Hsin-Yun Huang

Viola Viola

Price: € 19.95
Format: CD
Label: Bridge
UPC: 0090404938726
Catnr: BRIDG 9387
Release date: 02 October 2015
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Label
Bridge
UPC
0090404938726
Catalogue number
BRIDG 9387
Release date
02 October 2015
Album
Artist(s)
Composer(s)
EN
DE

About the album

In 1988, violist Hsin-Yun Huang was the youngest-ever Gold Medalist of the Lionel Tertis International Viola Competition, and came to further international prominence in 1993 when she was winner of the top prize of the ARD International Music Competition in Munich. Ms. Huang's fascinating program, entitled Viola, Viola includes premiere recordings of new works composed for viola by Steven Mackey (a chamber concerto), a suite for viola and piano by Danish master Poul Ruders, and a single-movement "remembrance" for viola and orchestra by Taiwanese composer Shih-Hui Chen. In addition, Ms. Huang gives spectacular readings of British composer George Benjamin's viola duo, Viola, Viola (alongside her husband, violist Misha Amory) and Elliott Carter's Figment IV, composed during the composer's 100th year.
Die Violistin Hsin-Yun Huang, die 1993 den ARD International Music Competition gewann, stellt hier ein faszinierendes Programm rund um Steven Mackey, Poul Ruders, Shih-Hui Chen und George Benjamin vor.

Artist(s)

Hsin-Yun Huang (viola)

H sin-Yun Huang is firmly established since 1993 as one of the leading violists of her generation. Virtually simultaneously, in that year, she won the top prizes in the ARD International Music Competition in Munich and the highly prestigious Bunkamura Orchard Hall Award, which included a scholarship grant, and concerto and recital appearances in Japan. Ms. Huang was also the youngest-ever gold medalist in the 1988 Lionel Tertis International Competition on the Isle of Man. As a result of these and other successes, she has been telecast in concerto appearances with the Bavarian Radio Orchestra in Munich, the Zagreb Soloists in Paris and the Tokyo Philharmonic in Tokyo; other significant appearances include live broadcast performances with the Berlin Radio Symphony, the Russian...
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H sin-Yun Huang is firmly established since 1993 as one of the leading violists of her generation. Virtually simultaneously, in that year, she won the top prizes in the ARD International Music Competition in Munich and the highly prestigious Bunkamura Orchard Hall Award, which included a scholarship grant, and concerto and recital appearances in Japan. Ms. Huang was also the youngest-ever gold medalist in the 1988 Lionel Tertis International Competition on the Isle of Man. As a result of these and other successes, she has been telecast in concerto appearances with the Bavarian Radio Orchestra in Munich, the Zagreb Soloists in Paris and the Tokyo Philharmonic in Tokyo; other significant appearances include live broadcast performances with the Berlin Radio Symphony, the Russian State Philharmonic and the National Symphony of Taiwan among others. Recent solo highlights included collaboration with London Sinfonia in South America; with Naumberg Orchestra in Central Park; with ICE at Miller Theater and with Children Orchestra Society at Alice Tully Hall.
A native of Taiwan, Ms. Huang currently resides in New York, and is an active soloist and chamber musician in the U.S., the Far East and Europe. She has participated in various prominent chamber music festivals, including the Rome Chamber Music Festival, Music@Menlo, Moritzburg Festival in Dresden; Spoleto Festivals in Italy as well as Charleston SC.; Cartagena Festival in Colombia; Chamber Music Northwest, the Marlboro Music Festival; Prussia Cove, England; St. Nazaire in France, Bridgehampton, the El Paso Chamber Music Festival; the Vancouver Chamber Music Festival, Festival de Divonne in France; the Appalachian Festival, the Rockport Chamber Music Festival, the Salt Bay Chamberfest, the Newport Festival and many others.
She has collaborated with artists such as Yo-Yo Ma, Jaime Laredo, Joshua Bell, Joseph Suk, Menahem Pressler, the Guarneri, Juilliard, Brentano, Orion, St. Lawrence and the Johannes String Quartets. She has recorded Mozart Quintet with the Brentano String Quartet and presented the Mozart Quintets with them under the auspices of Carnegie Hall in 2007.
Ms. Huang has recently embarked on a series of major commissioning projects for solo viola and chamber ensemble. In July 2006 she premiered a new work from Houston-based Taiwanese composer Shih-Hui Chen, Shu Shon Key (Remembrance) with the Broyhill Chamber Ensemble at An Appalachian Summer Festival in North Carolina. The work was co-commissioned by the festival along with Chinese Performing Arts, and has received performances at Boston’s Jordan Hall and Da Camera of Houston, The Evergreen Symphony Orchestra has commissioned a version of the work for solo viola and orchestra. A new work from Steven Mackey, also for solo viola and chamber ensemble, has received its premiere at the Aspen Music Festival in the summer of 2007. Subsequent performances included presentations by the Fulcrum Point New Music Project in Chicago; the International Viola Congress 2008; the La Jolla Summer Festival and at Princeton University. A new disc Viola Viola containing both works will be released by Bridge Record in the fall of 2012.
Ms. Huang was a member of the Borromeo String Quartet from 1994-2000. With the Quartet, she participated in festivals worldwide and in such prominent venues as New York’s Alice Tully Hall, London’s Wigmore Hall, Berlin’s Philharmonie and Japan’s Casals Hall. In 1998 the Borromeo String Quartet was awarded the prestigious Cleveland Quartet Award and was chosen by the Chamber Music Society of Lincoln Center to be members of “CMS Two” and featured in a “Live from Lincoln Center” telecast. She is currently a founding member of the Variation String Trio with violinist Jennifer Koh and cellist Wilhelmina Smith.
Hsin-Yun Huang came to England at the age of fourteen to study at the Yehudi Menuhin School with David Takeno. She continued her studies at the Curtis Institute in Philadelphia with Michael Tree, where she earned her Bachelor of Music degree, and at the Juilliard School with Samuel Rhodes, where she earned her Master of Music. She is a dedicated teacher and currently serves on the faculties of the Juilliard School and the Curtis Institute of Music.

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Gernot Schmalfuß (conductor)

Steven Mackey (conductor)

Misha Amory (viola)

Composer(s)

Poul Ruders

Poul Ruders (b. 1949) is one of the era’s most highly regarded composers for both the opera stage and the symphonic concert hall. His operas have been staged in Copenhagen, New York City, London, Toronto and Munich, and his orchestral music commissioned by the Berlin Philharmonic, New York Philharmonic, and the BBC Symphony Orchestra. Ruders lives a spartan life in the countryside of Denmark. The isolation has afforded him the opportunity to produce a deep and highly varied catalog which includes five operas, 45 symphonic works and concertos, and dozens of chamber and solo pieces. The music of Poul Ruders has been well-documented by the record labels DaCapo (Denmark) and Bridge (USA), and is published by Edition Wilhelm Hansen, Copenhagen. In 2019, Poul...
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Poul Ruders (b. 1949) is one of the era’s most highly regarded composers for both the opera stage and the symphonic concert hall. His operas have been staged in Copenhagen, New York City, London, Toronto and Munich, and his orchestral music commissioned by the Berlin Philharmonic, New York Philharmonic, and the BBC Symphony Orchestra.

Ruders lives a spartan life in the countryside of Denmark. The isolation has afforded him the opportunity to produce a deep and highly varied catalog which includes five operas, 45 symphonic works and concertos, and dozens of chamber and solo pieces. The music of Poul Ruders has been well-documented by the record labels DaCapo (Denmark) and Bridge (USA), and is published by Edition Wilhelm Hansen, Copenhagen.

In 2019, Poul Ruders will celebrate his 70th birthday with the world premiere of his newest opera, The Thirteenth Child, staged by the Santa Fe Opera. Prior to the premiere, Bridge Records will release a studio recording of the two act ‘fairytale’ opera. Also on tap in 2018/2019 are new productions in the USA and Europe of Ruders’s best known opera, The Handmaid’s Tale after the dystopian novel by Margaret Atwood.


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Elliott Carter

The hundredth birthday of Elliott Carter on December 11th, 2008, led to the a large number of concerts in his honour around the world (such as a three day festival in Amsterdam). Yet, the composer never became truly popular among the wider public. And it doesn't matter: in more than way the orthodoc composer had time on his side. He did non find his own style until the 1940s, in works such as his Sonata for Cello and Piano and his First String Quartet: compositions in which the various instrumenten seem to follow different paths from each other. It was the start of a body of works that paid tribute to both the Europe of Schoenberg, Debussy and Stravinsky, and...
more
The hundredth birthday of Elliott Carter on December 11th, 2008, led to the a large number of concerts in his honour around the world (such as a three day festival in Amsterdam). Yet, the composer never became truly popular among the wider public. And it doesn't matter: in more than way the orthodoc composer had time on his side. He did non find his own style until the 1940s, in works such as his Sonata for Cello and Piano and his First String Quartet: compositions in which the various instrumenten seem to follow different paths from each other. It was the start of a body of works that paid tribute to both the Europe of Schoenberg, Debussy and Stravinsky, and the American Modernism of Ives and Varèse.
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George Benjamin

Born in 1960, George Benjamin began composing at the age of seven. When he was only 20 years old, Ringed by the Flat Horizon was played at the BBC Proms by the BBC Symphony Orchestra under Sir Mark Elder. The London Sinfonietta, under Sir Simon Rattle, premiered At First Light two years later.  Benjamin’s first operatic work Into the Little Hill, written with playwright Martin Crimp, was commissioned in 2006 by the Festival d'Automne in Paris. Their second collaboration, Written on Skin, premiered at the Aix-en-Provence festival in July 2012 has since been scheduled by 20 international opera houses, winning as many international awards. The world premiere of Lessons in Love and Violence, a new opera with Martin Crimp, is scheduled for...
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Born in 1960, George Benjamin began composing at the age of seven. When he was only 20 years old, Ringed by the Flat Horizon was played at the BBC Proms by the BBC Symphony Orchestra under Sir Mark Elder. The London Sinfonietta, under Sir Simon Rattle, premiered At First Light two years later. Benjamin’s first operatic work Into the Little Hill, written with playwright Martin Crimp, was commissioned in 2006 by the Festival d'Automne in Paris. Their second collaboration, Written on Skin, premiered at the Aix-en-Provence festival in July 2012 has since been scheduled by 20 international opera houses, winning as many international awards. The world premiere of Lessons in Love and Violence, a new opera with Martin Crimp, is scheduled for the Royal Opera House, Covent Garden on 10 May 2018.
As a conductor Benjamin has a broad repertoire - ranging from Mozart and Schumann to Knussen, Murail and Abrahamsen - and has conducted numerous world premieres, including important works by Rihm, Chin, Grisey and Ligeti. He regularly works with some of the world's leading orchestras, and over the years has developed particularly close relationships with the Mahler Chamber Orchestra, Philharmonia Orchestra, London Sinfonietta and Ensemble Modern as well as the Royal Concertgebouw Orchestra, who gave the world premiere of Dream of the Song under his baton in September 2015.
The last decade has seen multi-concert retrospectives in Paris, Lucerne, San Francisco, Frankfurt, Turin, Milan, Aldeburgh, Toronto, Dortmund and New York.

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Press

Play album
01.
Ground Swell: I. Approach by Sea
01:26
Hsin-Yun Huang, Misha Amory, Sarah Rothenberg, American Modern Ensemble, Evergreen Symphony Orchestra
02.
Ground Swell: II. The Fertile Hillside
04:47
Hsin-Yun Huang, Misha Amory, Sarah Rothenberg, American Modern Ensemble, Evergreen Symphony Orchestra
03.
Ground Swell: III. Thin Air
04:01
Hsin-Yun Huang, Misha Amory, Sarah Rothenberg, American Modern Ensemble, Evergreen Symphony Orchestra
04.
Ground Swell: IV. Peak Experience
04:32
Hsin-Yun Huang, Misha Amory, Sarah Rothenberg, American Modern Ensemble, Evergreen Symphony Orchestra
05.
Ground Swell: V. Over the Top
01:19
Hsin-Yun Huang, Misha Amory, Sarah Rothenberg, American Modern Ensemble, Evergreen Symphony Orchestra
06.
Ground Swell: VI. Running Downhill
03:19
Hsin-Yun Huang, Misha Amory, Sarah Rothenberg, American Modern Ensemble, Evergreen Symphony Orchestra
07.
Ground Swell: VII. Sailing Away
05:37
Hsin-Yun Huang, Misha Amory, Sarah Rothenberg, American Modern Ensemble, Evergreen Symphony Orchestra
08.
Romances: I. Portal
01:20
Hsin-Yun Huang, Misha Amory, Sarah Rothenberg, American Modern Ensemble, Evergreen Symphony Orchestra
09.
Romances: II. Even Song
02:58
Hsin-Yun Huang, Misha Amory, Sarah Rothenberg, American Modern Ensemble, Evergreen Symphony Orchestra
10.
Romances: III. Rhapsody
00:52
Hsin-Yun Huang, Misha Amory, Sarah Rothenberg, American Modern Ensemble, Evergreen Symphony Orchestra
11.
Romances: IV. Ballad
01:42
Hsin-Yun Huang, Misha Amory, Sarah Rothenberg, American Modern Ensemble, Evergreen Symphony Orchestra
12.
Romances: V. Dirge
02:41
Hsin-Yun Huang, Misha Amory, Sarah Rothenberg, American Modern Ensemble, Evergreen Symphony Orchestra
13.
Romances: VI. Duet
01:08
Hsin-Yun Huang, Misha Amory, Sarah Rothenberg, American Modern Ensemble, Evergreen Symphony Orchestra
14.
Viola Viola
10:51
Hsin-Yun Huang, Misha Amory, Sarah Rothenberg, American Modern Ensemble, Evergreen Symphony Orchestra
15.
Figment IV
03:05
Hsin-Yun Huang, Misha Amory, Sarah Rothenberg, American Modern Ensemble, Evergreen Symphony Orchestra
16.
Remembrance
10:27
Hsin-Yun Huang, Misha Amory, Sarah Rothenberg, American Modern Ensemble, Evergreen Symphony Orchestra
show all tracks

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