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Balladscapes

Dave Liebman & Richie Beirach

Balladscapes

Price: € 19.95
Format: CD
Label: Intuition
UPC: 0750447344426
Catnr: INT 34442
Release date: 04 March 2016
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Label
Intuition
UPC
0750447344426
Catalogue number
INT 34442
Release date
04 March 2016

"Liebman and Beirach are showing a rare beautiful feeling of harmony."

Jazzflits, 03-10-2016
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Artist(s)
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About the album

As a setting, the duo fosters one of the purest forms of musical dialogue. It also allows the kind of freedom that can lead to endless rubato and loquacious solos that get lost within themselves. The music that Dave and Richie have created is always grounded in strong content and intelligence, regardless of context and genre. As is heard in bold relief here on “Balladscapes”, Beirach is the secret weapon here. According to Dave, “In any band we’ve ever been in together, Richie’s the anchor, more than the bass and drums. His time is perfect.” That firm sense of time along the unique sonority created by Dave’s soprano sax and Richie’s touch give this project its shape and sound. On a few pieces, Dave switches to tenor sax giving their sound more heft, but the stately passion that informs their music is maintained throughout. Over the years, these two have used ballads in their performances and recordings, but this is the first all-ballad album they’ve done. And it’s quite unusual in its approach. The program offers some originals (new and old), but includes far-ranging material from Bach, Weill, Jobim, Strayhorn, Shorter and Coltrane. Beirach and Liebman take fewer liberties with the material that one might expect and the music is better off for that restraint. This is a gorgeous, mesmerizing chamber music recital. And like all great music, it bears fruit with every repeated listening.
Seit Jahrzehnten spielen diese beiden Jazzlegenden als Duett zusammen. Das führt zu mehr als blindem Verständnis: sie ahnen voraus, welche Melodien und Harmonien, welche rhythmischen Ausflüge der musikalische Partner demnächst unternehmen wird. Beirach und Liebman haben jeweils mit den größten Jazzmusikern der Geschichte gespielt - ein riesiger Erfahrungsschatz, der gerade in den hier gespielten Balladen voll zum Einsatz kommen kann. Musik, die geradezu bewegend ist.

Artist(s)

Dave Liebman (saxophone)

David Liebman's career has spanned over four decades, beginning in the early '70s with his 'apprenticeship' period performing and recording in the groups of drummer Elvin Jones ('Live At The Lighthouse') and Miles Davis ('On The Corner'). Since then he has lead his own groups (Lookout Farm; Quest;The Dave Liebman Group) featuring musicians such as John Scofield, Richie Beirach, Billy Hart, Adam Nussbaum, Al Foster, John Abercrombie and Vic Juris. Lieb has consistently placed among the top three in the Downbeat Critics Poll for Soprano Saxophone since 1973; winning first place in both the Downbeat and Jazz Times Critic's Poll in 2011. As well in 2011, Liebman received the NEA Masters of Jazz Award, the highest honor for jazz given...
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David Liebman's career has spanned over four decades, beginning in the early '70s with his "apprenticeship" period performing and recording in the groups of drummer Elvin Jones ("Live At The Lighthouse") and Miles Davis ("On The Corner"). Since then he has lead his own groups (Lookout Farm; Quest;The Dave Liebman Group) featuring musicians such as John Scofield, Richie Beirach, Billy Hart, Adam Nussbaum, Al Foster, John Abercrombie and Vic Juris. Lieb has consistently placed among the top three in the Downbeat Critics Poll for Soprano Saxophone since 1973; winning first place in both the Downbeat and Jazz Times Critic's Poll in 2011. As well in 2011, Liebman received the NEA Masters of Jazz Award, the highest honor for jazz given by the United States government.

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Richie Beirach (piano)

When it comes to jazz musicians improving with age, the pianist Richie Beirach is a perfect example. With a new recording celebrating his 70th birthday, the pianist-composer demonstrates he’s still at the top of his game alongside his congenial partner of two decades, the Stuttgart-born, New York based violinist Gregor Huebner. Another birthday boy, Huebner is also celebrating a milestone, reaching half a century on May 23rd, the exact same day as Beirach. As a tribute, the leading Munich-based jazz label ACT release a CD featuring highlights recorded in 2012 from their decade long annual week’s ‘live’ residence at the illustrious Birdland in New York, in which they are joined by the high calibre lineup of bassist George Mraz, trumpeter...
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When it comes to jazz musicians improving with age, the pianist Richie Beirach is a perfect example. With a new recording celebrating his 70th birthday, the pianist-composer demonstrates he’s still at the top of his game alongside his congenial partner of two decades, the Stuttgart-born, New York based violinist Gregor Huebner. Another birthday boy, Huebner is also celebrating a milestone, reaching half a century on May 23rd, the exact same day as Beirach. As a tribute, the leading Munich-based jazz label ACT release a CD featuring highlights recorded in 2012 from their decade long annual week’s ‘live’ residence at the illustrious Birdland in New York, in which they are joined by the high calibre lineup of bassist George Mraz, trumpeter Randy Brecker and drummer Billy Hart. Big birthdays are though not the only thing the esteemed pair have in common. Both musicians studied independently of each other with the same classical composition teacher, Ludmilla Uhlela at Manhattan School of Music, and both have an eastern European background. Huebner reflects on their enduring creative partnership over 21 years: “Richie always says we still play in the same way today like we played in the first minute in 1996 in his little apartment on Spring Street in NYC and I feel the same way, even though we have incredibly developed our music together. The spirit and the bond between us was already there in the first minute.” It’s through the development of their own uniquely imaginative version of ‘third stream’, the absorption of elements of the European ‘classical’ music tradition into New York’s postbop idioms that they’ve found so much common ground. In the late 1990’s they recorded together for ACT in the late 1990s on titles Round About Bartok,…Monteverdi,…Mompou in trio with George Mraz. A couple of the tracks from these albums are revisited on the new ‘live’ release. ‘Bartok Bagatelle #4’ at first reflects the elegant classicism of Beirach’s mesmerizing solo piano recordings then later his restless, harmonically adventurous artistry that has glimpses of the early influence of McCoy Tyner and Bill Evans among other piano modernist giants. As does his solo on ‘Bach (Siciliana)’ with Huebner’s violin adding a bewitching yearning, jazz-inflected mediterranean quality.
I think the music of certain composers is more approachable for improvisation then others,” observes Huebner. “For example Bach was a great improviser and you hear that in his music. In some of the romantic composers you find similar harmonic structures which were used later in jazz and with Bartok and other composers from the 20th century the rhythmic part is very interesting. The mix of the music on the CD is very typical for us, you find classical pieces, our own compositions, a typical jazz standard and a composition by John Coltrane [‘Transition’]. Each piece brings something totally new but everything is connected through improvisation.” Of his originals, one of Beirach’s most popular, a classical-influenced, hauntingly melancholic version of ‘Elm’ is a standout piece. Beirach’s infectious latin vamp on the standard ‘You Don’t Know What Love is’ is associated with Chet Baker and a reminder of Beirach’s tenure in his band early on in his career. Approaching the ripe old age of 70, it’s a moment to consider Richie Beirach’s high level achievements as one of America’s greatest living modernist jazz piano stylists. Originally a sideman of both Stan Getz and the aforementioned Baker, Beirach among others has enjoyed a memorably intimate association with the saxophonist Dave Liebman since the 1970s, in bands (Quest, Lookout Farm) that included the legendary Billy Hart whose explosive presence at times on the new CD eclipses entirely his 76 years on the planet. “For Richie,” Huebner explains, “these are his oldest friends, these are the people he grew up with and these are the people he developed his music together” In jazz that development doesn’t come to an end. It’s testament to the exploratory ‘young at heart’ spirit of the grand jazz masters on Live at Birdland New York that not for a second does anyone rest on their considerable laurels.

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Composer(s)

Press

Liebman and Beirach are showing a rare beautiful feeling of harmony.
Jazzflits, 03-10-2016

''A strong contentwise and intelligent album made by two masters that know each other through amd through.''
Jazzenzo, 31-7-2016

Longlist 03/2016
Preis der deutschen Schallplattenkritik, 01-7-2016

The CD do isaccessible and tonally, Liebman plays mostof the time neatly inside the harmonys that Beirach lays down.
Doctor Jazz Magazine, 01-7-2016

4* music/ 4* sound "Their musical communication takes a witty couse, is full of surprising turns and leads to improvisatory climaxes."
Fono Forum, 01-5-2016

"Liebman plays (...) slim and reduced lines which slowly lead away from the themes with increasing duration of the pieces and become multicolord motiv sculptures. Beirach adds thrifty, open voicings, lets cristallinely articulated arpeggios flow, and plays solos with spartan elegance."
Jazzpodium, 01-4-2016

"It is the perfect combination of the wind player's vertical lines and the pianist's horizontal drillings in the depths of space."
Jazzthing, 01-4-2016

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