A Glimpse Of The Eternal by David Binney Quartet

David Binney Quartet

A Glimpse Of The Eternal

Price: € 19.95
Format: CD
Label: Criss Cross
UPC: 8712474140824
Catnr: CRISS 1408
Release date: 14 January 2022
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Label
Criss Cross

UPC
8712474140824

Catalogue number
CRISS 1408

Release date
14 January 2022

".....breathtaking collaboration....."

Jazzenzo, 05-2-2022

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Artist(s)

Composer(s)

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About the album

Between 2004 (Bastion of Sanity) and 2016 (The Time Verses), alto saxophonist David Binney made nine albums for Criss Cross as either leader or co-leader, presenting predominantly his distinctive original music. Much of it emanated from his interactions in New York – his home from 1981 until 2018, when he moved to Los Angeles – with a cohort of local musicians comprising a who’s who of contemporary improvisers. During that intense and productive 12-year span, Binney recalls, he often spoke with Gerry Teekens – who founded Criss Cross in 1981 and sustained the label until he died in October 2019, leaving a legacy of over 400 albums, all of them good, some of them classics of the jazz idiom – about making a ballads record. Teekens´ son promised his father to keep the legacy alive and the label going, and after an 18-month recording hiatus he approached some of his´ father’s favorite artists to revive Criss Cross and launch it into the 2020s. One was Binney, who took the opportunity to suggest, “Maybe I should finally do that ballads record in honor of your father.”

The tenth Criss Cross album with Binney’s imprimatur, A Glimpse of the Eternal, is, he says, “completely different than anything I’ve ever done – chilled out, an honest and pleasant vibe, nothing too complicated or intense.” If that self-description seems at odds with the intense, complex tonal personality that Binney has presented on his 30-album discography since 1990...well, that was his intention. He explains: “Initially, I wanted to do something like those almost commercial records from the ’50s or ’60s or ’70s, like a Gene Ammons record I have where he plays these balladlike tunes for 2½-3 minutes.” He adds: “All the guys were superenthusiastic about doing a straight-ahead ballads record.”

Artist(s)

David Binney Quartet

David Binney (alto saxophone)

Acclaimed as a considerable and highly individual compositional talent, saxophonist David Binney is one of the most prolific jazz musicians on the scene today.Winning praise from critics and colleagues alike, David was singled out by Jazz Times as one of a handful of “players who have created an alternative jazz scene… all of whom are playing adventurous, original music.” David’s distinctive saxophone sound and innovative compositions have been heard from basement clubs in New York to jazz festivals in Europe and the world. In addition to his extensive work as a leader, he has been sought after as a sideman, appearing on record with Medeski, Martin & Wood , Uri Caine’s Mahler Project and hundreds of others. David has also appeared...

David’s distinctive saxophone sound and innovative compositions have been heard from basement clubs in New York to jazz festivals in Europe and the world. In addition to his extensive work as a leader, he has been sought after as a sideman, appearing on record with Medeski, Martin & Wood , Uri Caine’s Mahler Project and hundreds of others. David has also appeared on stage with Aretha Franklin, at Carnegie Hall, and with Maceo Parker, to name a few. He has produced all of his own 22 albums, and many others including two of the Lost Tribe releases,Scott Colley’s “The Architect of the Silent Moment”,8 Donny McCaslin releases including the highly acclaimed Casting For Gravity,Fast Future and Beyond Now.

He also put together and produces the band that became the band on David Bowie’s Blackstar

David started his record label, Mythology Records, in 1998.

He has won the Downbeat Critics Poll 3 different times in the Alto Saxophone category. And placed in Producer, Album etc.. As well as in the Jazz Times polls and polls worldwide.

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Craig Taborn (piano)

Hailed by DownBeat as 'one of the visionaries of the current wave', pianist Craig Taborn was born in Minneapolis in 1970 and was already active on the jazz scene during his time at the University of Michigan at Ann Arbor, where he met drummer and long-term collaborator Gerald Cleaver. They made their ECM debuts together in 1997 with Roscoe Mitchell's Note Factory, and both play in Michael Formanek's quartet, an association documented on the ECM recordings The Rub And Spare Change and Small Places. Making his ECM solo debut with Avenging Angel (2011) – and his first solo recording tout court, Taborn found fresh things to say in a voice entirely his own. John Fordham wrote of the album: “His musicality and his attention to detail is hypnotic... as...

Hailed by DownBeat as "one of the visionaries of the current wave", pianist Craig Taborn was born in Minneapolis in 1970 and was already active on the jazz scene during his time at the University of Michigan at Ann Arbor, where he met drummer and long-term collaborator Gerald Cleaver. They made their ECM debuts together in 1997 with Roscoe Mitchell's Note Factory, and both play in Michael Formanek's quartet, an association documented on the ECM recordings The Rub And Spare Change and Small Places.
Making his ECM solo debut with Avenging Angel (2011) – and his first solo recording tout court, Taborn found fresh things to say in a voice entirely his own. John Fordham wrote of the album: “His musicality and his attention to detail is hypnotic... as is his remarkable sense of compositional narrative within a completely improvised performance”.
Two years later, drummer Gerald Cleaver and Thomas Morgan (double bass) joined Taborn to record Chants, the fruit of eight years’ experience of playing together as a trio. Taborn has emphasised the importance to him of the group as a partnership of equals: “I'd much rather engage with the group, always, than have the format be 'piano adventures with supporting cast'”.

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Eivind Opsvik (double bass)

Dan Weiss (drums)

Dan Weiss began playing the drums at the age of six. He received his bachelor’s degree at Manhattan School of Music with a major in jazz percussion and minor in classical composition. Soon after getting his formal education, he began touring the world and recording with musicians such as David Binney, Lee Konitz, Rudresh Mahanthappa, Miguel Zenon, Kenny Werner and many others. In addition to the drums, Weiss has been studying the tabla under his guru Pandit Samir Chatterjee for almost 20 years. This apprenticeship has been a major influence in his musical aesthetic, exemplified in two of his records where he performs classical Indian repertoire on drum set. David Adler All About Jazz ) wrote, “Weiss is arguably unique among...

In addition to the drums, Weiss has been studying the tabla under his guru Pandit Samir Chatterjee for almost 20 years. This apprenticeship has been a major influence in his musical aesthetic, exemplified in two of his records where he performs classical Indian repertoire on drum set. David Adler All About Jazz ) wrote, “Weiss is arguably unique among today’s jazz drummers, transposing ideas from his tabla study to the drum kit, as heard most clearly on Tintal Drum Set Solo (Chhandayan , 2005) and Jhaptal Drum Set Solo. Weiss was also named “The Top Up and Coming Percussionist” two years in a row in the 60th and 61st annual Downbeat’s Critic’s Poll and was featured in the New York Times as “One of the Five Most Promising Drummers of the New Generation.”

Weiss has led his trio, which includes Jacob Sacks on piano and Thomas Morgan on bass, for over a decade. Their two releases “Now Yes When” and “Timshel” have been critically acclaimed for their unique approach to song structure and endlessly creative improvisation. Weiss’s most ambitious work to date is “Fourteen,” a 14 piece ensemble composition that features a rhythm section, horns, voices, harp, percussion and organ.

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