10% discount on your next order!

Subscribe to our newsletter and receive a personal discount code for 10% discount on a album of your choice! After subscribing, you will receive the code in your email. This code is only valid for 10 days!

The code is valid one time and valid for a 10 days after receiving the promotioncode. Your emailaddress will only be used by Challenge Records International and will not be given to 3rd party advertisers. If you have any questions please contact us.

Vertavo String Quartet

Quattro Stazioni

  • Type CD
  • Label Lawo Classics
  • UPC 7090020182155
  • Catalog number LWC 1193
  • Release date 01 May 2020
Physical (CD)

NOW FOR € 14,96
€ 19.95
Add to cart

Get the album digitally

High resolution download Spirit of Turtle iTunes

About the album

The title of this CD refers to String Quartet No. 1, which has the same name. But it can also stand as an all-inclusive name for the four compositions represented on the CD, four stations on my journey as a composer, four different approaches to musical expression in time and space. The journey begins in 1989 with String Quartet No. 1 — Quattro stazioni, and ends in 2013 with String Quartet No. 2. Between these stations (albeit in reverse order on the CD) are Air d’été suédois for clarinet quintet (2009) and Divertimento for clarinet and piano (2010).

The first work, String Quartet No. 1—Quattro stazioni, takes its starting point in some spe­cific geographical locations: Holon, Israel; Rome, Italy; Kirkwall in the Orkney Islands; and Vassenden in the Hardanger region of Norway—in the form of traditional melodic material that arose in these places: a Samari­tan song, a Gregorian sequence, a Medieval hymn and a Norwegian dance tune. I have used the same approach, with music built on existing (preferably very old) melodic material, in a number of compositions.
The second work, String Quartet No. 2, takes its starting point in textual rather than musical material: the poetry of several au­thors and with contrasting emotional con­tent from movement to movement. There is no connection between either the poets or the poems. My intention here is not to tell a story or to convey an extra-musical message. Most vocal music begins with a text. Here the same principle is applied to instrumental music in that I have written a ‘song’. Once this has emerged as a melodic, harmonic and rhythmic totality I say “thanks for your help,” abandon the text as a carrier wave and try thereafter to not even remem­ber what it is about—while the instrumental work is further developed.
In the third work, Air d’été suédois, I take a further step in that I try to communicate a textual message through music. This is a musical narration that attempts to depict the soul’s condition and activity. To do this it is necessary that the music be supplemented with a program text, which is given below. The idea is old: it is found even in antiquity and was often used during the Romantic era by Liszt, Berlioz, Smetana, Richard Strauss and others who used such terms as «pro­grammatic symphonies», «symphonic po­ems» or «songs without words».
The last work on the CD, Divertimento, is not built on either musical or textual materi­als drawn from other sources but is a work developed to some extent in accordance with specific classical formal principles, in this case sonata form.
These four stations have played major roles in my work as a composer; indeed, all four are important elements of the music I write today.

- Kjell Habbestad

Add a comment

We need to make sure that you are really an human, please enter the code below.