Various Artists

Fred Lerdahl Vol. 6

Price: € 19.95
Format: CD
Label: Bridge
UPC: 0090404952227
Catnr: BRIDG 9522
Release date: 09 October 2020
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Label
Bridge
UPC
0090404952227
Catalogue number
BRIDG 9522
Release date
09 October 2020
Album
Artist(s)
Composer(s)
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DE

About the album

Fred Lerdahl, Vol. 6 presents new work by one of today's true masters. The disc features two major works, the cello concerto, "Arches" and Lerdahl's fourth string quartet, "Chaconne". Producer David Starobin writes that "Lerdahl's work is rare in today's musical world in that it seeks and achieves both complexity and intelligibility. It is indebted to the past yet committed to the exploration of new territory." Rounding out the disc are three delightful smaller pieces, "There and Back Again", "Fire and Ice", and "Three Bagatelles."
Fred Lerdahl, Bd. 6 präsentiert neue Arbeiten eines der wahren Meister der Gegenwart. Die CD enthält zwei Hauptwerke, das Cellokonzert "Arches" und Lerdahls viertes Streichquartett "Chaconne". Der Produzent David Starobin schreibt: "Lerdahls Werk ist in der heutigen Musikwelt selten, da es sowohl Komplexität als auch Verständlichkeit sucht und erreicht. Es ist der Vergangenheit geschuldet und dennoch der Erforschung neuer Gebiete verpflichtet". Abgerundet wird die CD durch drei reizvolle kleinere Stücke: "Hin und wieder zurück", "Feuer und Eis" und "Drei Bagatellen".

Artist(s)

Fred Lerdahl studied at Lawrence University, Princeton, and Tanglewood. He has taught at UC/Berkeley, Harvard, and Michigan, and since 1991 he has been Fritz Reiner Professor of Music at Columbia University.

Commissions have come from the Fromm Foundation, the Koussevitzky Foundation, the Spoleto Festival, National Endowment for the Arts, the Chamber Music Society of Lincoln Center, the Library of Congress, Chamber Music America, and others. Among the organizations that have performed his works are the New York Philharmonic, the Pittsburgh Symphony, the San Francisco Symphony, the Seattle Symphony, the Cincinnati Symphony, the Los Angeles Philharmonic, the American Composers Orchestra, the Saint Paul Chamber Orchestra, Orpheus, the Boston Symphony Chamber Players, the Chamber Music Society of Lincoln Center, eighth blackbird, Speculum Musicae, Collage, Argento, Talea, the Peabody Trio, the Juilliard Quartet, the Pro Arte Quartet, the Daedalus Quartet, Ensemble XXI, Lontano, and the Venice Biennale.

He has been in residence at the Marlboro Music Festival, IRCAM, the Wellesley Composers Conference, the American Academy in Rome, the Bowdoin Summer Music Festival, the Yellow Barn Music Festival, the Beijing Modern Music Festival, the Etchings Festival, the Saint Paul Chamber Orchestra, and the Center for Advanced Study in the Behavioral Sciences. Lerdahl’s music has been commercially recorded on several labels and Bridge Records has established “The Music of Fred Lerdahl” portrait series.

His seminal book A Generative Theory of Tonal Music, co-authored with linguist Ray Jackendoff, is a founding document for the growing field of the cognitive science of music. His subsequent book, Tonal Pitch Space, won the 2003 distinguished book award from the Society for Music Theory and an ASCAP-Deems Taylor award. A third book (in progress), Composition and Cognition, based on his 2011 Bloch Lectures at UC/Berkeley, will bring together his dual activity as composer and theorist.

In 2010 Lerdahl was honored with membership in the American Academy of Arts and Letters. Three of his works composed since 2000—Time after Time for chamber ensemble, the Third String Quartet, and Arches for cello and chamber orchestra—have been finalists for the Pulitzer Prize in music.

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