Holger Groschopp

Music of Ursula Mamlok, Vol. 5

Price: € 19.95
Format: CD
Label: Bridge
UPC: 0090404945724
Catnr: BRIDG 9457
Release date: 01 July 2016
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Label
Bridge
UPC
0090404945724
Catalogue number
BRIDG 9457
Release date
01 July 2016
Album
Artist(s)
Composer(s)
EN
DE

About the album

This fifth CD of compositions by Ursula Mamlok contains works dating from the end of her early studies in New York through to very recent times, with the focus being on music from the beginning and end of that seven-decade span. The composer has always maintained that she found her style and her form of expression in the early 1960s, particularly through her study with Ralph Shapey, and that she viewed everything prior to that as a long, inexorable search on the path that led her there. On the other hand, she recently mentioned the name of Johannes Brahms in response to the question of who represents her aesthetic role model. The compilation of works on this CD suggests how these contrasting, seemingly incompatible statements complement one another and how the tension between them serves as a creative spark.
Posthum veröffentlicht Bridge die fünfte Einspielung mit Werken von Ursula Mamlok aus ihrer Zeit in New York bis kurz vor ihrem Tod im Mai 2015.

Artist(s)

Anthony Korf (conductor)

Heinz Holliger (oboe)

Heinz Holliger, one of the great oboists of our time, was born in Langenthal in the Swiss canton of Berne in 1939. He has made authoritative recordings of the standard repertoire (some with ECM, including a benchmark album of Zelenka's trio sonatas) and considerably enlarged the technical range of his instrument. Many leading composers from Luciano Berio to Isang Yun have written works for him. His conducting career began in 1977 with the Basel Chamber Orchestra. Since then he has stood at the head of all the major orchestras, including the Berlin and Vienna Philharmonics. He studied composition with Sándor Veress and Pierre Boulez. His recordings for ECM include Scardanelli Cycle, his Robert Walser cycle Beiseit, Lieder ohne Worte, the...
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Heinz Holliger, one of the great oboists of our time, was born in Langenthal in the Swiss canton of Berne in 1939. He has made authoritative recordings of the standard repertoire (some with ECM, including a benchmark album of Zelenka's trio sonatas) and considerably enlarged the technical range of his instrument. Many leading composers from Luciano Berio to Isang Yun have written works for him. His conducting career began in 1977 with the Basel Chamber Orchestra. Since then he has stood at the head of all the major orchestras, including the Berlin and Vienna Philharmonics. He studied composition with Sándor Veress and Pierre Boulez. His recordings for ECM include Scardanelli Cycle, his Robert Walser cycle Beiseit, Lieder ohne Worte, the opera Schneewittchen and the Violin Concerto. An earlier version of Romancendres (recorded in 2008) with Christoph Richter and Dénes Várjon, can be heard on the album of the same name.

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Hanna Weinmeister (violin)

Hanna Weinmeister was born in Salzburg and graduated through the Mozarteum in Salzburg whilst still at school. Later, she went to the Musikhochschule in Vienna/Gerhard Schulz and then participated in Zakhar Bron`s masterclass in Lübeck. She is laureate of numerous international competitions, inter alia the International Mozart Competition in Salzburg (1991), the Concours International Jacques Thibaud (1994) and the International Parkhouse Award in London. While working as first concert master at the Opernhaus Zürich, she gives concerts as a soloist and chamber musician with violin and viola. Hanna Weinmeister played as a soloist with Munich and Berlin Philharmonic, SWR Symphony Orchestra Baden-Baden and Freiburg, Mozarteum Orchestra, Bruckner Orchestra Linz and Chamber Orchestra of Europe under the batons of  Franz Welser-Möst, Eliah Inbal and Michael Gielen. Partners in...
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Hanna Weinmeister was born in Salzburg and graduated through the Mozarteum in Salzburg whilst still at school. Later, she went to the Musikhochschule in Vienna/Gerhard Schulz and then participated in Zakhar Bron`s masterclass in Lübeck. She is laureate of numerous international competitions, inter alia the International Mozart Competition in Salzburg (1991), the Concours International Jacques Thibaud (1994) and the International Parkhouse Award in London. While working as first concert master at the Opernhaus Zürich, she gives concerts as a soloist and chamber musician with violin and viola. Hanna Weinmeister played as a soloist with Munich and Berlin Philharmonic, SWR Symphony Orchestra Baden-Baden and Freiburg, Mozarteum Orchestra, Bruckner Orchestra Linz and Chamber Orchestra of Europe under the batons of Franz Welser-Möst, Eliah Inbal and Michael Gielen. Partners in chamber music were, e.g., Heinrich Schiff, Leonidas Kavakos, Heinz Holliger, Gidon Kremer, Alexander Lonquich, Alexei Lubimov and Benjamin Schmid.
Since 1998, she is first concert master at the Opera Zurich Orchestra. Furthermore, she taught at the Conservatory in Bern from 2000 to 2004. Hanna Weinmeister plays a viola by Peter Greiner.

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Kolja Lessing (violin)

Hartmut Rohde (viola)

Hartmut Rohde thrills audiences with his exceptional variety of sonorities, his stylistic versatility, and his historically informed approach to music ranging from the Baroque to contemporary compositions. Rohde’s performances are captivating due to his sheer power of imagination (Frankfurter Allgemeine Zeitung). He is one of the leading and most sought-after European violists. Since 1993 he has held a professorship at the Berlin University of the Arts, and is founding member of the renowned Mozart Piano Quintet which undertakes extensive worldwide tours. His chamber music partners include David Geringas, Janine Jansen, Jörg Widmann, Radovan Vlatkovic, Paul Meyer, Lars Vogt, Kolja Blacher, and Sharon Kam. He has appeared at Carnegie Hall, Wigmore Hall, the Seoul Arts Center and the Amsterdam Concertgebouw, as well...
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Hartmut Rohde thrills audiences with his exceptional variety of sonorities, his stylistic versatility, and his historically informed approach to music ranging from the Baroque to contemporary compositions. Rohde’s performances are captivating due to his sheer power of imagination (Frankfurter Allgemeine Zeitung). He is one of the leading and most sought-after European violists. Since 1993 he has held a professorship at the Berlin University of the Arts, and is founding member of the renowned Mozart Piano Quintet which undertakes extensive worldwide tours. His chamber music partners include David Geringas, Janine Jansen, Jörg Widmann, Radovan Vlatkovic, Paul Meyer, Lars Vogt, Kolja Blacher, and Sharon Kam. He has appeared at Carnegie Hall, Wigmore Hall, the Seoul Arts Center and the Amsterdam Concertgebouw, as well as at a number of outstanding festivals in Berlin, Schleswig-Holstein, Japan, Ravinia (USA), Australia, Heimbach (“Spannungen”), and Jerusalem. Rohde has performed solo viola concertos with renowned orchestras in Munich, Weimar, Bonn, Hannover, and Lithuania, as well as with chamber orchestras from Munich, Lithuania and Basel, collaborating with conductors such as Kent Nagano, Georg Alexander Albrecht, Paavo Järvi, Massimo Zanetti, and Michael Sanderling. Composers of the likes of Brett Dean, Sören N. Eichberg, Ursula Mamlok, Krystof Maratka, Arydas Malcys, David P. Hefti, and Olli Mustonen have written works for him. From 2013 to 2017 he served as Principal Conductor and Artistic Director of the NFM Leopoldinum Chamber Orchestra in Wroclaw. Starting with the 2017/18 season, he is expanding his conducting activities to other orchestras.
Thus in 2019/20 he will go on tour to Vienna (Musikverein), Hamburg (Laeiszhalle), Budapest, Lviv, Slovenia, and Germany with the Budapest Franz Lizst Chamber Orchestra and with Lviv Symphony Orchestra. His appearances as conductor have already led him to perform at the Philharmonie in Berlin, the Tonhalle in Düsseldorf, the Pablo Casals Festival in Prades (France), and the Wratislawia Cantans Festival in Wroclaw. He has made numerous international radio recordings, as well as CDs for EMI Classics, Decca, CAvI-music, BMG/Sony, MDG, CPO, and Naxos. In 2004, he won the Supersonic Award. Hartmut Rohde plays a viola by Giuseppe Fiorini and a viola by Ivo Iuliano.

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Frank Lunte (saxophone)

Composer(s)

Ursula Mamlok

Ursula Mamlok, born 1923 in Berlin began her musical studies at an early age with Gustav Ernest, professor at the Humboldt University. Persecuted by the Nazis she had to leave Berlin in February 1939 going to Guayaquil/Ecuador with her parents. Not being able to continue her studies in Ecuador she sent the manuscripts of her numerous compositions to conservatories in U. S.. The Mannes School of Music in New York gave her a full scholarship and she left without her parents at age 17 for New York in 1940. There her teacher was the conductor George Szell. Ursula Mamlok married Dwight Mamlok in 1947 and returned to school in 1955 to obtain her Bachelor and Master of Music with Vittorio...
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Ursula Mamlok, born 1923 in Berlin began her musical studies at an early age with Gustav Ernest, professor at the Humboldt University. Persecuted by the Nazis she had to leave Berlin in February 1939 going to Guayaquil/Ecuador with her parents. Not being able to continue her studies in Ecuador she sent the manuscripts of her numerous compositions to conservatories in U. S.. The Mannes School of Music in New York gave her a full scholarship and she left without her parents at age 17 for New York in 1940. There her teacher was the conductor George Szell. Ursula Mamlok married Dwight Mamlok in 1947 and returned to school in 1955 to obtain her Bachelor and Master of Music with Vittorio Giannini at the Manhattan School of Music. Already a scholarship at the music institute of Black Mountain College in 1944 gave her the opportunity to work with Ernst Krenek und Eduard Steuermann which started her desire to change her to style from less complex tonal music to complex non tonal sounds. Her study of twelve tone music afforded her to employ Arnold Schönberg‘s system, however modified to suit her own work. Her later studies with Roger Sessions, Jerzy Fitelberg, Stefan Wolpe, and Ralph Shapey proved to be a major influence in her musical development from 1960 on. Ursula Mamlok taught composition at New York Univer sity, Temple University, City University and over 40 years composition at the Manhattan School of Music. Her work list encompasses over 60 works: for orchestra, chamber music, vocal music, compositions for solo instruments as well as music for children. Her works are published by C.F. Peters New York, Mc Ginnis and Marx, Theodore Presser and Furore. Since 2006 Ursula Mamlok lives at her birthplace Berlin.

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Press

Play album
01.
Sonata for Piano Solo: I. Allegro moderato
06:38
02.
Sonata for Piano Solo: II. Poco allegretto scherzando
02:40
03.
The Birds Dream: I. The Mocking Bird/Die Spottdrossel
00:35
04.
The Birds Dream: II. The Sparrow/Der Sperling (Vivo)
00:33
05.
The Birds Dream: III. The Catbird/Die Katzendrossel (Grazioso)
01:07
06.
The Birds Dream: IV. The Nightingale/Die Nachtigall (Lento)
01:14
07.
The Birds Dream: V. The Blackbird/Die Amsel (Poco pesante e misterioso)
00:45
08.
The Birds Dream: VI. The Parrot/Der Papagei (Allegretto scherzando)
00:35
09.
Molto vivo
02:22
10.
Allegro for Violin and Piano
05:57
11.
Sonata for Violin and Piano: I. With fluctuating tension
02:32
12.
Sonata for Violin and Piano: II. Calm and tender
03:47
13.
Sonata for Violin and Piano: III. Agitato
03:56
14.
Sextet: I. With fluctuating tension
04:13
15.
Sextet: II. Very calm
05:12
16.
Sextet: III. Light and airy
03:18
17.
Ruckblick: I. Hurried
00:31
18.
Ruckblick: II. Elegy. Calm
01:54
19.
Ruckblick: III. With energy
01:07
20.
Ruckblick: IV. Lament. Mournful
02:15
21.
Funf Phantasiestucke: I. Unruhig
01:00
22.
Funf Phantasiestucke: II. Schwebend
01:51
23.
Funf Phantasiestucke: III. Munter
00:56
24.
Funf Phantasiestucke: IV. Wie im Traum
02:50
25.
Funf Phantasiestucke: V. Spielerisch
01:20
26.
Above Clouds: I. As in a dream/Wie im Traum
01:32
27.
Above Clouds: II. Scurrying/Huschend
01:46
28.
Above Clouds: III. Calm and tender/Ruhig und zart
03:20
29.
Above Clouds: IV. Capriccioso
02:05
30.
Breezes: I. Slow
02:24
31.
Breezes: II. Quarter note = ca. 52
02:54
show all tracks

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