The Antwerp Symphony Orchestra is the symphony orchestra of Flanders and is based in the new Queen Elisabeth Hall in Antwerp. Under the baton of Chief Conductor Elim Chan (from the 2019-2020 season) and Principal Guest Conductor Philippe Herreweghe the orchestra wants to move and inspire a large and diverse audience through top-level concert experiences.

Thanks to its own series of concerts in large venues, the Antwerp Symphony Orchestra occupies a unique position in Flanders. The Antwerp Symphony Orchestra has also been a guest of some major foreign concert halls: the Musikverein and Konzerthaus in Vienna, the Festspielhaus in Salzburg, the Amsterdam Concertgebouw, the Suntory Hall and the Bunka Kaikan Hall in Tokyo, the Philharmonie of Cologne and Munich, the Palace of Art in Budapest and the National Grand Theatre of Beijing. International concert tours through Europe and Asia are a constant item on the yearly calendar.

Alongside its regular concerts, the orchestra attaches great value to developing educational and social projects, offering children, youngsters, and people with different social backgrounds the opportunity to get acquainted with the symphony orchestra from close quarters.

The Antwerp Symphony Orchestra collaborates with major classical music labels and several of the orchestra's CDs received acclaim by the professional press. The orchestra also curates its own label, focusing on the main orchestral repertoire, Belgian composers and contemporary music.

Jan Willem de Vriend is the artistic director of Combattimento Consort Amsterdam and since 2006 the chief conductor and artistic director of the Netherlands Symphony Orchestra.
Combattimento Consort Amsterdam devotes itself to the music of about 1600 to 1830. Since its founding in 1982, it has performed virtually throughout the world as well as on many CDs, DVDs and television productions.
Since De Vriend was named chief conductor in 2006, the Netherlands Symphony Orchestra has become a notable phenomenon on the Netherlands’ musical scene. It has presented semi-scenic performances of works by Mozart, Beethoven, Strauss and Mendelssohn. There were premieres of works by Offenbach, Say and Mahler. And by substituting historical instruments in the brass section, it has developed its own distinctive sound in the 18th- and 19th-century repertoire. Recently, the orchestra performed music by Schumann at festivals in Spain. The release of Beethoven’s complete symphonies, conducted by De Vriend, is a big project which starts with the release of this current CD. Also the orchestra's long Mahler tradition is being continued in recordings and tours.
De Vriend has been a guest conductor with the Netherlands Radio Philharmonic Orchestra, the Netherlands Radio Chamber Philharmonic, the Netherlands Philharmonic Orchestra, The Hague Philharmonic and the Royal Concertgebouw Orchestra, as well as orchestras in Germany, Sweden and Australia. He is often invited to conduct both in the Netherlands and abroad. He has engagements pending, for example, with The Hague Philharmonic, the Royal Concertgebouw Orchestra as well as orchestras in China, Germany, Austria and Italy.

Martyn Brabbins was appointed music director of the English National Opera in 2016. An inspirational force in British music, Brabbins has had a busy opera career since his early days at the Kirov and more recently at La Scala, the Bayerische Staatsoper, and regularly in Lyon, Amsterdam, Frankfurt and Antwerp. He is a popular figure at the BBC Proms and with many of the UK’s top orchestras, and regularly conducts top international orchestras such as the Royal Concertgebouw Orchestra, Tokyo Metropolitan Symphony Orchestra and Deutsches Symphonie- Orchester Berlin.

Known for his advocacy of new music and particularly of British composers, he has conducted hundreds of world premières across the globe. He has recorded over 120 CDs to date, including prizewinning discs of operas by Korngold, Birtwistle and Harvey. He was associate principal conductor of the BBC Scottish Symphony Orchestra (1994–2005), principal guest conductor of the Royal Flemish Philhar- monic (2009–15), chief conductor of the Nagoya Philharmonic Orchestra (2012– 16) and artistic director of the Cheltenham International Festival of Music (2005– 07), and in 2016 was appointed visiting professor at the Royal College of Music.

Edo de Waart established a notable conducting career in the last third of the 20th century, becoming known for clear, exciting performances in a wide range of repertory. He came from a musical family, being the son of a choral singer. He studied oboe with Haakon Stotijn and also conducting at the Music Lyceum in Amsterdam. He became co-principal oboe of the Amsterdam Philharmonic in 1961 and associate principal of the Concertgebouw Orchestra in 1963. Meanwhile, he studied conducting, including a course with Franco Ferrara at Hilversum in 1964. This led to a debut with the Netherlands Radio Philharmonic in 1964. That same year he won the prestigious Dimitri Mitropoulos Conductors' Competition in New York, which resulted in a year-long appointment as an assistant conductor of the New York Philharmonic (1965-66). He became assistant conductor of the Amsterdam Concertgebouw under Bernard Haitink in 1966. He made an impressive recorded debut with the Netherlands Wind Ensemble, which he founded in 1967, including classic recordings of Mozart wind music. He was also appointed co-music director of the Rotterdam Philharmonic with Jean Fournet, becoming sole music director when Fournet vacated his appointment in 1973. His association with the Rotterdam Philharmonic, which lasted until 1979, became noted for firm, exciting orchestral performances and intriguing choices of repertory. In 1975 he became principal guest conductor of the San Francisco Symphony Orchestra, and was elevated to music director in 1977. Although the orchestra was often capable of fine performances, it was variable and had weaknesses. De Waart lifted its standards, turning it into a consistently fine orchestra. In 1985 he conducted an acclaimed series of the complete Wagner Ring operas in San Francisco.
Over the years he has made many appearances as an opera conductor, including Bayreuth, Covent Garden, the Santa Fe Opera, Paris' Bastille Opera, and the Metropolitan Opera. He conducted the first recording of Adams' Nixon in China, which won a Grammy Award in 1988. In 1996 he debuted at the Salzburg Festival with Mozart's The Marriage of Figaro.
In 1993 he was appointed chief conductor and artistic director of the Sydney (Australia) Symphony Orchestra, and in August 1995 led it on its first European tour in 20 years. In 1996 he took it on its first tours of Japan and Taiwan, and in 1998, on an American tour. He was appointed artistic director of the Netherlands Dutch Radio and Television Organization, and chief conductor of the Netherlands Radio Philharmonic. At the beginning of the 1999-2000 season he began his tenure as chief conductor of the Netherlands Opera. In that year de Waart became music director of the Hong Kong Philharmonic, with his contract extended until 2012. He assumed responsibilities as musical director of the Milwaukee Symphony Orchestra in 2009. An advocate of modern and contemporary music, he has conducted the work of Reich, Torke, Wuorinen, and Britten.