Pinheiro / Ineke / Cavalli

Triplicity

Price: € 14.95
Format: CD
Label: Daybreak
UPC: 0608917471229
Catnr: DBCHR 75227
Release date: 05 October 2018
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Label
Daybreak
UPC
0608917471229
Catalogue number
DBCHR 75227
Release date
05 October 2018

"A revised hard bop with a wide range of covers from Morricone, Golson, Shearing, Jobim and Ned Washington. This is really custom work, everyone is perfect in solos and interactivity with the others."

Le Soir, 13-5-2020
Album
Artist(s)
Composer(s)
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About the album

The Pinheiro-Ineke-Cavalli trio departs from a musical relationship developed in the last five years by the historic Dutch drummer Eric Ineke, the Italian double-bass player Massimo Cavalli and Portuguese guitarist Ricardo Pinheiro. After their cd collaboration as quintet with the famous saxophonist David Liebman and pianist Mário Laginha in Is Seeing Believing? (DBCHR 75224), these three experienced musicians developed a studio trio conversation departing mainly from jazz standards arranged especially for this project. This trio has played several concerts in Portugal that resulted in the development of a group sound that, coming from the jazz tradition, incorporates new and creative ways of approaching jazz repertoire. The international character of this trio brings a fresh, diverse and complying sound that will certainly please jazz afficionados
Das Trio Pinheiro-Ineke-Cavalli ist die musikalische Partnerschaft, welche in den letzten fünf Jahren durch den legendären niederländischen Schlagzeuger Eric Ineke zusammen mit dem italienischen Kontrabassisten Massimo Cavalli und dem portugiesischen Gitarristen Ricardo Pinheiro geprägt wurde. Nach ihrer Zusammenarbeit als Quintett mit dem großen Saxophonisten David Liebman und dem Pianisten Mário Laginha in ‘‘Is Seeing Believing?‘‘ (DBCHR 75224) entwickelten diese drei erfahrenen Musiker ein Studio-Trio-Gespräch, das hauptsächlich von eigens für dieses Projekt arrangierten Jazz-Standards abweicht. Dieses Trio hat mehrere Konzerte in Portugal gespielt, die zur Entwicklung eines Gruppenklangs geführt haben, der aus der Jazztradition heraus neue und kreative Wege der Annäherung an das Jazzrepertoire aufzeigt. Der internationale Charakter dieses Trios bringt einen frischen, abwechslungsreichen und kompromisslosen Sound, der den Jazzliebhabern gefallen wird.

Artist(s)

Eric Ineke (drums)

Eric Ineke ( b. April 1(!), 1947), mostly self-taught, began playing gigs in late 1964 with people like Ferdinand Povel, Rob Madna, Piet Noordijk, Wim Overgaauw and Frans Elsen. From 1971 until 1989 he was a member of the now legendary Rein de Graaff/Dick Vennik Quartet. He toured through Europe accompanying a lot of visiting American and European musicians, such as: Dexter Gordon, Johnny Griffin, Don Byas, George Coleman, Al Cohn, Lee Konitz, Dizzy Gillespie, Charles McPherson, Dave Pike, Doug Raney, Frank Foster, Frank Wess, Curtis Fuller, Bud Shank, David Liebman and played on numerous Jazz festivals in Europe and the USA. He was the drummer behind  Jimmy Raney on almost all of his European tours. Since 1984 Eric Ineke is...
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Eric Ineke ( b. April 1(!), 1947), mostly self-taught, began playing gigs in late 1964 with people like Ferdinand Povel, Rob Madna, Piet Noordijk, Wim Overgaauw and Frans Elsen. From 1971 until 1989 he was a member of the now legendary Rein de Graaff/Dick Vennik Quartet. He toured through Europe accompanying a lot of visiting American and European musicians, such as: Dexter Gordon, Johnny Griffin, Don Byas, George Coleman, Al Cohn, Lee Konitz, Dizzy Gillespie, Charles McPherson, Dave Pike, Doug Raney, Frank Foster, Frank Wess, Curtis Fuller, Bud Shank, David Liebman and played on numerous Jazz festivals in Europe and the USA. He was the drummer behind Jimmy Raney on almost all of his European tours.
Since 1984 Eric Ineke is member of the Dutch Jazz Orchestra that went to the USA in 1995 to play a concert for the Duke Ellington-conference in Pittsburgh and also recorded the Music of Billy Strayhorn (CHR70089/92). In 1990 he started as a teacher at the Royal Conservatory in The Hague. In 1999 he formed the Wolfert Brederode/Eric Ineke Quintet and recorded the CD's "Trinity" and "Pictures of You" (A-records). With David Liebmann and Marius Beets he recorded “Lieb Plays Wilder” (DBCHR75214).
In 2006, Eric Ineke’s JazzXpress came about. “While driving to a gig with David Liebman in Antwerp, Belgium, Dave said it was about time I started my own hardbop group. ‘You should do this, and ask some good youngsters.’ That night, Marius Beets was on bass and tenor saxophonist Sjoerd Dijkhuizen came by. Marius said: ‘This is what we’ve been waiting for!’ Sjoerd immediately asked if he could be part of it. Of course he could!” For the piano chair Eric asked Rob van Bavel, with whom he had developed ‘a great rhythmic rapport’ after they both had been part of the Piet Noordijk Quartet and the high-energy Jarmo Hoogendijk/Ben van den Dungen Quintet. Young trumpet sensation Rik Mol – just 22 while I’m writing this - was recommended by his former teacher Jarmo Hoogendijk, who had to retire from stage because of a lip injury.
The band’s name was made up by Eric’s fellow musicians. “They decided that my name should be part of it, and they invented the word Xpress, with the capital X. It looks good on jazz club and festival posters.”
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Massimo Cavalli (double bass)

Composer(s)

Ennio Morricone

With the soundtracks for well-known movies such as A Fistful Of Dollars (1965), The Good The Bad And The Ugly (1966) en The Untouchables (1987), Ennio Morricone established himself as one of the best film composers of his generation. The Italian was born in 1928 in Rome and turned out to be gifted at an early age: he wrote his first composition when he was only six years old. (Source: Muziekweb.nl)
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With the soundtracks for well-known movies such as A Fistful Of Dollars (1965), The Good The Bad And The Ugly (1966) en The Untouchables (1987), Ennio Morricone established himself as one of the best film composers of his generation. The Italian was born in 1928 in Rome and turned out to be gifted at an early age: he wrote his first composition when he was only six years old.
(Source: Muziekweb.nl)
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Benny Golson

Benny Golson (b. 1929, Philadelphia) has been a major tenor-saxophonist and composer for over a half-century. He began his career playing with the r&b band of Bull Moose Jackson in 1951 and with other local groups in Philadelphia. Golson worked with Tadd Dameron in 1953, the Lionel Hampton Big Band, Johnny Hodges and Earl Bostic. His Stablemates was recorded by Miles Davis in 1955. Golson, whose tenor playing during the era was influenced by Don Byas and Lucky Thompson, gained his first fame as a member of the Dizzy Gillespie big band of 1956-58. He helped to make Art Blakey's Jazz Messengers into an important jazz institution through his professionalism and compositions during 1958-59, and during 1960-62 he co-led the Jazztet...
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Benny Golson (b. 1929, Philadelphia) has been a major tenor-saxophonist and composer for over a half-century. He began his career playing with the r&b band of Bull Moose Jackson in 1951 and with other local groups in Philadelphia. Golson worked with Tadd Dameron in 1953, the Lionel Hampton Big Band, Johnny Hodges and Earl Bostic. His Stablemates was recorded by Miles Davis in 1955.
Golson, whose tenor playing during the era was influenced by Don Byas and Lucky Thompson, gained his first fame as a member of the Dizzy Gillespie big band of 1956-58. He helped to make Art Blakey's Jazz Messengers into an important jazz institution through his professionalism and compositions during 1958-59, and during 1960-62 he co-led the Jazztet with Art Farmer. During that era he wrote such standards as Killer Joe, I Remember Clifford, Whisper Not, Blues March and Along Came Betty.
After his long period in the studios, Golson emerged in 1977 with a freer style and a different tone, resuming his role as a prolific musician. He has led his own quartet ever since and is still active today at 81.

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Press

A revised hard bop with a wide range of covers from Morricone, Golson, Shearing, Jobim and Ned Washington. This is really custom work, everyone is perfect in solos and interactivity with the others.
Le Soir, 13-5-2020

'Triplicity' is one of the most exceptional guitar productions that have appeared in jazz in recent years.
Jazzenzo, 02-12-2018

It is precisely this trio format that offers drummer Eirc Ineke many opportunities to demonstrate the subtleties in his play.
Jazz Bulletin, 01-12-2018

The Portuguese guitarist Ricardo Pinheiro gets inspiration from many sources, even Ennio Morricone. But it’s the way Pinheiro and his mates Massimo Cavalli and Eric Ineke treat standards that makes Triplicity remarkable.
Flophouse Magazine, 24-10-2018

Play album

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