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Piano Protagonists

Orion Weiss

Piano Protagonists

Format: CD
Label: Bridge
UPC: 0090404954726
Catnr: BRIDG 9547
Release date: 16 April 2021
1 CD
 
Label
Bridge
UPC
0090404954726
Catalogue number
BRIDG 9547
Release date
16 April 2021
Album
Artist(s)
Composer(s)
EN
DE

About the album

This new studio recording contains three works for piano and orchestra that virtuoso pianist Orion Weiss and conductor Leon Botstein first performed in concert at the Bard Music Festival. Together, the three works span almost a century of musical Romanticism and are as different from one another as the generations they represent. In each piece, the virtuoso genre becomes a means by which the composer responds to a specific source of inspiration—in the first case (Korngold), a performer and family friend who had suffered a horrendous tragedy, in the second (Rimsky Korsakov), a venerated old master, and in the third (Chopin) a melody from a beloved opera.
Diese neue Studioaufnahme enthält drei Werke für Klavier und Orchester, die der virtuose Pianist Orion Weiss und der Dirigent Leon Botstein erstmals im Rahmen des Bard Music Festivals konzertant aufführten. Zusammen umspannen die drei Werke fast ein Jahrhundert musikalischer Romantik und sind so verschieden voneinander wie die Generationen, die sie repräsentieren. In jedem Stück wird das virtuose Genre zu einem Mittel, mit dem der Komponist auf eine bestimmte Inspirationsquelle reagiert - im ersten Fall (Korngold) auf einen Interpreten und Familienfreund, der eine schreckliche Tragödie erlitten hatte, im zweiten (Rimsky Korsakov) auf einen verehrten alten Meister und im dritten (Chopin) auf eine Melodie aus einer geliebten Oper.

Artist(s)

Orion Weiss (piano)

One of the most sought-after soloists in his generation of young American musicians, the pianist Orion Weiss has performed with the major American orchestras, including the Chicago Symphony, Boston Symphony, Los Angeles Philharmonic, and New York Philharmonic. His deeply felt and exceptionally crafted performances go far beyond his technical mastery and have won him worldwide acclaim. His 2018-19 season sees him beginning that season with the Lucerne Festival and ending with the Minnesota Orchestra, with performances for the Denver Friends of Chamber Music, the University of Iowa, the Chamber Music Society of Lincoln Center, the Albany Symphony, the Kennedy Center’s Fortas Series, the 92nd Street Y, and the Broad Stage in between. In 2017-18 Orion performed Beethoven's Triple Concerto with the...
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One of the most sought-after soloists in his generation of young American musicians, the pianist Orion Weiss has performed with the major American orchestras, including the Chicago Symphony, Boston Symphony, Los Angeles Philharmonic, and New York Philharmonic. His deeply felt and exceptionally crafted performances go far beyond his technical mastery and have won him worldwide acclaim.

His 2018-19 season sees him beginning that season with the Lucerne Festival and ending with the Minnesota Orchestra, with performances for the Denver Friends of Chamber Music, the University of Iowa, the Chamber Music Society of Lincoln Center, the Albany Symphony, the Kennedy Center’s Fortas Series, the 92nd Street Y, and the Broad Stage in between. In 2017-18 Orion performed Beethoven's Triple Concerto with the Saint Paul Chamber Orchestra, toured with James Ehnes, and soloed with twelve orchestras around the United States. Other highlights of recent seasons include his third performance with the Chicago Symphony, a North American tour with the world-famous Salzburg Marionette Theater in a performance of Debussy’s La Boîte à Joujoux, the release of his recording of Christopher Rouse’s Seeing, and recordings of the complete Gershwin works for piano and orchestra with his longtime collaborators the Buffalo Philharmonic and JoAnn Falletta.

Named the Classical Recording Foundation’s Young Artist of the Year in September 2010, in the summer of 2011 Weiss made his debut with the Boston Symphony Orchestra at Tanglewood as a last-minute replacement for Leon Fleisher. In recent seasons, he has also performed with the Los Angeles Philharmonic, San Francisco Symphony, Philadelphia Orchestra, Pittsburgh Symphony, Toronto Symphony Orchestra, National Arts Centre Orchestra, and Orpheus Chamber Orchestra, and in duo summer concerts with the New York Philharmonic at both Lincoln Center and the Bravo! Vail Valley Festival. In 2005, he toured Israel with the Israel Philharmonic Orchestra conducted by Itzhak Perlman.

Also known for his affinity and enthusiasm for chamber music, Weiss performs regularly with the violinists Augustin Hadelich, William Hagen, Benjamin Beilman, James Ehnes, and Arnaud Sussman; the pianist Shai Wosner; and the cellist Julie Albers; and the Ariel, Parker, and Pacifica Quartets. As a recitalist and chamber musician, Weiss has appeared across the U.S. at venues and festivals including Lincoln Center, the Ravinia Festival, Sheldon Concert Hall, the Seattle Chamber Music Festival, La Jolla Music Society SummerFest, Chamber Music Northwest, the Bard Music Festival, the Bridgehampton Chamber Music Festival, the Kennedy Center, and Spivey Hall. He won the 2005 William Petschek Recital Award at Juilliard, and made his New York recital debut at Alice Tully Hall that April. Also in 2005 he made his European debut in a recital at the Musée du Louvre in Paris. He was a member of the Chamber Music Society Two program of the Chamber Music Society of Lincoln Center from 2002-2004, which included his appearance in the opening concert of the Society’s 2002-2003 season at Alice Tully Hall performing Ravel’s La Valse with Shai Wosner.

Weiss’s impressive list of awards includesthe Gilmore Young Artist Award, an Avery Fisher Career Grant, the Gina Bachauer Scholarship at the Juilliard School and the Mieczyslaw Munz Scholarship. A native of Lyndhurst, OH, Weiss attended the Cleveland Institute of Music, where he studied with Paul Schenly, Daniel Shapiro, Sergei Babayan, Kathryn Brown, and Edith Reed. In February of 1999, Weiss made his Cleveland Orchestra debut performing Liszt’s Piano Concerto No. 1. In March 1999, with less than 24 hours’ notice, Weiss stepped in to replace André Watts for a performance of Shostakovich’s Piano Concerto No. 2 with the Baltimore Symphony Orchestra. He was immediately invited to return to the Orchestra for a performance of the Tchaikovsky Piano Concerto in October 1999. In 2004, he graduated from the Juilliard School, where he studied with Emanuel Ax.


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Leon Botstein (conductor)

Leon Botstein was born in Zurich, the youngest son of two eminent Polish Jewish physicians who left Poland, studied medicine in Switzerland, and became members of the faculty of the University of Zurich. After waiting for more than 12 years for a visa to immigrate to the United States, his parents moved to New York and ultimately joined the faculty at Montefiore Hospital and the Albert Einstein School of Medicine, where they remained for the rest of their careers. Unlike his older brother and sister, Mr. Botstein chose not to go into medicine or science, but instead into the arts and humanities. He studied violin with the legendary Roman Totenberg in the U.S. and during the summers studied with faculty from the...
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Leon Botstein was born in Zurich, the youngest son of two eminent Polish Jewish physicians who left Poland, studied medicine in Switzerland, and became members of the faculty of the University of Zurich. After waiting for more than 12 years for a visa to immigrate to the United States, his parents moved to New York and ultimately joined the faculty at Montefiore Hospital and the Albert Einstein School of Medicine, where they remained for the rest of their careers.

Unlike his older brother and sister, Mr. Botstein chose not to go into medicine or science, but instead into the arts and humanities. He studied violin with the legendary Roman Totenberg in the U.S. and during the summers studied with faculty from the National Conservatory in Mexico City, where other surviving family members had settled. He attended the High School of Music and Art and graduated at the age of 16. He then attended the University of Chicago, where he graduated in history and philosophy. His music teachers there included the Pulitzer Prize-winning composer Richard Wernick and the eminent musicologists H. Colin Slim and Howard Mayer Brown. While at Chicago, he was concertmaster and assistant conductor of the University orchestra, and founded Chicago University’s chamber orchestra, which still exists today. In 1967 he studied at Tanglewood and then went on to graduate school at Harvard, where he completed a Ph.D. in history under David Landes, writing on musical life of Vienna in the 19th and early 20th centuries. At Harvard, he was the assistant conductor of the Harvard Radcliffe Orchestra, and conductor of the Doctors’ Orchestra of Boston, an ensemble of conservatory students and medical professionals which performed at the Gardner Museum. In 1969 he won a Sloan Foundation Fellowship which brought him to New York City, where he worked as special assistant to the president of the Board of Education. A year later he was recruited to become president of an experimental college, Franconia, which operated from 1964 to 1978 in New Hampshire. At age 23 he became the youngest college president in history. While at Franconia he founded the White Mountain Music Festival, an offshoot of which is still operating.

In 1975 Mr. Botstein left Franconia to become the president of Bard College, a position he still holds. Under his leadership, Bard has developed into a distinctive liberal arts institution offering a vast range of undergraduate and graduate programs. In 1981, in the wake of the death of his second child, an 8-year-old daughter, he decided to return in earnest to the career in music he had begun in Chicago. He became principal conductor of the Hudson Valley Philharmonic and led its chamber orchestra series. In 1992 he was named music director of the American Symphony Orchestra, a position he still holds. During his directorship, he transformed ASO into a pioneer, presenting great works that have long been ignored by history, alongside the acknowledged masterpieces, in concerts curated thematically, using history and ideas to catch the imagination of a wider and non-traditional audience.

In 1990 Mr. Botstein established the internationally admired Bard Music Festival, the success of which helped in the development of the beautiful Richard B. Fisher Center for the Performing Arts, a multi-functional facility designed by Frank Gehry on the Bard College campus. Opening in 2003, the Fisher Center inspired a programmatic expansion, Bard SummerScape, that includes opera, dance, theater, and cabaret over six weeks every summer. These events, as well as his concerts in the American Symphony Orchestra’s Carnegie Hall series, embody his guiding principle of offering access and understanding of music by placing it in its historical context and connecting it to other disciplines and interests. He has always sought to combine music and scholarship in a way that enlightens not only written exposition, but performance. His body of writings include books on education, history, and music, in both German and English, with an acclaimed series of essays published as part of Princeton University Press’ annual Bard Music Festival volume. He has curated exhibits for the Jewish Museum in Vienna. From 1990 to the present, he has been editor of The Musical Quarterly, one of the most distinguished academic journals of music.

In 2003 Mr. Botstein became the music director of the Jerusalem Symphony Orchestra. His concerts with the JSO were broadcast in regular series across the United States and Europe, and he led the orchestra on several tours, including twice across the United States and to Leipzig to open the 2009 Bach Festival with a performance of Mendelssohn’s Elijah in Bach’s Thomaskirche. In 2011 he stepped down from that post and became the JSO’s Conductor Laureate.

While in Israel, Mr. Botstein formed a partnership between Al Quds University and Bard College that offers an honors liberal arts college and a Masters Degree training program for high school teachers. Under his leadership, and in collaboration with the University of St. Petersburg, Bard established the first liberal arts college for Russian students in Russia. Bard’s acclaimed Prison Initiative, which offers degrees to prisoners, has become a model for prisons across the United States. Bard’s High School Early Colleges, which are a growing national movement, were singled out by President Barack Obama as exemplary of what American education should accomplish. In 2012 Longy School of Music in Boston became part of Bard College, adding its graduate programs to Bard’s undergraduate music program. Mr. Botstein has led Bard’s own renowned conservatory orchestra on tours of China, Eastern Europe, and Cuba. In addition, he has led the Youth Orchestra of Caracas in Venezuela and on tour to Japan. Through his experience with YOC and El Sistema in Venezuela, he helped found Take a Stand, a national music program in the United States based on principles of El Sistema.

In 2015 Mr. Botstein founded The Orchestra Now, an innovative pre-professional orchestra and master’s degree program at Bard College that is preparing a new generation of musicians to break down barriers between modern audiences and great orchestral music of the past and present. The Orchestra performs a regular concert series at Bard's Fisher Center and also takes part in Bard Music Festival concerts. They also perform multiple concerts each season at Carnegie Hall and Lincoln Center, and offer complimentary concerts at venues across the boroughs of New York City in the Around Town series. At The Metropolitan Museum of Art they join Mr. Botstein in the series Sight & Sound as he explores the places where musical and visual expression meet, pairing orchestral works with masterpieces from the museum’s collection.

In 2018 Mr. Botstein begins his highly-anticipated tenure as artistic director of Campus Grafenegg and Grafenegg Academy in Austria, where his maverick, narrative-driven programming has attracted star collaborators, including Thomas Hampson.

Mr. Botstein has guest conducted many orchestras around the world, among them the Los Angeles Philharmonic, Royal Philharmonic Orchestra, Aspen Music Festival, Buffalo Philharmonic Orchestra, Mariinsky Theatre, Russian National Orchestra in Moscow, Hessisches Staatstheater Wiesbaden, Taipei Symphony, Simón Bolivar Symphony Orchestra, and Sinfónica Juvenil de Caracas in Venezuela, and scores of other orchestras and ensembles. He appears in numerous recordings including several operas by Strauss (including Die ägyptische Helena with Deborah Voigt), as well as works by Shostakovich, Hartmann, Reger, Copland, Chausson, Liszt, Perle, Mendelssohn, and Bruckner, among others. His recording of Popov and Shostakovich with the LSO was nominated for a Grammy in the category of Best Orchestral Performance.

Leon Botstein’s entire life and his work in all its aspects is devoted to one mission: the improvement of peoples’ lives through education and exposure to the arts. A child of a generation that experienced extreme prejudice and barbarity, his firm belief that a better and more equitable world can be created by cultivating the life of the mind remains the principle that informs and connects all of his performances, writing, public service, and teaching.

“When it comes to ambitious, fearless orchestral programming there is Leon Botstein . . . and then there is everyone else.” –Steve Smith, The New York Times


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Composer(s)

Nikolai Rimsky-Korsakov

Nikolai Rimsky-Korsakov was a Russian composer, and a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions— Capriccio Espagnol, the Russian Easter Festival Overture, and the symphonic suite Scheherazade — are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. Scheherazade is an example of his frequent use of fairy tale and folk subjects. Rimsky-Korsakov believed, as did fellow composer Mily Balakirev and critic Vladimir Stasov, in developing a nationalistic style of classical music. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. However,...
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Nikolai Rimsky-Korsakov was a Russian composer, and a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions— Capriccio Espagnol, the Russian Easter Festival Overture, and the symphonic suite Scheherazade — are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. Scheherazade is an example of his frequent use of fairy tale and folk subjects.
Rimsky-Korsakov believed, as did fellow composer Mily Balakirev and critic Vladimir Stasov, in developing a nationalistic style of classical music. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. However, Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. His techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner.

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Frédéric Chopin

Frédéric Chopin is one of the greatest composers of the Romantic piano tradition. He was a master in making the small form great. His ballades, mazurkas, polonaises, preludes, etudes and nocturnes all belong to the most popular standard works for piano ever written.  As a child prodigy, Chopin grew up in a middle class family, who lived among the literati of Warsaw. When in 1830 the November Uprising broke out in Poland, the twenty year old Chopin stayed in Vienna. He became an exile and never returned to his mother country. He eventually settled in Paris.  He avoided public concerts, but he did like performing in small settings, such as salons and at home for his friends. This way, Chopin built a...
more

Frédéric Chopin is one of the greatest composers of the Romantic piano tradition. He was a master in making the small form great. His ballades, mazurkas, polonaises, preludes, etudes and nocturnes all belong to the most popular standard works for piano ever written. As a child prodigy, Chopin grew up in a middle class family, who lived among the literati of Warsaw. When in 1830 the November Uprising broke out in Poland, the twenty year old Chopin stayed in Vienna. He became an exile and never returned to his mother country. He eventually settled in Paris. He avoided public concerts, but he did like performing in small settings, such as salons and at home for his friends. This way, Chopin built a reputation as an exceptional pianist, teacher and composer.
Chopin brought a unique synthesis between the Viennese bravado and the French/English lyric style. Even though his pieces often are technically very demanding, the focus was always on creating a lyric expression and poetic atmosphere. He invented the instrumental ballade, and brought salongenres to a higher level with his many innovations and refinements.


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Press

Play album Play album
01.
Piano Concerto in C# for one hand, Op. 17: I. Massiges Zeitmass, heldisch, mit Feuer und Kraft
03:00
(Erich Wolfgang Korngold) Orion Weiss, The Orchestra Now
02.
Piano Concerto in C# for one hand, Op. 17: II. Ruhig, weich, und gesangvoll
03:22
(Erich Wolfgang Korngold) Orion Weiss, The Orchestra Now
03.
Piano Concerto in C# for one hand, Op. 17: III. Ziemlich rasch, burlesk
01:46
(Erich Wolfgang Korngold) Orion Weiss, The Orchestra Now
04.
Piano Concerto in C# for one hand, Op. 17: IV. Dasselbe breite Zeitmass
04:49
(Erich Wolfgang Korngold) Orion Weiss, The Orchestra Now
05.
Piano Concerto in C# for one hand, Op. 17: V. Reigen
03:35
(Erich Wolfgang Korngold) Orion Weiss, The Orchestra Now
06.
Piano Concerto in C# for one hand, Op. 17: VI. Mit Aufschung
01:48
(Erich Wolfgang Korngold) Orion Weiss, The Orchestra Now
07.
Piano Concerto in C# for one hand, Op. 17: VII. Mit Grosse, sehr breit
04:58
(Erich Wolfgang Korngold) Orion Weiss, The Orchestra Now
08.
Piano Concerto in C# for one hand, Op. 17: VIII. Langsam, fast im letzten Zeitmas beginnend
03:04
(Erich Wolfgang Korngold) Orion Weiss, The Orchestra Now
09.
Piano Concerto in C# for one hand, Op. 17: IX. Mit Schwung und Begeisterung
02:15
(Erich Wolfgang Korngold) Orion Weiss, The Orchestra Now
10.
Variations on 'La ci darem la mano' for piano and orchestra, Op. 2: I. Introduction (Largo - Poco piu mosso)
04:40
(Frédéric Chopin) Orion Weiss, The Orchestra Now
11.
Variations on 'La ci darem la mano' for piano and orchestra, Op. 2: II. Tema (Allegretto)
01:32
(Frédéric Chopin) Orion Weiss, The Orchestra Now
12.
Variations on 'La ci darem la mano' for piano and orchestra, Op. 2: III. Variation I (Brilliante)
01:00
(Frédéric Chopin) Orion Weiss, The Orchestra Now
13.
Variations on 'La ci darem la mano' for piano and orchestra, Op. 2: IV. Variation II (Veloce ma accuratamente)
01:02
(Frédéric Chopin) Orion Weiss, The Orchestra Now
14.
Variations on 'La ci darem la mano' for piano and orchestra, Op. 2: V. Variation III (Sempre sostenuto)
01:27
(Frédéric Chopin) Orion Weiss, The Orchestra Now
15.
Variations on 'La ci darem la mano' for piano and orchestra, Op. 2: VI. Variation IV (Con bravura)
01:13
(Frédéric Chopin) Orion Weiss, The Orchestra Now
16.
Variations on 'La ci darem la mano' for piano and orchestra, Op. 2: VII. Variation V (Adagio)
02:44
(Frédéric Chopin) Orion Weiss, The Orchestra Now
17.
Variations on 'La ci darem la mano' for piano and orchestra, Op. 2: VIII. Variation VI (Alla Polacca)
03:47
(Frédéric Chopin) Orion Weiss, The Orchestra Now
18.
Piano Concerto in C# minor, Op. 30: I. Moderato - Adagio - Moderato assai - Allegretto quasi polacca
06:13
(Nikolai Rimsky-Korsakov) Orion Weiss, The Orchestra Now
19.
Piano Concerto in C# minor, Op. 30: II. Andante mosso
03:48
(Nikolai Rimsky-Korsakov) Orion Weiss, The Orchestra Now
20.
Piano Concerto in C# minor, Op. 30: III. Allegro
03:46
(Nikolai Rimsky-Korsakov) Orion Weiss, The Orchestra Now
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