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Music for the Gentle Man

Klaus Koenig Jazz Live Trio

Music for the Gentle Man

Price: € 19.95
Format: CD
Label: TCB The Montreux Jazz Label
UPC: 0725095362023
Catnr: TCB 36202
Release date: 01 November 2019
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Label
TCB The Montreux Jazz Label
UPC
0725095362023
Catalogue number
TCB 36202
Release date
01 November 2019

"... For the instrumentalist Koenig, the overcoming of technical resistance was more a chance to consolidate and concentrate his playing than a handicap..."

Weltwoche, 01-9-2020
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Artist(s)
Composer(s)
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About the album

Klaus Koenig about The Jazz Live Trio: “The Jazz Live Trio has a commission by the Swiss radio station to put together an in-house trio for a jazz concert series to thank for its very existence. Between 1964 and 1982, we were able to take on this demanding task a total of 111 times, with many different people making up the trio. The fellow musicians who played with me for the longest were the bassist Isla Eckinger, then Peter Frei and the drummers Pierre Favre and Peter Schmidlin, who went on to found the jazz label TCB.

“We were enormously lucky that at the time there were a large number of world-class American musicians living in Europe, who were always available for radio gigs. We were also able to play with some of them later outside of the radio environment, such as Slide Hampton, Dexter Gordon, Booker Ervin or Sal Nistico. More often still we were able to play with Lee Konitz, and for some time as a regular fixed quartet with Johnny Griffin. Thirteen CDs are available from TCB and bring this radio concert series back to life.

“Our many years working with Franco Ambrosetti, which were primarily in Italy, and the young Roman Schwaller, were unforgettable.

“The desire to work with like-minded people to take the risk of developing our own group music which did not follow standard patterns over a long period of testing led to us forming our sextet Magog, whose first appearance at the Montreux Jazz Festival in 1973 immediately led to unexpectedly high levels of success with both the audience and the international press. The recording of the concert was published a little later as an LP by Evasion. A studio production with Japo/ECM followed. Both recordings are now back on the market as CDs (TCB Ol 232 and TCB 02 302). For me, Magog, with Hans Kennel, Andy Scherrer, Paul Haag and my trio including Peter Frei and Peter Schmidlin, were the highlights of my long musical career, and something that can possibly only ever be achieved once. We were probably in the right place at the right time, as my friend Peter Schmidlin once said.

“Working purely as a trio was predominantly in Italy, where we were not quite as well-known as an accompanied trio. I have a very strong link to this country. This is possibly why we found such welcoming ears there.

“In 1997/1998, focal dystonia put a temporary end to my work as a musician. Only in 2012/13 was I able to get back to the stage, after a lot of mostly unsuccessful treatment. This was with restricted abilities, as dystonia is incurable. But with the exciting challenge of using the restriction to create my own message and to develop my own distinctive style, I brought the trio back to live with the two young and highly talented musicians Patrick Sommer on bass and Andi Wettstein on drums. A year later, we founded the quintet Seven Things, bringing the trio together with Daniel Schenker and Christoph Merki, with whom I had worked as Magog 2 before my illness. Our first quintet CD Piazza Rotonda (TCB 33 102) was given the highest award of five stars in Jazz'N'More. The first trio CD, Nausikaa, (TCB 32 502) also received positive reviews both here and abroad. Our second Seven Things CD Seven Things I Always Wanted To Say" (TCB 35 402) will be released in Moods on my 80th birthday in October 2016, our second trio record Night Thoughts (TCB 35 202) in Baden in April 2017.
Das Jazz Live Trio verdankt seine Entstehung einem Auftrag des Schweizer Radios SRF, für eine Jazzkonzert-Reihe ein Haustrio zu stellen, um die einzuladenden Solisten zu begleiten. Von 1964 - 82 haben wir 111 Mal diese anspruchsvolle Aufgabe übernehmen dürfen. Mit mehrfach wechselnder Besetzung des Trios. Meine wichtigsten Mitspieler waren die Bassisten Isla Eckinger, dann für sehr lange Zeit Peter Frei, und die Schlagzeuger Pierre Favre und Peter Schmidlin, der spätere Gründer des Jazzlabels TCB.

Ein enormer Glücksfall war für uns der damalige Aufenthalt einer größeren Anzahl von US- amerikanischen Weltklassemusikern in Europa, die für einen Rundfunk-Gig immer zu haben waren. Mit manchen von ihnen haben wir später auch ausserhalb des Radios arbeiten können. Mit Slide Hampton oder Dexter Gordon etwa. Häufiger noch mit Lee Konitz und - für einige Zeit als reguläres festes Quartett - mit Johnny Griffin. Bei TCB sind 13 CDs greifbar, die diese Radio-Konzertreihe im Querschnitt wieder erlebbar macht.

Doch unvergessen bleibt auch unsere mehrere Jahre währende Arbeit mit Franco Ambrosetti, die vor allem in Italien stattfand, und mit dem jungen Roman Schwaller.

Der Wunsch, mit einigen Gleichgesinnten das Wagnis einzugehen, in langer Probenarbeit eine eigene Gruppenmusik zu entwickeln, die keinen eingefahrenen Gleisen folgt, führte zu unserem Sextett "Magog", dessen erster Auftritt am Montreux Jazzfestival 1973 gleich zu einem unerwartet grossen Erfolg beim Publikum und der internationalen Presse führte. Der Konzertmitschnitt erschien wenig später bei Evasion als LP. Eine Studio-Produktion bei Japo/ECM folgte wenig später. Beide Aufnahmen sind als CD heute wieder auf dem Markt (TCB 01 232 und TCB 02 302). Magog, mit Hans Kennel, Andy Scherrer, Paul Haag und meinem Trio mit Peter Frei und Peter Schmidlin, steht für mich als ein Höhepunkt in meinem langen Musikerleben, wie man ihn vielleicht nur einmal erreichen kann. Wir waren wohl zur richtigen Zeit am richtigen Ort, wie es mein Freund Peter Schmidlin einmal ausgedrückt hat.

Die reine Trio-Arbeit kam vor allem in Italien zum Zug, wo wir nicht so sehr als Begleittrio gestempelt waren. Ich habe eine starke Beziehung zu diesem Land. Vielleicht war das der Grund, warum wir dort solch offene Ohren fanden.
1997/8 machte eine "fokale Dystonie" meiner Arbeit als Musiker ein vorläufiges Ende. Erst 2012/3 konnte ich nach vielen meist erfolglosen Therapien wieder auf die Bühne zurückkehren. Mit eingeschränkten Mitteln, denn eine Dystonie ist nicht heilbar. Aber mit der aufregenden Herausforderung, die Beschränkung zu einer eigenständigen Aussage, zur Ausbildung eines ausgeprägten Personalstils zu nutzen, habe ich mit den beiden jungen Hochbegabungen Patrick Sommer, b, und Andi Wettstein, dr, das Trio zu neuem Leben erweckt. Wenig später erarbeiteten wir mit Daniel Schenker und Christoph Merki, mit denen ich vor meiner Erkrankung als "Magog 2" zusammen gearbeitet hatte, das Quintett "Seven Things". Unsere erste Quintett-CD "Piazza Rotonda" (TCB 33 102) wurde im "Jazz'N'More" mit der Höchstzahl von fünf Sternen ausgezeichnet. Die erste Trio-CD "Nausikaa" (TCB 32 502) erhielt ebenfalls im In- und Ausland sehr positive Besprechungen. Unsere zweite Seven Things-Scheibe wird im Oktober 2016 an meinem 80. Geburtstag im "Moods" "released" werden; eine zweite Aufnahme mit dem Trio dann im April 17 in Baden. Musik für weitere CDs liegt bereit.
Klaus Koenig.

Artist(s)

Klaus Koenig (piano)

KLAUS KOENIG, p, composition, studied at the Acoustic Institute of the University of Music in Detmold, which he left in 1962 with a degree in sound engineering (with a distinction). He worked as a recording manager for the Swiss radio station SFR in Zurich until 1997. Alongside this he developed several hundred shows for the jazz department. In 1964 the radio station made him responsible for accompanying guest soloist in the radio concert series 'Jazz Live'. His 'Jazz Live Trio', the most important players in which included Isla Eckinger, Peter Frei as a bassist, Peter Schmidlin and Pierre Favre as drummers - could be heard in more than 100 live broadcasts with soloists from around the world until 1982. The...
more
KLAUS KOENIG, p, composition, studied at the Acoustic Institute of the University of Music in Detmold, which he left in 1962 with a degree in sound engineering (with a distinction). He worked as a recording manager for the Swiss radio station SFR in Zurich until 1997. Alongside this he developed several hundred shows for the jazz department. In 1964 the radio station made him responsible for accompanying guest soloist in the radio concert series "Jazz Live". His "Jazz Live Trio", the most important players in which included Isla Eckinger, Peter Frei as a bassist, Peter Schmidlin and Pierre Favre as drummers - could be heard in more than 100 live broadcasts with soloists from around the world until 1982. The performers included many top American and European musicians such as Art Farmer, Dexter Gordon, Slide Hampton, Clark Terry, Benny Bailey, Phil Woods, Cliff Jordan, Kenny Wheeler and Albert Mangelsdorff. A 13-CD series by TCB documents this series of concerts. Longer-term links were established with Johnny Griffin, Lee Konitz, Sal Nistico, Franco Ambrosetti, Gianni Basso, Roman Schwaller and others. The group "Magog", made up of Hans Kennel, Andy Scherrer, Paul Haag and the Jazz Live Trio, was formed on his initiative in 1973 and enjoyed a great degree of international success. The collaboration with the actor and reciter Gert Westphal in a "jazz and lyrics" programme spanned several decades. A "classics and jazz" programme developed over several years with the classical pianist Annette Weisbrod. Participation in around 25 commercial recordings. Work on musical theory (on the tempering of keyboard instruments in old music) and musical education (piano voicing). In 1998 he had to stop his musical activity due to an illness in both of his hands. After many years of therapy, the 2012/2013 season with the old/new "Jazz Live Trio" and the 2013/2014 season with the "Seven Things" quintet with Dani Schenker, Christoph Merki and the trio meant a return to the music scene.

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Patrick Sommer (double bass)

PATRICK SOMMER, b, composition, born in 1976. Patrick studied contrabass and electric bass at the Swiss Jazz School in Bern and in Los Angeles. He lives in Zurich and works as a freelance musician. A solid feeling for timings, a broad stylistic and instrumental range, an unswerving taste and his ability to adapt make him one of the most in-demand bassists on the Swiss music scene. He holds regular concerts both in Switzerland and abroad and is involved in theatre and dance projects as a musician and composer. Selected discography: Tony Renold Quartet: Places (Unit Records 2011); Pius Baschnagel's Latin World: Son Song (Altrisuoni 2011); Martin Lechner: Gentlemen Are Hard To Find (BHM 2011); Bucher Sommer Friedli & Aeby: Expanding (Dryrecords...
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PATRICK SOMMER, b, composition, born in 1976. Patrick studied contrabass and electric bass at the Swiss Jazz School in Bern and in Los Angeles. He lives in Zurich and works as a freelance musician. A solid feeling for timings, a broad stylistic and instrumental range, an unswerving taste and his ability to adapt make him one of the most in-demand bassists on the Swiss music scene. He holds regular concerts both in Switzerland and abroad and is involved in theatre and dance projects as a musician and composer.
Selected discography: Tony Renold Quartet: Places (Unit Records 2011); Pius Baschnagel's Latin World: Son Song (Altrisuoni 2011); Martin Lechner: Gentlemen Are Hard To Find (BHM 2011); Bucher Sommer Friedli & Aeby: Expanding (Dryrecords 2011); Bucher 5: Here And There (Unit Records 2010); Limber Lumber - Rösli Sommer Sartorius: Diapassion (Unit Records 2010); Tim Kleinert Trio: Free Passage To Now (Covariance 2010); Peter Zihlmann & TOW Orchestra: Tales Of The Old World (Unit Records 2010); Roli Frei & The Soulful Desert: Strong (Sound Service 2010); Adrian Frey Trio: No Flags (Unit Records 2010); Julian Amacker Universe: A Tea And Me (FF Records 2009); Marianne Racine Quartet: Jazz (2009); Patrick Sommer: Speechless (Rock Archive 2009); Bucher Sommer Friedli: Farb (Dryrerecords 2008); The Moondog Show: Marfa (Fazerecords 2007); Tony Renold Quartet: Timeless Flow (Universal Records 2005); Lisette Spinnler Quartet: in Between (TCB Records 2004). He has been playing for the Jazz Live Trio since 2012.
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Andi Wettstein (drums)

ANDI WETTSTEIN, dr, born in 1978. Studied the drums at the Musicians Institute in Los Angeles and at the Zurich University of the Arts. His active involvement in concerts has brought him together with, among many others, Franco Ambrosetti, Peter Madsen, Theo Kapiladis, Adrian Frey and Tobias Preisig. In addition to his artistic work, he also teaches at the Staufen School of Music. Future projects: The Murder Of Amus Ames, Mistura, Markus Bischof Trio, Ray Bourbon, Kabel, Jazz Live Trio. 
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ANDI WETTSTEIN, dr, born in 1978. Studied the drums at the Musicians Institute in Los Angeles and at the Zurich University of the Arts.
His active involvement in concerts has brought him together with, among many others, Franco Ambrosetti, Peter Madsen, Theo Kapiladis, Adrian Frey and Tobias Preisig.
In addition to his artistic work, he also teaches at the Staufen School of Music.
Future projects: The Murder Of Amus Ames, Mistura, Markus Bischof Trio, Ray Bourbon, Kabel, Jazz Live Trio.
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Composer(s)

Klaus Koenig (piano)

KLAUS KOENIG, p, composition, studied at the Acoustic Institute of the University of Music in Detmold, which he left in 1962 with a degree in sound engineering (with a distinction). He worked as a recording manager for the Swiss radio station SFR in Zurich until 1997. Alongside this he developed several hundred shows for the jazz department. In 1964 the radio station made him responsible for accompanying guest soloist in the radio concert series 'Jazz Live'. His 'Jazz Live Trio', the most important players in which included Isla Eckinger, Peter Frei as a bassist, Peter Schmidlin and Pierre Favre as drummers - could be heard in more than 100 live broadcasts with soloists from around the world until 1982. The...
more
KLAUS KOENIG, p, composition, studied at the Acoustic Institute of the University of Music in Detmold, which he left in 1962 with a degree in sound engineering (with a distinction). He worked as a recording manager for the Swiss radio station SFR in Zurich until 1997. Alongside this he developed several hundred shows for the jazz department. In 1964 the radio station made him responsible for accompanying guest soloist in the radio concert series "Jazz Live". His "Jazz Live Trio", the most important players in which included Isla Eckinger, Peter Frei as a bassist, Peter Schmidlin and Pierre Favre as drummers - could be heard in more than 100 live broadcasts with soloists from around the world until 1982. The performers included many top American and European musicians such as Art Farmer, Dexter Gordon, Slide Hampton, Clark Terry, Benny Bailey, Phil Woods, Cliff Jordan, Kenny Wheeler and Albert Mangelsdorff. A 13-CD series by TCB documents this series of concerts. Longer-term links were established with Johnny Griffin, Lee Konitz, Sal Nistico, Franco Ambrosetti, Gianni Basso, Roman Schwaller and others. The group "Magog", made up of Hans Kennel, Andy Scherrer, Paul Haag and the Jazz Live Trio, was formed on his initiative in 1973 and enjoyed a great degree of international success. The collaboration with the actor and reciter Gert Westphal in a "jazz and lyrics" programme spanned several decades. A "classics and jazz" programme developed over several years with the classical pianist Annette Weisbrod. Participation in around 25 commercial recordings. Work on musical theory (on the tempering of keyboard instruments in old music) and musical education (piano voicing). In 1998 he had to stop his musical activity due to an illness in both of his hands. After many years of therapy, the 2012/2013 season with the old/new "Jazz Live Trio" and the 2013/2014 season with the "Seven Things" quintet with Dani Schenker, Christoph Merki and the trio meant a return to the music scene.

less

Press

... For the instrumentalist Koenig, the overcoming of technical resistance was more a chance to consolidate and concentrate his playing than a handicap...
Weltwoche, 01-9-2020

Beauty, happiness, peacefulness, harmony - these are elements in the work of painter Henri Matisse which the Swiss pianist Klaus Koenig also uses his jazz trio.
Jazzism, 12-6-2020

... The album needs neither special drive nor virtuoso pianism, it pleases with lyricism, timing and depth, a small, rather quiet masterpiece, gentle, simple and honest...
Jazz n More, 11-3-2020

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