Jazz Festivals worldwide has seen Alex Sipiagin performing with the likes of Dave Holland, Michael Brecker, the Mingus groups, etc. Born on June 11, 1967 inYaroslavl, Russia, Alex began studying the trumpet at age 12, studying at the Moscow Music Institute and the Gnessin Conservatory in Moscow where hereceived his Baccalaureate. In 1990, Alex participated in the International Louis Armstrong Competition sponsored by the Thelonius Monk Institute in WashingtonD.C. winning top honors and soon after relocated to the jazz mecca of the world, New York City.

Alex soon became a favored player for various bands including the Gil Evans Orchestra, Gil Goldstein's Zebra Coast Orchestra, the George Gruntz ConcertJazz Band, drummer Bob Moses' band Mozamba, Mingus Big Band as well as the Mingus Dynasty and Mingus Orchestra, and the Dave Holland Big Band, Sextetand Octet groups.

In 2003 he recorded with Michael Brecker's Quindectet touringalso with the Michael Brecker Sextet. Alex has also worked with Eric Clapton, Dr.John, Aaron Neville, Elvis Costello, Michael Franks, Dave Sanborn, Deborah Cox, legendary producer Phil Ramone, Gonzalo Rubalcaba, etc., and many of the recordings he has been involved in has been nominated and/or won the Grammy's (Dave Holland Big Band's "What Goes Around," and "Overtime,"Michael Brecker's Qindectet "Wide Angles").

As a soloist, Sipiagin has eleven recordings out to his credit and has toured extensively throughout Europe, U.S., Japan and Russia with his own group. Healso teaches at the Groningen Prince Claus Conservatory, Academy of Music, Basel, Switzerland as well steady professorship at NYU.

Recorded 15 solo albums for one of prestiges jazz label "CrissCrossJazz" His recent album of his compositions and arrangements "Balance 38-58" features such noted musicians as Eric Harland, David Binney, Adam Rogers and Matt Brewer.

Originally from London, Alto Saxophonist/Composer Will Vinson moved to New York City in 1999 and has remained there ever since. Since his arrival, he has appeared and/or recorded with Gonzalo Rubalcaba, Kurt Rosenwinkel, Ari Hoenig, Marcus Gilmore, Chris Potter, Kurt Elling, Lage Lund, Aaron Parks, and many others. Will is a member of a number of leading ensembles, including pianist Gonzalo Rubalcaba’s Quartet (he appears on Charlie and the Grammynominated Caminos), Ari Hoenig’s Punk Bop and Nonet (Will appears on Inversations, Bert’s Playground and Live at Smalls), Miguel Zenon’s Identities Orchestra (Garmmy-nominated for Identities are Changeable), and his own groups featuring, among others, Lage Lund, Jeff Ballard, Aaron Parks, Kurt Rosenwinkel, Shai Maestro and Mike Moreno. In 2012, along with bassist Orlando le Fleming and guitarist Lage Lund, he formed the critically acclaimed OWL Trio, whose eponymous debut in 2013 was hailed by critics and listeners alike.
Downbeat declared: “Everything about this album,which should contend for debut of the year honors,is a resounding success.The music swings effortlessly,every utterence is gorgeous and the recording is intimate and beautiful", while All About Jazz noted that "the chemistry, sensitivity and simpatico sensibilities exhibited by these three young men are evident at every turn....OWL Trio is one of those records that finds power in quiet expression, not raised volume or aggression. Lund, Vinson and le Fleming make for an absorbing combination" Will has an international reputation as a leader and sideman. All About Jazz New York describes Will as playing “with a relentless force”. Thomas Michelsen of Denmark’s Politiken, hails this “very exciting saxophonist” with a “beautiful, softly modulating tone”, and John Fordham of The Guardian described a "superb solo of rugged leathery sounds turning into mellifluous high notes” with “secure control and storming energy". Time Out London calls will an "exciting young altoist with a lethal approach to writing and soloing”. Will has released 5 CD’s as a leader/composer. It’s For You (Sirocco Jazz, 2004) was described as “combining a thoughtful originality of conception with energy and fluidity of execution in very satisfying proportions” (Jazzwise magazine), and “an auspicious debut, an album that is as mature in its conception as it is in its execution” (All About Jazz New York).
Will’s second CD, Promises (NineteenEight Records), was described as “impressive” and “coolly restrained” by Nate Chinen of the New York Times. 2010 saw the release of two CD's: The World (Through My Shoes), a live recording was described as "marvelous" by Downbeat and "exhilarating, cascading... outstanding" by Jazz Times. Stockholm Syndrome (Criss Cross Records) came out in September 2010. 2013 saw the release of Live at Smalls, one of the most successful albums on the Smalls Live label.
2016 sees the release of Will’s debut recording for 5Passion, Perfectly Out of Place, featuring an all-star group: Mike Moreno on guitar, Gonzalo Rubalcaba on piano, Matt Penman on bass and Jeff Ballard on drums. Will has appeared with his own group and as a sideman in the USA, Canada, the UK, France, Germany, Norway, Sweden, Denmark, Italy, Spain, Ireland, Portugal, The Netherlands, Belgium, Austria, Switzerland, Australia and Japan. His musical experience has not been limited to Jazz.
Will is a member of Rufus Wainwright’s band, which toured for 10 months in 2007/8. He has also performed, arranged and/ or recorded with Sufjan Stevens, Sean Lennon, Martha Wainwright, Beth Orton and Harper Simon. Will's saxophone playing is executed with incredible power and dramatic sensitivity, and is characterized by his imposing sound and technique; influenced by saxophonists from Cannonball to Chris Potter, he nevertheless brings his own unique approach to every performance. Will's writing, and the playing of his colleagues, combines a great respect for the century-long jazz tradition with explorations into the rhythmic, harmonic and melodic realms of contemporary forms.

Chris Potter was born in Chicago, Illinois, but his family soon moved to Columbia, South Carolina, where he spent his formative years. Potter showed an early interest in a wide variety of different music and easily learned several instruments including the guitar and piano. He quickly realized after hearing Paul Desmond that the saxophone would be the vehicle that would best allow him to express himself musically.
He played his first professional jazz gig on alto sax at age thirteen after mastering the complex musical language of Charlie Parker. He developed a devoted local following while performing with the Columbia jazz musicians Johnny Helms and Terry Rosen, as well as with others in the jazz community.
After leaving Columbia upon his graduation from Dreher High School, Potter attended college in New York City, first at the New School, and later at the Manhattan School of Music. Upon his arrival in New York he began performing with Red Rodney and gained a reputation as a rising new star of the saxophone.

Matt Brewer was born in Oklahoma City but spent most of his youth in Albuquerque, New Mexico. Born into a musical family, Matt was surrounded by music from an early age, both his father and grandfather being jazz musicians, and his mother an avid music lover and radio DJ (who, even before Matt was born, would play classic jazz albums for him). After graduating from the Interlochen Arts Academy, Matt attended the inagural class of The Juilliard Jazz Program and studied with bassists Rodney Whitaker and Ben Wolfe. After spending two years at Juilliard he decided to leave school to make time for his busy touring schedule. Since then he has worked with artists such as Greg Osby, Gonzalo Rubalcaba, Lee Konitz, David Sanchez, Terence Blanchard, Antonio Sanchez, Vijay Iyer, Adam Rogers, Steve Coleman, Dave Binney, Aaron Parks, Jeff “Tain” Watts, and many others. He recently recorded his second album as a leader on the Criss Cross Jazz label. He is an adjunct faculty member at The New School, and has been a frequent guest artist/teacher at the Banff Center.