutch Ministry of Education, Culture and Science, the Province of Overijssel and the Municipality of Enschede, as well as annual contributions from sponsors.
Stars 4/5
Diapason, 01-7-2015
''Here we have a ligt-footed, modern-instrument account which gently projects the textural divergence and melodic simplification of 'awkward' Baroque contours, although 'Erbarme dich' for soprano rather reverses the trend with its extrovert reworking''
GRAMOPHONE, 01-7-2015
''So this is not really an 1841 performance in the expected sense of the word, but a good and clear account of the 1841 Mendelssohn version on modern instruments, played with a good deal of awereness of historical performance style.''
Early Music Review , 01-6-2015
["].. So this is not really an 1841 performance in the expected sense of the word, but a good and clear account of the 1841 Mendelssohn version on modern instruments, played with a good deal of awareness of historical performance style."
Early Music Review, 01-6-2015
"Clearly, this can’t be a library choice for the Matthäus-Passion but it’s a valuable supplement to performances of Bach’s standard text. Yes, there are significant cuts but I would urge people to look beyond them and to experience Mendelssohn’s important evangelical work on Bach’s behalf for themselves. I don’t know if the Mendelssohn version has been recorded before – this isn’t claimed as a first recording – but opportunities to experience it will not come frequently and it is most interesting to hear."
Music Web International, 01-6-2015
"Overall this recording is very balanced and well-made."
Blog Ich habe gehört, 06-4-2015
"The ideal afterparty. Just at home on the couch and the new super audio cd by Jan Willem de Vriend."
De Gelderlander, 02-4-2015
"So for someone who delicious and shamelessly dares to indulge in the good voice in an on top and highly romantic translation of this adaptation."
Opus Klassiek, 01-4-2015
"Rarity value with clarinets, a choir with soloists in chorale melody."
NRC Handelsblad, 30-3-2015
"Orchestra and chorus meet excelent in this loving reconstruction of an important moment in music history."
Trouw, 27-3-2015
The most special version of the Matthaeus-Passion this year is an SACD where Jan Willem de Vriend on Challenge Classics presents a version by Mendelssohn of 1841
Operamagazine.nl, 23-3-2015
Interview Jan Willem de Vriend
Luister, 01-3-2015