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Of Pain and Glory

Hugo Read

Of Pain and Glory

Price: € 14.95
Format: CD
Label: Double Moon Records
UPC: 0608917136920
Catnr: DMCHR 71369
Release date: 08 November 2019
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Label
Double Moon Records
UPC
0608917136920
Catalogue number
DMCHR 71369
Release date
08 November 2019

"The whole sounds like a suite, and a magical common thread keeps it going. Immersive, enchanting and worth listening to many times."

JazzMo', 28-2-2020
Album
Artist(s)
Composer(s)
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About the album

Hugo Read has developed an independent way of playing and composing in which new jazz, elements of contemporary music and rhythmical energy, acoustic base and electronic additions are combined to a sound world of its own.

Read wants to cross borders between new classical music and jazz, and in addition he sees himself as a composer of mostly suite-like forms as a basis of his work.

From 1972 he studied flute and classical saxophone at the Cologne College of Music.

Since that time there have been international concert activities in the field of jazz and new classical music as well as productions of chamber music and as a soloist with orchestras (among other things Ensemble Modern, New Art Ensemble) with all major radio companies in Europe.

Since 1979 Read has cooperated with Karl Heinz Stockhausen, Stockhausen, fascinated by Read's musicality and his very lyrical sound, engaged him for a big project (Sternklang) in the Beethovenhalle Bonn. Later he should join many other concerts / tours u.a. Premieres of the two operas Tuesday and Thursday contribute with light. Also chamber music such as In Friendship became a saxophone with his help directed. The two pillars, jazz and new music, are still the main focus today his musical output and are documented on CDs / LPs, and countless radio productions.

Worldwide concert tours with various jazz groups, u.a. West Africa with Lumpp / Read / Küttner, East /South Africa with Michael Küttner, Australia / New Zealand / Middle East with Rainer Brüninghaus and Trilok Gurtu, Tours with Riot and
Kenny Wheeler, Berlin Jazz Tage, Munich Jazz Festival / Frankfurt Jazz Festival (Key), Expo Sevilla (NRW Pool), Kuwait, Montreux Jazz Festival. Konzerthaus Vienna, Philharmonie Berlin, Philharmonic Cologne (Ensemble Modern) Collaboration with Swiss pianist Thierry Lang (CD NAN on Blue Note) Since 2015 collaboration with the pianist Thomas Rückert (CD Sirius Variations).

Printed Compositions: Nachtmusik for Strings, 2 Pianos and Jazz ensemble, Contrasts for Saxophone or Clarinet Solo (NM808) as well as Eight Pieces for Two Saxophones and Piano (Verlag Neue Musik). Lyric Mass for Mix. Choir, Organ, Soprano Saxophone and Double Bass (HY 2055) world premiere 2015 in Hungary with Ars Nova. Many Compositions for small and large ensembles.

Hugo Read has been awarded the prize of the state of NRW outstanding achievements in the field of jazz and new music,
and is, since 1991, professor for saxophone and ensemble direction at the Folkwang Universität der Künste Essen.
Hugo Read hat eine eigenständige Spiel- und Kompositionsweise entwickelt, in der neuer Jazz, Elemente der zeitgenössischen Musik und rhythmische Energie, akustische Basis und elektronische Ergänzungen zu einer eigenen Klangwelt kombiniert werden.
Read will die Grenzen zwischen neuer klassischer Musik und Jazz überschreiten und darüber hinaus versteht er sich als Komponist von meist passgenauen Gestaltungsformen als Grundlage seiner Arbeit.
Ab 1972 studierte er Flöte und klassisches Saxophon an der Hochschule für Musik Köln.
Seitdem gibt es internationale Konzerttätigkeiten im Bereich Jazz und Neue Klassische Musik sowie Produktionen von Kammermusik und als Solist mit Orchestern (u.a. Ensemble Modern, New Art Ensemble) mit allen großen Rundfunkanstalten in Europa.
Seit 1979 arbeitet Read mit Karl Heinz Stockhausen zusammen, Stockhausen, fasziniert von der Musikalität von Read und seinem sehr lyrischen Klang, engagierte ihn für ein großes Projekt (Sternklang) in der Beethovenhalle Bonn. Später folgten viele weitere Konzerte / Tourneen u.a. Uraufführungen der beiden Opern ‚Tuesday‘ und ‚Thursday‘sind mit Licht ausgestattet. Auch Kammermusik wie "In Friendship" ist mit seiner Unterstützung durch das Saxofon bekannt geworden. Die beiden Säulen Jazz und Neue Musik stehen auch heute noch im Mittelpunkt seines musikalischen Schaffens und sind auf CDs / LPs und unzähligen Radioproduktionen dokumentiert.
Weltweite Konzertreisen mit verschiedenen Jazzgruppen, u.a. Westafrika mit Lumpp / Read / Küttner, Ost / Südafrika mit Michael Küttner, Australien / Neuseeland / Mittlerer Osten mit Rainer Brüninghaus und Trilok Gurtu, Tourneen mit Riot und Kenny Wheeler, Berlin Jazz Tage, München Jazz Festival / Frankfurt Jazz Festival (Key), Expo Sevilla (NRW Pool), Kuwait, Montreux Jazz Festival. Konzerthaus Wien, Philharmonie Berlin, Philharmonie Köln (Ensemble Modern) Zusammenarbeit mit dem Schweizer Pianisten Thierry Lang (CD NAN auf Blue Note). Seit 2015 Zusammenarbeit mit dem Pianisten Thomas Rückert (CD Sirius Variations)
Gedruckte Kompositionen: "Nachtmusik" für Streicher, 2 Klaviere und Jazzensemble, Kontraste für Saxophon oder Klarinettensolo (NM808) sowie "Acht Stücke für 2 Saxophone und Klavier" (Verlag Neue Musik). Lyrische Masse für den Mix. Chor, Orgel, Sopransaxophon und Kontrabass (HY 2055) Uraufführung 2015 in Ungarn mit Ars Nova. Viele Kompositionen für kleine und große Ensembles.
Hugo Read wurde mit dem Preis des Landes NRW für herausragende Leistungen auf dem Gebiet des Jazz und der Neuen Musik ausgezeichnet und ist seit 1991 Professor für Saxophon- und Ensembleleitung an der Folkwang Universität der Künste Essen.

Artist(s)

Hugo Read (saxophone)

Hugo Read has developed an independent way of playing and composing in which new jazz, elements of contemporary music and rhythmical energy, acoustic base and electronic additions are combined to a sound world of its own.   Read wants to cross borders between new classical music and jazz, and in addition he sees himself as a composer of mostly suite-like forms as a basis of his work.   From 1972 he studied  flute and classical saxophone  at the Cologne College of Music    Since that time there have been international concert activities in the field of  jazz and new classical music as well as productions of chamber music and as a soloist with orchestras (among other things Ensemble Modern, New Art Ensemble) with all major radio...
more
Hugo Read has developed an independent way of playing and composing in which new jazz, elements of contemporary music and rhythmical energy, acoustic base and electronic additions are combined to a sound world of its own.
Read wants to cross borders between new classical music and jazz, and in addition he sees himself as a composer of mostly suite-like forms as a basis of his work.
From 1972 he studied flute and classical saxophone at the Cologne College of Music Since that time there have been international concert activities in the field of jazz and new classical music as well as productions of chamber music and as a soloist with orchestras (among other things Ensemble Modern, New Art Ensemble) with all major radio companies in Europe.
Since 1979 Read has cooperated with Karl Heinz Stockhausen, Stockhausen, fascinated by Read's musicality and his very lyrical sound, engaged him for a big project (Sternklang) in the Beethovenhalle Bonn. Later he should join many other concerts / tours u.a. Premieres of the two operas Tuesday and Thursday contribute with light. Also chamber music such as "In Friendship" became a saxophone with his help directed. The two pillars, jazz and new music, are still the main focus today his musical output and are documented on CDs / LPs, and countless radio productions.
Worldwide concert tours with various jazz groups, u.a.
West Africa with Lumpp / Read / Küttner, East / South Africa with Michael Küttner, Australia / New Zealand / Middle East with Rainer Brüninghaus and Trilok Gurtu , tours with Riot and Kenny Wheeler, Berlin Jazz Tage, Munich Jazz Festival / Frankfurt Jazz Festival (Key), Expo Sevilla (NRW Pool), Kuwait, Montreux Jazz Festival. Konzerthaus Vienna, Philharmonie Berlin, Philharmonic Cologne (Ensemble Modern) Collaboration with Swiss pianist Thierry Lang (CD NAN on Blue Note). Since 2015 collaboration with the pianist Thomas Rückert (CD Sirius Variations) Printed Compositions: „Nachtmusik“ for Strings, 2 Pianos and Jazz ensemble, Contrasts for saxophone or Clarinet Solo (NM808) as well as "Eight Pieces for Two Saxophones and Piano " (Verlag Neue Musik). Lyric mass for mix. Choir, organ, soprano saxophone and double bass (HY 2055) world premiere 2015 in Hungary with Ars Nova. Many Compositions for small and large ensembles.
Hugo Read has been awarded the prize of the state of NRW outstanding achievements in the field of jazz and new music, and since 1991 professor for saxophone and ensemble direction at the Folkwang Universität der Künste Essen.

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Ramesh Shotham (percussion)

Thomas Rückert (piano)

Thomas Rückert began to study at Cologne Music College under Rainer Brüninghaus and John Taylor in 1990. In 1999, he traveled to New York for the first time where his brother, the drummer Jochen Rückert, had already lived since 1995. Thomas found the stay in the metropolis of jazz to be inspiring and moving. In addition to working with Marc Johnson, Greg Hutchinson, Donny McCathlin, Greetje Kauffeld, Mark Murphy, Kevin Mahogany, Tony Lakatos, Randy Brecker, Adam Nussbaum, Ack van Royen, Jay Anderson and John Goldsby, collaboration above all with Lee Konitz was ground-breaking for him. The pianist internalized his advice 'Donʼt play what you know' audibly.
more
Thomas Rückert began to study at Cologne Music College under Rainer Brüninghaus and John Taylor in 1990. In 1999, he traveled to New York for the first time where his brother, the drummer Jochen Rückert, had already lived since 1995. Thomas found the stay in the metropolis of jazz to be inspiring and moving. In addition to working with Marc Johnson, Greg Hutchinson, Donny McCathlin, Greetje Kauffeld, Mark Murphy, Kevin Mahogany, Tony Lakatos, Randy Brecker, Adam Nussbaum, Ack van Royen, Jay Anderson and John Goldsby, collaboration above all with Lee Konitz was ground-breaking for him. The pianist internalized his advice "Donʼt play what you know" audibly.

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Reza Askari (double bass)

Reza Askari is regarded as one of the most promising German talents on contrabass. Born in Fulda in 1986, Askari first played the electric bass and then switched to contrabass later. He is currently studying at the Folkwang University of Essen under Robert Landfermann in the degree program Master Of Improvising Arts. Despite his young age, he has already played with big names such as Marc Ducret, Jiggs Wigham, Herb Geller, Benny Golson, Jeff Hamilton, Nicolas Simion, Florian Ross, Frederik Köster and Pablo Held.
more
Reza Askari is regarded as one of the most promising German talents on contrabass. Born in Fulda in 1986, Askari first played the electric bass and then switched to contrabass later. He is currently studying at the Folkwang University of Essen under Robert Landfermann in the degree program Master Of Improvising Arts. Despite his young age, he has already played with big names such as Marc Ducret, Jiggs Wigham, Herb Geller, Benny Golson, Jeff Hamilton, Nicolas Simion, Florian Ross, Frederik Köster and Pablo Held.

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Conrad Noll (cello)

Composer(s)

Hugo Read (saxophone)

Hugo Read has developed an independent way of playing and composing in which new jazz, elements of contemporary music and rhythmical energy, acoustic base and electronic additions are combined to a sound world of its own.   Read wants to cross borders between new classical music and jazz, and in addition he sees himself as a composer of mostly suite-like forms as a basis of his work.   From 1972 he studied  flute and classical saxophone  at the Cologne College of Music    Since that time there have been international concert activities in the field of  jazz and new classical music as well as productions of chamber music and as a soloist with orchestras (among other things Ensemble Modern, New Art Ensemble) with all major radio...
more
Hugo Read has developed an independent way of playing and composing in which new jazz, elements of contemporary music and rhythmical energy, acoustic base and electronic additions are combined to a sound world of its own.
Read wants to cross borders between new classical music and jazz, and in addition he sees himself as a composer of mostly suite-like forms as a basis of his work.
From 1972 he studied flute and classical saxophone at the Cologne College of Music Since that time there have been international concert activities in the field of jazz and new classical music as well as productions of chamber music and as a soloist with orchestras (among other things Ensemble Modern, New Art Ensemble) with all major radio companies in Europe.
Since 1979 Read has cooperated with Karl Heinz Stockhausen, Stockhausen, fascinated by Read's musicality and his very lyrical sound, engaged him for a big project (Sternklang) in the Beethovenhalle Bonn. Later he should join many other concerts / tours u.a. Premieres of the two operas Tuesday and Thursday contribute with light. Also chamber music such as "In Friendship" became a saxophone with his help directed. The two pillars, jazz and new music, are still the main focus today his musical output and are documented on CDs / LPs, and countless radio productions.
Worldwide concert tours with various jazz groups, u.a.
West Africa with Lumpp / Read / Küttner, East / South Africa with Michael Küttner, Australia / New Zealand / Middle East with Rainer Brüninghaus and Trilok Gurtu , tours with Riot and Kenny Wheeler, Berlin Jazz Tage, Munich Jazz Festival / Frankfurt Jazz Festival (Key), Expo Sevilla (NRW Pool), Kuwait, Montreux Jazz Festival. Konzerthaus Vienna, Philharmonie Berlin, Philharmonic Cologne (Ensemble Modern) Collaboration with Swiss pianist Thierry Lang (CD NAN on Blue Note). Since 2015 collaboration with the pianist Thomas Rückert (CD Sirius Variations) Printed Compositions: „Nachtmusik“ for Strings, 2 Pianos and Jazz ensemble, Contrasts for saxophone or Clarinet Solo (NM808) as well as "Eight Pieces for Two Saxophones and Piano " (Verlag Neue Musik). Lyric mass for mix. Choir, organ, soprano saxophone and double bass (HY 2055) world premiere 2015 in Hungary with Ars Nova. Many Compositions for small and large ensembles.
Hugo Read has been awarded the prize of the state of NRW outstanding achievements in the field of jazz and new music, and since 1991 professor for saxophone and ensemble direction at the Folkwang Universität der Künste Essen.

less

Press

The whole sounds like a suite, and a magical common thread keeps it going. Immersive, enchanting and worth listening to many times.
JazzMo', 28-2-2020

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